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Proton wants you for ‘Fuck the Economy’ video shoot

Tuesday, June 9th, 2009

Normally, I wouldn’t jack an entire post. Goes against my journalistic ethics and shit. But consider this a public service announcement.

Atlanta hip-hop duo Proton is shooting a video for the song “Fuck the Economy” (priceless title!) this Saturday in Castleberry Hill and elsewhere, and they need extras.

Haven’t heard the song yet but its produced by SMKA so I expect good things, coupled with Proton’s knack for witty repartee (imagine that, my first big word all day).

Peep the details from SMKA’s blog post below:

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Roll Call: The Dreamer of Hollyweerd

Thursday, February 19th, 2009

For this edition of Roll Call, we call out the Dreamer of Hollyweerd.

Who are you?
THE DREAMER aka a visionary

Describe yourself in three words.
Cool. Confused. Focused.

Who — dead or alive — would most you like to meet?

Jesus

What song do you wish you had written?
“The Lady Wants to Know” by Michael Franks

Lil Wayne or Little Walter?
LIttle Walter. I like some Sinbad.

LP, CD or MP3?
8 Traxx

If you could start one trend, what would it be?
The mullet!!

If you could end one trend, what would it be?
Hating

With whom would you most like to play a game of spin the bottle?
Whoppi Goldberg and Shug Avery. LOL

The Clipse, Hollyweerd, Proton, Born Wit It. Feb. 19. 18-and-up. $10. 9:30 p.m. 595 North, 595 North Ave. 404-835-2329. www.595north.com.

Roll Call: Thomasan of Proton

Thursday, December 4th, 2008

For this edition of Roll Call, we call out Thomasan of Proton.

Who are you?
Thomasan; a Chicago born writer, rapper, and producer.

Describe yourself in three words.
Tsk, tsk, tsk.

Who — dead or alive — would most you like to meet?
Quincy Jones

Who would you most like to slap in the face?
M. Night Shyamalan

What song do you wish you had written?
“The Alphabet Song”

Lil Wayne or Little Richard?
How about Lil Wayne and Little Richard together at an awards presentation. Lil Wayne says to Little Richard, “Pleased to meet you, no homo,” and Little Richard says, “Shut Up!”

LP, CD or MP3?
LP if adding to my collection, CD if in the car, MP3 if on the computer.

If you could start one trend, what would it be?
Vintage ghetto couture

If you could end one trend, what would it be?

I would end the fairly recent “bad is good” music phenomenon. Ignorance is contagious, and equally as infectious.

With whom would you most like to play a game of spin the bottle?

How about the models from Italian Vogue’s “All Black” issue?

Proton with Stanza, Spree Wilson and Colin Munroe. $10. 9 p.m. Sat., Dec. 6. Lenny’s Bar, 486 Decatur St. 678-760-9152.

(Photo courtesy Hannibal Matthews)

SMKA Productions’ The 808 Experiment: Vol. 1 reclaims Atlanta’s hip-hop identity

Thursday, November 20th, 2008

God bless the child that’s got his own.

From the outset of SMKA Productions‘ newly released compilation, The 808 Experiment Vol. 1, it’s clear that Atlanta has finally arrived.

Surely, you say, the hip-hop capital of the world is no newbie to rap’s all-encompassing map. And you’re right. But among Atlanta’s emerging rap underworld — filled with hipster-leaning hoppers, 2nd generation ATLiens, and otherwise unidentifiable but objectively fly MCs — that original, Dirty South sound had been all but bleached out and forsaken. Until now.

With The 808 Experiment, SMKA accomplishes the seemingly impossible: It bridges Atlanta’s slick, hipster-hop derivative with the indigenous, red clay swagger for which the A has always been known.

Beats simultaneously swim in bass-drunk, 808 kicks while dancing between melodic, pastel-colored keys. Even when SMKA dares to sample esoteric pop songs like Sting’s “Englishman in New York,” the resulting track ["Alien (When in Rome) feat. Jay West, Savage and Gilles] is certifiably stamped “ATL.”

Their secret weapon? SMKA producers Blake “808 Blake” German and Kyle “7King” King, along with in-house “hustler” Mike Walberg, are all Atlanta natives. Damn near unheard of in this day and age, right? Meanwhile, the compilation features plenty among the city’s rising crop of natives and transplants alike, including Gripplyaz, A. Leon Craft, and Young Trimm (”Caddy”), trio Supreeme (”I’m On Fire”), Wil May (”Sweet Confusion”), and o8o of T!Katz (”Fire in the Hole”). But some of the biggest surprises come from lesser known cats who turn in equally stellar performances, including Double R of Miami, Nuff Sed, J Beans, Dee Rail, Fat Tony, Niko Villamor, Jay West, Rome Fortune, J Young, Radcliff Hyphen, Crysis, Brandon Michael, Toussaint, Alexandria Lushington and Tom P of Decatur. El da Sensei of New Jersey-based Artifacts is also featured.

With only 48 hours since it’s release it’s impossible to say just yet, but here’s hoping The 808 Experiment represents a truly formative moment in what’s already proven to be a watershed year for Atlanta’s slightly off-the-radar hip-hop movement.

Needless to say, I had to talk to the guys behind SMKA to find out where the heck they’ve been hiding. Oh, and you’ll never guess what SMKA stands for?

DOWNLOAD: The 808 Experiment Vol. 1

Y’all seem to have come from out of nowhere?
Mike: I’d say that’s pretty much right. 7King has been an engineer for awhile, he’s worked out of a couple of studios around town. 808 Blake has been producing for about five years since his freshman year in college. And I went to a business school out in L.A. So it’s kind of a motley crew. But we went to high school together at Paideia, but since graduation we all started doing our own thing and then Blake kinda got us all together and wanted to get serious about it. So it started about four months ago, man, at Chik-Fil-A during lunch, and we just kinda said let’s start a company and get serious about it.

What Chik-Fil-A were y’all at?

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Proton scores cool points for Atlanta hip-hop

Thursday, October 16th, 2008

Nowadays, the phrase “Atlanta hip-hop” tends to cause mass cringing — especially in the midst of the BET Hip-Hop Awards (happening this weekend). So here’s a cool diversion to remind everyone that Atlanta hip-hop is more than a double-sided snap/trap rap coin.

Check out Proton’s new video for “Fade Away,” produced by Artemus Jenkins (cool name, huh?), above. The song features Proton rapping over Santogold’s “Starstruck.”

The duo’s new mixtape, Red & Purple Vol. 1, is something of a novelty-themed project — every song features female guest artists, or Proton remixes of songs released by Atlanta’s including Slick & Rose, Muffy, Janelle Monae and such out-of-towners as Jessica Tonder, Amanda Diva and M.I.A.

Download Red & Purple Vol. 1 here.

Tonight’s monthly Broke $ Boujee party serves as the official mixtape release with performances from Proton, Gripplyaz, Brittany Bosco and Young Bishop. Ian Ford hosts. The Five Spot, 1123 Euclid Ave. 404-223-1100. www.fivespot-atl.com.

Spring Break Forever: Hipster hop is, um, dead

Friday, May 30th, 2008

neg2-1.jpgNEW DISCLAIMER!!!!!
Remember in my first blog when I said I’d try to express my opinions without getting beat up by some gangster rapper I might run into someday? Well now I’m gonna try and do that without getting beat up by some Hipster rapper that I def will, and HAVE, run into. I know some of y’all are waaaay more hood than hipster and are just trying to get paid, but if any of you all have a problem with my words it’s not Creative Loafing, crib notes, Godney Starmichael, RAD BADFORD, Supreeme, or any of them. It’s me and my rants again. And white people, I know you’re really sensitive about race these days…so this one’s not about race or gender or sex….Its just about music!!!

THROUGH THE LOOKING GLASS: HIPSTER HOP, THE SUB-GENRE THAT I’M NOT SURE EXISTS
Being a skinny rapper who isn’t “socially conscious” or dealing coke on record (in real life I’m a Huey P. Newton idolizing Tony Montana), I had a deep seated fear of being lumped into what is now called Hipster Hop. It seems as if anyone whose clothing fits and doesn’t rap about the struggle or the hustle gets lumped into that scategory. For those of you who don’t know, the term hipster no longer only applies to white kids who did psychedelic drugs and listened to Miles Davis. Now it applies to Filipino dudes in exclusive Japanese tees and sneakers, cokehead art student chix who only like “dance music” (cocaine robot remixes), gender ambiguous dudes with fancy haircuts and American Apparel shirts, weird black guys with messy perms who AREN’T hairdressers, and pretty much most people @ DSC, Sloppy blah, Cinespace (LA), Silent Barn (NYC), Sway (NYC), Broke n…Bang Bang blah blah blah.

The term is used almost haphazardly to describe people who often don’t have that much in common. A wave of rappers are coming out of this 238 BPM fashion-cocaine-Macbook-Japan-MySpace-based miniverse who are being called Hipster Hop. My friends and I debate if this subgenre has any signifying sonic markers. I am going to attempt to pinpoint what separates hipster hop from the rest of rap.

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Proton and Gripplyaz take A-town to the Apple

Wednesday, February 27th, 2008

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HOT APPLE TURNOVER: Chi-town native and A-town representative, Thomasan of Proton, works up a sweat in NYC. (photos provided by Fiona Bloom)

As the buzz continues to build about Atlanta’s less celebrated (read: commercially exploited, critically mapped) hip-hop scene, Proton and Gripplyaz acted as ambassadors last week, taking their show on the road for the A Town vs. H Town showdown in NYC.

Held at the 205 Club, the point of the party was to feature rap acts that go against the grain of popular perception when it comes to Atlanta and Houston.

Gripplyaz was also featured. Check out more flicks below the break: (more…)

Jaspects, Janelle Monae, Proton equal ‘Perfect Attendance’

Tuesday, February 12th, 2008

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YOUNG, BLACK AND WEIRD: Hollyweerd rocks the Drunken Unicorn.

(Photos by Hannibal M.)

“We on some black hipster shit in here!” announced Wil May, host for the hip-hop showcase “Perfect Attendance.” Yes, it’s true: Atlanta’s black hipsters are back and in full force. For the past several months, they’ve been organizing concerts and parties with the fervor of punk rock bands. Rarely a week goes by without a show featuring either Proton, Gripplyaz or Hollyweerd. Typically, all three were on the Perfect Attendance lineup.

Perfect Attendance was held at the Drunken Unicorn Friday, Feb. 8. It was presented by Fadia Kader’s Come Up Kids crew, and much of the two-hour showcase featured Jaspects as both lead performer and backing band. Several of the scene’s players were either performing or were in the audience, including Battery 5, Kid Kaos and others. Perfect Attendance was just the latest of dozens of events seeking to inflate the ATL hip-hop buzz to record levels, but it was as good an opportunity as any to see what the hype was all about.

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