When I ventured to Ybor City last week for The Hold Steady show at the Ritz, I had no idea I’d come face to face with my very first professional sex worker. Or in street terms, you might refer to her as a call girl. An unplanned event like this could only take place on a damp, sticky night in Ybor.
“Appropriationist” artists like Richard Prince and Jeff Koons are running into trouble with “sampling” just as musicians have. It’s all about copyright, or lack thereof. The Wall Street Journal’s Daniel Grant reports on recent cases, and the legal gray areas in which they reside. The lawsuit against Prince was filed by French photographer Patrick Cariou, who accuses Prince of making unfair use of Cariou’s photos of Rastafarian culture in Jamaica. Prince first made a name for himself by re-photographing those infamous Marlboro Man “cowboy” ads, as in the photo at left. Just as he arguably “transformed” those ads, he used Cariou’s photos as materials for his own paintings, transforming them (and commenting upon them) in the process. But as Grant points out, one man’s “transforming” is another man’s “stealing.”
But there are other reasons to be upset about Prince’s Rastafarian series, at least according to one observer. A story about the case in Art Newspaper provoked an ethnographer to comment that Prince’s paintings are offensive because they’re racist. Read his angry criticisms after the jump. Read the rest of this entry »
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