CD review: Acid Mothers Temple, Dark Side of the Black Moon: What Planet Are We On?

This year, the Japanese psychedelic-metal collective Acid Mothers Temple stayed busier than most and released four albums.
Their latest, Dark Side of the Black Moon: What Planet Are We On? is unaltered in the slightest from their innumerable previous outputs, and if anything, their style – a distinct rupture of metallic speed – has swelled into an even more berserk tempest.
No other band makes music so extreme; not extreme like a Mountain Dew commercial, but more comparable to the overzealous pursuit of distilling only what is required to showcase a lack of moderation.
There are no interludes, no breakdowns, no calm patches, no introspection, and not an iota of breathing room, because once Dark Side awakens, every instant fires full throttle, with a demented treatment of overlapping guitars charging imponderable beats-per-minute, the swarm of fizzy intergalactic effervescence, and the unequivocal jangle of tribal psychedelia heard in pastoral Bavarian communes during the late ’60s. Read the rest of this entry »












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