DIG THIS!

CL flickr

Visit our You Shoot page.

Gnarls Barkley: Open-heart surgery

Saturday, August 9th, 2008

music_feature1-1_14.jpgBy Ben Westhoff

Ten years from now — or whenever it is we finally come up with a name for the decade we’re currently living in (my vote is for “the aughts”) — no musical act will better epitomize the sound of the times than Gnarls Barkley.

With the duo’s predilection for genre hopping (hip-hop, R&B, indie rock, gospel), ability to concoct a monster single (”Crazy”), and penchant for promoting itself with pop culture imagery (The Big Lebowski, Napoleon Dynamite), it’s surely the most zeitgeist-capturing act around.

Essentially composed of a rapper who sings (Atlanta native Cee-Lo Green) and a mashup specialist who makes breathtakingly original beats (Atlanta/Athens native Danger Mouse), the pair somehow creates touching, soulful music. Buried beneath their technology, gimmicks and nerdy references lie universal truths that seem to reach people in different ways.

Take “Who’s Gonna Save My Soul,” a weepy lament off the group’s sophomore album, The Odd Couple. Green says the song was written in memory of James Brown, but for the recently released video, he wanted something to convey the theme of heartache in general terms. So in the Chris Milk-directed video, a girl breaks up with her boyfriend at a diner. He then proceeds to cut open his chest with a butter knife, pull out his heart and place it on a saucer. The dripping organ then rises and begins to sing Cee-Lo’s woeful lyrics into a stalk of broccoli.

Read the rest of this article here.

(Photo courtesy Jeremy & Claire Weiss)

NY Times takes time to listen to new Gnarls Barkley

Tuesday, April 8th, 2008

51otxovvvl_ss500_.jpgMainstream media’s reaction to Gnarls Barkley’s second CD, The Odd Couple, has been rather, well, odd — in a way that’s so typical of the times. Without a first single to match the hysteria of the iPod smash “Crazy” from the duo’s debut St. Elsewhere, the follow-up hasn’t garnered half as much attention — or album sales.

But Sunday’s New York Times ran a good story on the Georgia boys and their stunning sophomore release, featuring Danger Mouse’s dark, hypnotic palette of ’60s rock references and Cee-lo’s surreal songwriting.

Generation iPod might not get it yet, but history will prove that this album is actually an improvement upon the first.

Hopefully Gnarls Barkley won’t wait for the world to catch up.