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Grammys 2010: Wha’ happened?

Monday, February 1st, 2010

First off, why isn’t it spelled Grammies? Why does it get to flaunt the rules of pluralization? But that’s only the most innocuous of problems with this dinosaur of the music industry. Or maybe the music industry’s the dinosaur. Did I just blow your mind, man? Either way, below is a play-by-play of the excruciatingly banal, the terrifically bizarre, and the pleasantly surprising moments of last night’s awards. Also, Georgia musicians that done done good.

The telecast opened in the gayest way possible (and I don’t mean that in a bad way), with weirdo-flavor-of-the-moment Lady Gaga sitting across a creepy hand-laden piano from onetime Atlanta resident Sir Elton John. After Gaga delivered a medley of some of her hits (what is the deal with the medley, Grammys?), she sat down with Elton and growled, “I wanna be a staaaaaar!” Then they played together. It was off-putting and a little scary. Anyway, they both looked crazy, and it was sort of enjoyable. At the least, it was the most fitting collaboration of the night.

As much as I like Stephen Colbert, his niche-y brand of comedy always fails to go over well in front of a large audience. Anyone remember the White House Correspondents’ Dinner? So it was on Grammy night, as he whipped out his brand new iPad in a weird new style of ironic product placement. Meh, meh, meh.

Sidenote: What’s up with the one Jonas Brother who looks like a hipster? Is he going to break off from the rest of the pack and go record his gritty solo album with Steve Albini? I hope so, and not.

Now it was time for the award for Song of the Year, which Beyonce won for “Single Ladies (Put a Ring On It),” which was a big “duh.” If any of the others had taken it (Kings of Leon?) there would probably have been mass rioting. I guess the Great Kanye Debacle of 2009 has taught all awards shows that if Beyonce’s up for something, you’d better fucking give it to her, and how. Oh, but Beyonce was busy preparing for her big performance, and so the dudes who actually wrote the song — Atlantans Christopher “Tricky” Stewart and Terius “The Dream” Nash — went up to accept the award. I always forget that most of these folks don’t write their own songs. Music!

Green Day has a broadway musical coming out. Remember when they were a punk band? Yeah, me either.

(more…)

Asher Roth responds to Eminem comparisons with ‘As I Em’

Thursday, March 26th, 2009

Album reviews are already trickling in for Atlanta-based Asher Roth — the industry’s pick for the next white rapper to blow. (Incidentally, he’s managed by Atlantan Scooter Braun, who was the subject of a Creative Loafing cover story in 2006.) Roth’s debut, Asleep in the Bread Aisle, is scheduled to be released in mid-April.

A quickie review from RapRadar.com focuses on the song, “As I Em,” on which Roth addresses the rampant Eminem comparisons he’s garnered:

As I Em

Here’s the one that’s gonna get the Internets crazy. Roth goes right at it and addresses the elephant in the room. That’s right the Em is for Eminem as Roth breaks down the comparisons and pours out his heart and soul. Can see the line of journalists waiting to ask Marshall what he thinks of the record now.

Read the full review. Stay tuned to CL for an upcoming Asher Roth feature.

Kill the noise: music used to torture terrorists

Monday, December 15th, 2008

Dr. Dre, AC/DC, the Bee Gees, and the big, purple annoyance known as Barney are just some of the acts whose music is used by the Feds to torture terrorism suspects, according to a story in yesterday’s AJC.

Other acts include Drowning Pool, Eminem, Queen, Metallica, and Nine Inch Nails. Perhaps Metallica co-founder James Hetfield sums it up best:

“We’ve been punishing our parents, our wives, our loved ones with this music forever. Why should the Iraqis be any different?

Read “Music used as torture device.”