
Soprano Teri Dale Hansen sings with the ASO on New Year's Eve.
The Atlanta Symphony Orchestra bids farewell (and good riddance) to 2008 with the help of two powerhouse vocalists, soprano Teri Dale Hansen and tenor Eric Van Hoven, under the baton of conductor Michael Krajewski. Van Hoven made his New York debut with the New York City Opera and has impeccable classical credentials, while Hansen has won international recognition as a Kurt Weill specialist and a crossover artist who moves between opera and musical theater styles. Both former Florida State University students, they offer a tag-team discussion of the ASO’s New Year’s Eve show, which begins at 8 p.m. Dec. 31.
Do New Year’s Eve shows have a unique vibe?
Hansen: Absolutely. I think it’s pretty much a drunken vibe. We start the evening by drinking, which sets the tone early.
Van Hoven: This show, involving more classical music than usual, I find takes on an entirely different feeling. If it was a Lerner & Lowe revue, we’d spend the evening moving through their collaboration. In this one, because of the combination of early pieces and later ones, we’re bringing more of an updated feeling to the opera pieces. We don’t necessarily want to do it in character as we would in opera — we want to entertain and connect to the audience.
Hansen: It’s opera presented in an entertaining way, not like it’s been extracted from the original show. It’s an interactive show. It’s 3-D. It’s hands-on. Eric sings “La donne e mobile,” which is sung by the biggest cad in Rigoletto, so Eric’s going to go out in the house and accost all of the women.
Van Hoven: Not all of them. Just two or three. (more…)