Crib Notes

According to REMhq.com, REM will release

On October 26th, R.E.M. will release Live at the Olympia, a two-CD set of 39 songs from the group’s ‘working rehearsals’ in Dublin, Ireland,” produced by Dubliner Jacknife Lee who co-produced their album Accelerate.

“Live At The Olympia” ventures back to the first week in July 2007, when R.E.M. set up camp at the venerable Olympia Theatre in Ireland’s capital city and tested new material over five nights before fired-up, capacity crowds comprised of fan club members, friends, family, and fans from all over the world who were party to R.E.M.’s so-called ‘experiment in terror.’ ‘We were just trying to do something we hadn’t done before,’ said guitarist Peter Buck, ‘which meant there was no relaxing during the set. Every second we were playing something we didn’t know all that well. Which was kind of good… there were all kinds of terror elements going on during that show.’

…A special edition 2 CD & DVD set will contain a film of the Dublin shows by Vincent Moon and Jeremiah, who previously worked with R.E.M. on “Ninetynights,” “Six Days,” and the video for “Supernatural Superserious.”

Stream “Driver 8″ live.

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For today’s Roll Call we call out Robyn Hitchcock.

Who are you?
I am me.

Describe yourself in three words.
I am him.

Who — dead or alive —would you most like to meet?
Janis Joplin.

Who would you most like to slap in the face?
Daytime television.

What song do you wish you had written?
“The Main Thing” by Bryan Ferry.

Elvis Costello or Elvis Presley?
Presley as a singer, Costello as a songwriter.

LP, CD or MP3?
They are all different stages of the same thing. But only an LP will survive the digital age. And sheet music, of course.

If you could start one trend, what would it be?
Turning off the lights when you aren’t in the room.

If you could end one trend, what would it be?
Male violence.

With whom would you most like to playa game of spin the bottle?
Jim Morrison.

Robyn Hitchcock and the Venus 3 play the Variety Playhouse on Tues. April 7. $17.50 (adv). $20 (door). 8 p.m. Variety Playhouse, 1099 Euclid Ave. 404-524-7354.

(Photo courtesy Yep Roc.)

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According to REMHQ.com Peter Buck’s “signature Rickenbacker guitar was stolen from the stage immediately” after R.E.M.’s show in Helsinki, Finland last night.

The guitar in question has been a part of the band since they recorded Chronic Town way back in ‘82, so there’s a certain sentimental attachment to it and they want it back.

If you have any information, send an e-mail to fanclub@remtour.com or phone (001) 706 353-6689.

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R.E.M. bassist Mike Mills gave his honest assessment on Michael Stipe’s lyrics, and also talked about the band’s well-reviewed recent tour during a conversation with CL contributor, Ben Westhoff.

You’ve said before that you generally don’t ask Stipe about his lyrics. Do you sometimes feel like you don’t know exactly what he’s talking about?

There are occasions what I’m not exactly sure what he was thinking when he wrote the lyrics, but that doesn’t matter. The only important thing is that the songs give you a sense of passion, or some sort of image within your own mind. What Michael’s thinking is not always that important. And that’s not to diminish what his intent is with the lyrics in any way, I’m just saying that it’s the listener’s perception that’s most important.

THREE-HEADED MONSTER: Peter Buck (left to right), Michael Stipe and Mike Mills. R.E.M. performs w/Modest Mouse and the National this Sat., June 21. $35-$75. 6:30 p.m. Lakewood Amphitheatre, 2002 Lakewood Way. 404-443-5000. www.livenation.com.

Many songs on Accelerate seem fairly political. Does that make them easier to understand?

You know, I generally know what he’s talking about on almost every song. There may be one song per record where I don’t know where he’s coming from. But again it doesn’t matter, because as long as I get some sort of mental picture, it doesn’t have to be the same one he has. And, really, there’s only been one or two songs in the history of R.E.M. where I’ve ever actually felt like I needed to ask him what he was thinking. Usually I just take my own interpretation of it and I’m happy with that.

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