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Speakeasy with Outkast’s André Benjamin

Monday, March 2nd, 2009

Outkast’s André Benjamin remains the headmaster of “Class of 3000,” even though Cartoon Network ceased production of the animated school daze comedy after 26 episodes. “Class of 3000” is transferring to a new medium, however, as the Alliance Children’s Theatre presents the world premiere stage adaptation beginning Fri., March 6. Benjamin, the show’s creator, executive producer and vocal star as the inspirational Willy Wonka-esque music teacher Sunny Bridges, discusses the TV series’ origins and its transition to the stage.

Did you ever have an inspirational teacher like Sunny?
I’ve had a few in my lifetime. What inspired the character (played by Atlanta’s Sinatra Onyewuchi at the Alliance) was the fact that I wouldn’t want to be Andre 3000 forever. I’d eventually want to leave the stage. I never thought about being a music teacher, though. I wanted to be an art teacher, because I also draw and paint, and I remember art teachers who were like Sunny. My guitar teacher right now, Zaza, he’s a teacher like that, too. He’s a fun time, and I can enjoy that, even though I’m 33 years old.

How did you originate “Class of 3000?
I was approached by Cartoon Network first. Once they gave me an offer, they wanted to see what show I wanted to create. Originally it was going to be an Adult Swim show, but the more I got into it, I started shaping it into a mainstream, prime-time kind of thing.

You provided a new song for every episode, five of which appear in the stage play. Was it different writing songs for a young audience, compared to your usual audience?
I wasn’t trying to water down the music aspect of the show just because it was for kids. You watch old “Peanuts” or “Fat Albert” shows, they weren’t necessarily kids’ songs. On “Peanuts,” you’re listening to jazz by Vince Guaraldi. I want to make sure that kids had something to listen to that wasn’t teeny bopper songs — although we would do those, too, if they fit into the story. I wanted to give them a little jazz, ragtime, blues, funk music, with the hope that if kids heard those kinds of music later, they’d say, “Hey, I remember this kind of song!” I thought that was fitting, since I play a music teacher. I also wanted to show how different kinds of songs, like classical music, could be reinterpreted in new ways, which is what I like to do with my other kinds of music.

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Alliance Children’s Theatre and Opus say “Goodnight, Moon”

Wednesday, November 12th, 2008

The Alliance Children’s Theatre and Berke Breathed’s now-retired comic strip “Opus” share a common, current fascination with one of America’s favorite bedtime stories. The soothing picture book Goodnight, Moon by Clement Hurd and Margaret Wise Brown has helped children drift off since the 1940s. Through Nov. 16, the Alliance Theatre is staging Chad Henry’s musical adaptation, and The Atlanta Journal-Constitution’s Pierre Ruhe says his preschool son loves both the book and the production. Ruhe adds,

Rosemary Newcott’s direction, in fact, has the opposite effect of the book. In striped pajamas, his cotton tail peeping out the back, Little Bunny (Derek Manson) and his pink-pajama’d pal Mouse (Sharon Litzky) apparently downed a couple of Red Bulls after dinner. They’re clearly on a sugar and caffeine high…

Meanwhile, Goodnight Moon literally provides the final resting place for Opus, a sad-sack everyman who happens to be a penguin in Breathed’s comic strip of the same name. “Opus” ran from 2003 through 2008, and in its final arc, Breathed (as “the creator”) and Elvis appeared to Opus and told him to find the place where he wanted to be forever. After various adventures, the final strip appeared in late October on the website of The Humane Society of America and sent Opus off to final reward: asleep in the last page of Goodnight Moon.

Alliance’s 2008-09 lineup includes August Wilson, Andre 3000 (sort of)

Thursday, February 28th, 2008

classof3000.jpg(Image courtesy of Cartoon Network)It seemed like it was only yesterday (actually, it was Tuesday) that I said “Gem of the Ocean and Radio Golf are the two plays of August Wilson’s 20th-century play cycle that have not yet received Atlanta productions.” Turns out that both plays will receive high-profile productions during the Alliance Theatre’s newly announced 2008-2009 season.

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