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Atlanta in the year-end lists: How’d we do?

Friday, December 18th, 2009
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Bradford Cox

Well, it’s that time of year again — the time when magazines, blogs and newspapers fall over each other to spit out their “Best of Year XXXX” lists. How do we define 2009? What albums and bands really mattered this year? Which records were the best, the most meaningful? Usually, about 30 percent of the records on these lists are trendy, of-the-moment releases that will sound horribly dated in a few years (”Dan Deacon? What is this, 2009?”), but it’s also true that they can be useful in compiling some of the year’s legitimate best. We’ve reached the bitter end of a whirlwind week of lists and look-backs and all the hyperbolic sputterings that accompany such undertakings, and one question burns in our minds: how did our local heroes fare?

Well, about as well as you’d expect, it turns out. The indie rock media continues its love affair with all things Bradford Cox, local metal maniacs Mastodon turn up here and there, and Savannah guitarmonists Baroness even put up some impressive numbers. But there was the occasional surprise. Here’s a rudimentary compilation (with links) of some instances of the A representin’ to the fullest.

Cox’s solo project Atlas Sound shows up virtually everywhere in this ish. His latest, Logos, was the most unanimously lauded album to emerge from our city this past year. NME ranks the record 48th out of 50, writing quite inanely, “Much like Starbucks, Bradford Cox has become a ubiquitous presence.” Thanks for that, guys. Now every time I hear Deerhunter I’ll only think about sippin’ on a frothy, delicious caramel macchiato. PopMatters labels Atlas Sound’s “Walkabout” as the 12th best single of the year, and Pitchfork heaps tonz’a praise on the damn thing, with “Quick Canal” and “Walkabout” showing up on their Top 100 Tracks of 2009, and Logos coming in at 18th on their list of the best albums. Meanwhile, the washed-up has-beens over at Spin magazine at least continue to recognize some good music when they hear it, and put “Walkabout” on their list of the year’s best songs. Sidenote: I tried to look at their “40 best albums” list, but the very first one was Kiss‘ comeback album, so I didn’t even continue reading. Spin sucks. I won’t even link to it, because that’s just dumb. Anyway, Atlas Sound is on a bunch of other lists, too, probably. Good job B-Cox.

Meanwhile, Mastodon killed it with their 2009 release Crack the Skye, appearing lots of places, including the Chicago Tribune, if you can believe it. Local magazine Paste calls Skye the 19th best album of the year, and PopMatters bumps it all the way up to 8th. Over at Decibel, a metal magazine for metalheads, heavy Georgia music did quite well, with Mastodon and Kylesa both in the top 20, and Baroness’ Blue Record coming in at number 1! Go Baroness!

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What is KISS?

Tuesday, October 27th, 2009

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In the technical world of music categorization, we ask: is it appropriate to call KISS a glam band? Or are they more heavy metal? We call them “Satanic glam rock,” but check out our latest photo gallery of their Monday night performance at Philips Arena, part of the KISS: Alive 35 Tour, to decide for yourself.

How would you define KISS?

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KISS guitarist Paul Stanley goes emo for September art show

Tuesday, August 19th, 2008

The artiste, Paul Stanley

In September long-time KISS guitarist and vocalist Paul Stanley will present two free exhibitions of his paintings at two different Wentworth Gallery locations in Phipps Plaza (Fri., Sept. 19) and at The Perimeter Mall (Sat., Sept. 20).

According to a recent press release, “Stanley creates portraits and abstracts that are emotionally charged compositions. He aims to maximize the direct, physical impact of his paintings through scale, texture, color and simplicity of images.”

Yeah right. It’s hard to believe that the man who once fronted KISS, the guy who personally delivered shock metal to suburban American homes in the ’70s, and made religious zealots and parents groups wet themselves in fear is now churning out paintings such as these two um… lovely pieces, respectively titled Peace and All You Need Is Love (to see the images click “read the rest of this entry”). Really, these two paintings kind of speaks for themselves, but there are plenty of other images of stars and the statue of liberty over at Mr. Stanley’s website.

Wentworth Gallery’s site makes the bold claim that “One sees in Paul’s abstracts the influences of Kandinsky, Mondrian, Malevich, Paul Klee and Mark Rothko.”

Really where?

Knights In Satan’s Service this is not…

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