By Matt Brunson

THE PROPOSAL
**1/2
DIRECTED BY Anne Fletcher
STARS Sandra Bullock, Ryan Reynolds

After the stereotypical rom-com inanities of 27 Dresses, director Anne Fletcher partially redeems herself — as both an able filmmaker and a progressive woman — with her latest effort, The Proposal. Working with debuting screenwriter Pete Chiarelli, she’s managed to put out a picture that paints its heroine in one-dimensional strokes only part of the time.

True, The Proposal depicts protagonist Margaret Tate (Sandra Bullock) in the same manner as most Hollywood flicks (see New in Town for another recent example): Because she’s a career woman, she has no time for friends, lovers, hobbies or, apparently, even a rascally Rabbit (the battery-powered kind, that is). She’s a ruthless, soulless workaholic, and the only reason Andrew (Ryan Reynolds) works as her assistant at a New York publishing house is because he figures it’s a good career move. But when it looks as if Margaret will get shipped back to her Canadian homeland because of an expired visa, it appears as if his future will similarly get derailed. Margaret, though, has a plan: Force Andrew to marry her so that she can remain in the country. He reluctantly agrees, and they spend a long weekend in his Alaskan hometown so she can win over his parents (Mary Steenburgen and Craig T. Nelson) and 90-year-old grandmother (Betty White).

That these two will eventually fall for each other will come as a surprise to absolutely no one — not even your own 90-year-old grandmother — yet the predictability of the plot isn’t a detriment, since the film fits as comfortably around our expectations as a favorite old robe hugs our frame. And while the picture occasionally goes out of its way to make Bullock’s character a ninny, the actress refuses to let the role manhandle her, and she and the ever-charming Reynolds work well together. Furthermore, their characters’ relationship is rare in that it offers an older woman-younger man hookup that’s generally a nonentity in mainstream fare (Bullock’s 44 while Reynolds’ 32) and then goes the extra mile by never making their age difference a running, tittering gag at Margaret’s expense.

Unfortunately, Fletcher and Chiarelli can’t help but go for the easy, imbecilic laugh at several key junctures, and the film even stoops so low as to include one of those cringe-worthy moments in which a person declares his devotion to his beloved in front of a crowd of people — honestly, has this ever happened in real life, or do I simply hang out in the wrong coffeehouses/offices/parks/stores? Still, this Proposal has enough merit to warrant some consideration.

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