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Speakeasy with Outkast’s André Benjamin

Monday, March 2nd, 2009

Outkast’s André Benjamin remains the headmaster of “Class of 3000,” even though Cartoon Network ceased production of the animated school daze comedy after 26 episodes. “Class of 3000” is transferring to a new medium, however, as the Alliance Children’s Theatre presents the world premiere stage adaptation beginning Fri., March 6. Benjamin, the show’s creator, executive producer and vocal star as the inspirational Willy Wonka-esque music teacher Sunny Bridges, discusses the TV series’ origins and its transition to the stage.

Did you ever have an inspirational teacher like Sunny?
I’ve had a few in my lifetime. What inspired the character (played by Atlanta’s Sinatra Onyewuchi at the Alliance) was the fact that I wouldn’t want to be Andre 3000 forever. I’d eventually want to leave the stage. I never thought about being a music teacher, though. I wanted to be an art teacher, because I also draw and paint, and I remember art teachers who were like Sunny. My guitar teacher right now, Zaza, he’s a teacher like that, too. He’s a fun time, and I can enjoy that, even though I’m 33 years old.

How did you originate “Class of 3000?
I was approached by Cartoon Network first. Once they gave me an offer, they wanted to see what show I wanted to create. Originally it was going to be an Adult Swim show, but the more I got into it, I started shaping it into a mainstream, prime-time kind of thing.

You provided a new song for every episode, five of which appear in the stage play. Was it different writing songs for a young audience, compared to your usual audience?
I wasn’t trying to water down the music aspect of the show just because it was for kids. You watch old “Peanuts” or “Fat Albert” shows, they weren’t necessarily kids’ songs. On “Peanuts,” you’re listening to jazz by Vince Guaraldi. I want to make sure that kids had something to listen to that wasn’t teeny bopper songs — although we would do those, too, if they fit into the story. I wanted to give them a little jazz, ragtime, blues, funk music, with the hope that if kids heard those kinds of music later, they’d say, “Hey, I remember this kind of song!” I thought that was fitting, since I play a music teacher. I also wanted to show how different kinds of songs, like classical music, could be reinterpreted in new ways, which is what I like to do with my other kinds of music.

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Animated superheroes burst from shadows of live-action films

Monday, March 2nd, 2009
Unlike animated features, live-action adaptations require intricate and expensive special effects, such as Jon Osterman's (Billy Crudup) transformation into Dr. Manhattan for 'Watchmen.' (Photo courtesy Warner Bros. Pictures)

ELECTRIC SLIDE: Unlike animated features, live-action adaptations require intricate and expensive special effects, such as Jon Osterman's (Billy Crudup) transformation into Dr. Manhattan for 'Watchmen.' (Photo courtesy Warner Bros. Pictures)

After more than 20 years, DC Comics’ Watchmen will make the quantum leap from comic-book page to live-action film with its release this Friday. If hype and anticipation translate to even a fraction of box office success, Watchmen will affirm the popularity of superheroes — and even R-rated antiheroes — as Hollywood’s saviors. The blockbuster could join the ranks of such record breakers as the Spider-Man trilogy and the Oscar-winning The Dark Knight.

Superhero movies make the transition from ink and paper to celluloid the hard way, however. Saving the world and defeating flamboyant evildoers is the least of it. Simply making an exciting, convincing superhero movie that doesn’t insult an audience’s intelligence practically demands a miracle. Cinematic, super-powered derring-do requires massively expensive special effects, along with the challenge of casting flesh-and-blood actors to play literally two-dimensional, archetypal roles with impossible physiques and ridiculous costumes.

For every hit like The Dark Knight, there’s at least one costly flop: take the nipple-costumed Batman & Robin or Halle Berry’s embarrassing Catwoman. Even with the successes, audiences face flaws like the obvious CGI-rendered Spider-Man and Hulk in their first movies, or unfortunate choices such as Ian McKellen’s dumb-looking Magneto helmet in the X-Men films.

Animation holds out an easier approach; it goes with comic book stories as comfortably as a cape and cowl. The best cartoon features and TV series can do an end run around the real world’s limitations to offer an unlimited canvas that emulates iconic comic book art while putting exciting designs into motion. The right voice performances can even convey emotional heft without hanging a tights-wearing movie star from wires.

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Alliance Theatre hosts world premiere of André Benjamin’s Middle School Musical, Class of 3000 LIVE

Wednesday, February 4th, 2009

Our boys from Outkast are no stranger to side projects. Nearly a year after Big Boi tore up the Fox with his collaboration on the hip-hop ballet big, his partner in crime André 3000 drops in a few blocks up Peachtree at the Alliance with the world premiere of Class of 3000 LIVE.

The production, as the title states, is a live version of the Emmy award-winning animated series “Class of 3000,” which Benjamin created for Cartoon Network with Tommy Lynch. The live show will also include original music by Benjamin.

In “Class,” international music superstar Sunny Bridges pulls a Dave Chappelle and up and ditches his hot-shot celebrity lifestyle. Instead of Africa, Sunny ends up in Atlanta teaching at the Westley School for the Performing Arts to try rediscovering life before all the hype. The story follows Sunny and his gang of students as they help the A-lister get his feet back on the ground, while he helps the kids tap into their talents.

If big is any measure of the energy and creativity we can expect from Class of 3000 LIVE, it should be another theater-crashing blow-out. No pressure, though.

The show runs March 7-29.

(Photo courtesy www.tomlynchco.com)

How Adult Swim’s Tim & Eric got so awesome

Monday, February 2nd, 2009

FINGER LICKIN' GOOD: Tim Heidecker (left) and Eric Wareheim

Tim Heidecker and Eric Wareheim are human beings. We can all agree on that. But does that disqualify them from being honorary cartoons?

True, they’re not particularly exaggerated in appearance. Tim looks like the towheaded, pie-faced boy next door all grown up, while Eric’s a bespectacled, sideburned galoot with plenty of height and a crooked smile. They were both born in Pennsylvania in 1976 and would draw little attention as white-collar employees alongside the water coolers of Middle America.

The late-night TV audience first glimpsed the duo’s animated alter egos when they played the title characters in “Tom Goes to the Mayor” on Cartoon Network’s Adult Swim programming block. Since 2007, they’ve appeared in the flesh as the stars of Adult Swim’s “Tim & Eric Awesome Show, Great Job!” a surreal but emphatically not-animated sketch comedy series. Using green-screen technology to plop themselves into seemingly any environment, Tim and Eric play a host of weirdos, including tone-deaf singers whose faces drip with eczema, half-deranged corporate pitchmen, and would-be swingers obsessed with shrimp and white wine. (more…)

Clickable Advent Calendar, 19: Adult Swim advent

Friday, December 19th, 2008

Not surprisingly, those animated, Atlanta-based elves responsible for the Adult Swim programming on the Cartoon Network make merry with extreme prejudice at the holidays. The “Aqua Teen Hunger Force Star-Studded Christmas Spectacular Starring Rhon Geremi” will be broadcast Christmas Eve, but a sleighful of holiday-themed shows air tonight, Dec. 19, including “Robot Chicken’s Half-Assed Christmas Special;” “A Huey Freeman Christmas” on “The Boondocks;” “Rebel with a Claus” on “Squidbillies;” and “A Very Venture Christmas” on “Venture Brothers.” The latter features James Urbaniak and is a real favorite among my friends. Watch the cold open from the show (pictured) and see how many references to classic Christmas movies and shows you can count.

Adult Swim has actually compiled its own Ten Best Christmas Moments, with video clips all cued up. The likes of “NORAD vs. Santa” and “Santa’s Drug Lab” (a “Rudolph” parody) from “Robot Chicken” or “Horror Claus” on “Aqua Teen Hunger Force” get pretty darn dark.

Andre 3000, Cartoon Network, Turner sued by Boston mailman

Wednesday, December 10th, 2008

The mystical and sorely missed Andisheh — who’s got some news about his latest projects posted on his blog — sends a link from the Boston Herald:

A Boston postal worker is suing OutKast frontman Andre 3000, the Cartoon Network and Turner Broadcasting for $2 million in damages, saying they ripped off his idea for an animated series about a group of young musicians and aired it as “Class of 3000.”

Timothy McGee, 33, a former art student, claims he developed “characters, artwork, storylines . . . and concepts” for an animated series he called “The Music Factory of the ’90s,” nearly 10 years before the oddly similar “Class” began airing on the Cartoon channel.

McGee’s show followed a group of young musicians “as they try to break into Atlanta’s burgeoning music scene,” the suit says.

His characters included “a young corporate type” who dreams of being a music producer, a “tough full-of-attitude female executive, a young techno-whiz sound engineer, a talented young Asian singer and a central energetic young singer/rapper.”

And the Herald goes where I swore I wouldn’t.

What the Hey (Ya)???

The force is still with “Robot Chicken: Star Wars”

Friday, November 14th, 2008

The Cartoon Network goes back “not long ago, in a galaxy not far enough way” with “Robot Chicken: Star Wars, Episode II,” the second all-Star Wars themed episode of the animated comedy series. Created by actor Seth Green and Matthew Senreich, “Robot Chicken” uses stop-motion animation — frequently of familiar action figures and product tie-ins — to lampoon pop culture. In 2007, “Robot Chicken’s” its first wide-ranging goof on the Star Wars franchise earned the some of the show’s greatest acclaim, and even an Emmy nomination.

Airing Nov. 16 on Adult Swim, “Episode II” offers more sketches and “one-liner” gags about Jedi, the Galactic Empire and even the maligned Ewoks (who someone escaped direct assault the first time around). In addition to comedy voice talents like Green and Bob Bergen, the special features cameos from Star Wars alumni, including Carrie Fisher and Ahmed Best (the voice of Jar-Jar Binks). Billy Dee Williams offers a particularly amusing lampoon of his own performance as Lando Calrissian. Part of what makes the “Robot Chicken” treatment so amusing is the way Green and company have such a good grasp on how to mock George Lucas’s iconic characters. Middle finger gags, for instance, prove hilariously “wrong” in a context of robots, Sith Lords and space stations. Evil Emperor Palpatine comes across like the most jerky, exasperated boss imaginable, while bounty hunter Boba Fett is like a cocky braggart at a sports bar. This new promo gives a taste of how the show treats Darth Vader.

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Fox cancels, Cartoon Network acquires “King of the Hill”

Monday, November 10th, 2008

The king is dead, long live the king! Hot on the heels of the Fox Network’s Oct. 31 announcement that the current, 13th season of “King of the Hill” would be its last, Atlanta’s Cartoon Network declared that the animated sitcom set in the heart of Texas would anchor a new hour of Adult Swim programming:

Starting in January, 2009, “King of the Hill” will kick off Adult Swim every night at 10 p.m… “With ‘King of the Hill’ joining ‘Family Guy’ in our Adult Swim lineup, we now have two of the greatest animated series ever made,” said Mike Lazzo, senior vice president of programming and production for Adult Swim.

The second longest-running animated series in history (behind, of course, “The Simpsons”), “King of the Hill” has been one of television’s most underrated programs since its debut in 1997. It didn’t help that Fox so frequently bumped “King of the Hill” for football and sports events that even a die-hard fan like myself lost track of when it aired, but with luck it’ll find a new audience among Adult Swim fans. “Beavis and Butt-Head” creator Mike Judge and Greg Daniels (who has found new success with NBC’s American version of “The Office”) offer an extremely affectionate portrayal of “Red State” America, with propane salesman Hank Hill serving as a middle-American everyman at odds with the excesses of the 21st century. Compared to Archie Bunker’s reactionary buffoonery on “All in the Family,” Hank proves to be more sympathetic and open minded, “I tell you what.”

The first scene of “King of the Hill’s” pilot name-checked “Seinfeld” as “a show about nothing,” and “King of the Hill” followed suit as one of the most deadpan, realistic animated series ever made, which should provide a welcome counterpoint to the aggressive surrealism of the original Adult Swim shows. My favorite “King of the Hill” regular remains conspiracy-buff Dale Gribble, one of the strangest, funniest characters of any animated sitcom, who rather resembles “Doonesbury’s” Uncle Duke, if the character were a security-obsessed, cuckolded exterminator in Arlen, Texas. In this recent clip, Hank, Dale and their pals discuss the MySpace phenomena:

It’s the Cartoon Network, stupid

Monday, March 12th, 2007

According to the AJC, one of our distinguished lawmakers wants to make sure those evil denizens over at Cartoon Network don’t go around and place imaginary bombs all over Atlanta.

State Rep. David Ralston, R-Blue Ridge, has introduced a bill that would increase the possible prison sentence to five years if you’re found guilty of staging a bomb hoax. Ralston says it is in direct reaction to the stir that was created in Boston a few weeks ago when Cartoon Network’s promotional devices for the Aqua Teen Hunger Force movie were mistaken for bombs.

That incident caused major havoc in Beantown. Parts of the city were closed down and the city incurred about $2 million in expenses. And city fathers there were not amused.

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