Crib Notes

NEW DISCLAIMER!!!!!
Remember in my first blog when I said I’d try to express my opinions without getting beat up by some gangster rapper I might run into someday? Well now I’m gonna try and do that without getting beat up by some Hipster rapper that I def will, and HAVE, run into. I know some of y’all are waaaay more hood than hipster and are just trying to get paid, but if any of you all have a problem with my words it’s not Creative Loafing, crib notes, Godney Starmichael, RAD BADFORD, Supreeme, or any of them. It’s me and my rants again. And white people, I know you’re really sensitive about race these days…so this one’s not about race or gender or sex….Its just about music!!!

THROUGH THE LOOKING GLASS: HIPSTER HOP, THE SUB-GENRE THAT I’M NOT SURE EXISTS
Being a skinny rapper who isn’t “socially conscious” or dealing coke on record (in real life I’m a Huey P. Newton idolizing Tony Montana), I had a deep seated fear of being lumped into what is now called Hipster Hop. It seems as if anyone whose clothing fits and doesn’t rap about the struggle or the hustle gets lumped into that scategory. For those of you who don’t know, the term hipster no longer only applies to white kids who did psychedelic drugs and listened to Miles Davis. Now it applies to Filipino dudes in exclusive Japanese tees and sneakers, cokehead art student chix who only like “dance music” (cocaine robot remixes), gender ambiguous dudes with fancy haircuts and American Apparel shirts, weird black guys with messy perms who AREN’T hairdressers, and pretty much most people @ DSC, Sloppy blah, Cinespace (LA), Silent Barn (NYC), Sway (NYC), Broke n…Bang Bang blah blah blah.

The term is used almost haphazardly to describe people who often don’t have that much in common. A wave of rappers are coming out of this 238 BPM fashion-cocaine-Macbook-Japan-MySpace-based miniverse who are being called Hipster Hop. My friends and I debate if this subgenre has any signifying sonic markers. I am going to attempt to pinpoint what separates hipster hop from the rest of rap.

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YOUNG, BLACK AND WEIRD: Hollyweerd rocks the Drunken Unicorn.

(Photos by Hannibal M.)

“We on some black hipster shit in here!” announced Wil May, host for the hip-hop showcase “Perfect Attendance.” Yes, it’s true: Atlanta’s black hipsters are back and in full force. For the past several months, they’ve been organizing concerts and parties with the fervor of punk rock bands. Rarely a week goes by without a show featuring either Proton, Gripplyaz or Hollyweerd. Typically, all three were on the Perfect Attendance lineup.

Perfect Attendance was held at the Drunken Unicorn Friday, Feb. 8. It was presented by Fadia Kader’s Come Up Kids crew, and much of the two-hour showcase featured Jaspects as both lead performer and backing band. Several of the scene’s players were either performing or were in the audience, including Battery 5, Kid Kaos and others. Perfect Attendance was just the latest of dozens of events seeking to inflate the ATL hip-hop buzz to record levels, but it was as good an opportunity as any to see what the hype was all about.

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HIP TO BE WEIRD: Hollyweerd

(Photo by Hannibal M.)

It may sound reminiscent of OutKast, but Hollyweerd is definitely unique, and the group is creating a huge buzz in the Atlanta underground hip-hip world.

The group has just been added to the list of artists competing for Urb magazine’s “Next 100″ list of 2008. Urb.com says:

“The great thing about Holly Weerd is that they have the perfect balance of familiarity and expansion. There spaceship travels upon breathing synth melodies and staple drum patterns have gotten them much love on local radio and an average of three hundred myspace plays a day! Not bad for a group of atliens who don’t even belong to a label.”

You can check them out with Yelawolf, Rita J, Fiona Simone, Gripplyaz, and DJ Mafioso at the Drunken Unicorn on Saturday, Feb. 2. Doors open at 9 p.m. $5 before 11 p.m., $10 after.

Also, look for Maurice Garland’s story on Hollyweerd to run in next week’s print edition.

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