1) MA09 Design Is Human launches with a SieMatic showroom lecture and a reception for Wm. Coleman Mills’ Patterns: Landscapes of the Sublime, Ridiculous and Contrived exhibit at the Mansion on Peachtree.
2) Park Tavern hosts ZAP Grand Tasting, with dozens of zinfandels from nonprofit Zinfandel Advocates & Producers.
3) Bone Garden Cantina holds Supper Club to benefit Atlanta Community Food Bank.
4) Michael Malone discusses his new book, The Four Corners of the Sky, at Decatur Library.
Max Arbes and CL’s Curt Holman discuss two Hans Christian Andersen adaptations: The Center for Puppetry Arts’ Sam the Lovesick Snowman and Synchronicity Performance Group’s The Snow Queen.
Air Loaf is broadcast weekdays on 1690 WMLB-AM at approximately 8:10 a.m., 12:20 p.m. and 6:20 p.m.
The Muppets have always been all over Christmas. Some of their holiday shows include the “Emmet Otter’s Jug-Band Christmas” from 1977; “John Denver and the Muppets: A Christmas Together” from 1979 (hey, we had that album), The Muppet Christmas Carol theatrical film (with Michael Caine as Scrooge) from 1992; and one of my favorites, It’s a Very Merry Muppet Christmas Movie (with Joan Cusack as the villain) from 2002. “A Muppet Family Christmas” from 1987 deserves note as the only special to feature “crossover” appearances from the four major Muppet franchises: “Sesame Street,” “The Muppet Show,” “Fraggle Rock” and (ugh) “Muppet Babies.” You can check out some of Jim Henson’s actual muppet creations at an exhibit currently running at Center for Puppetry Arts.
Just when you start wondering if there’s maybe some other holiday the Muppets could pile on, a new holiday special airs tonight, Dec. 17 on NBC. A Muppets Christmas: Letters to Santa features appearances from “The Sopranos” Tony Sirico and Steve Schirripa, “30 Rock’s” Jane Krakowski and Uma Thurman, among others. There’s a clip edited to show the Muppets rocking out to the Beatles-esque “Glad All Over” performed the Dave Clark Five, which has presumably has nothing to do with Christmas and may not even be in the special. Still fun, though:
Judging from this clip, “A Muppets Christmas: Letters To Santa” also includes my favorite of the “new generation” puppets, Pepe the King Prawn, whom you can check out singing “We Wish You a Merry Christmas” with talk show host Craig Ferguson.
At the end of Disney’s The Little Mermaid, Ariel becomes a walking, talking human and weds the prince under a rainbow. That’s not how Hans Christian Andersen would remember it.
The Danish author’s original version concludes with the prince marrying someone else and the mermaid throwing herself into the sea, where she dissolves into foam and becomes a spirit. Many of Andersen’s classics follow the example of the Brothers Grimm and offer harsh cautionary tales in sharp contrast to today’s uplifting messages for young ears. Shaping themes to fit contemporary concerns is part of the process of handing stories down through generations.
The Center for Puppetry Arts’ Sam, The Lovesick Snowman and Synchronicity Performance Group’sThe Snow Queen each offer charming versions of Hans Christian Andersen tales, yet espouse opposite philosophies of adaptation. (more…)
This week’s cover story on “Creepy Cabarets” talks about Atlanta’s Halloween-themed shows, most notably The Ghastly Dreadfuls II at the Center for Puppetry Arts. One of the highlights is the “Danse Macabre” segment, a live rendition of Saint-Saens’ famously eerie composition as a graveyard jamboree. Trick puppets feature witches on errant broomsticks, ghosts giving birth to little haints, and skeletons that guzzle alcohol, make out, split apart and snap back together. A hold-over from the Center’s original Ghastly Dreadfuls, “Danse Macabre” seems clearly inspired by the 1929 animated short “Skeleton Dance.” Produced by Walt Disney and animated by the great Ub Iwerks, the Silly Symphony installment “Skeleton Dance” was voted #18 of the 50 Greatest Cartoons of all time, and is the perfect treat to get you in the mood for All Hallow’s Eve:
Today’s Air Loaf features Max Arbes and CL’s Curt Holman chatting about plays around town that are sure to get you in the Halloween spirit, including The Ghastly Dreadfuls II at the Center for Puppetry Arts and Monster Movie at Dad’s Garage Theatre.
Air Loaf is broadcast weekdays on 1690 WMLB-AM at approximately 8:10 a.m., 12:20 p.m. and 6:20 p.m.
Last night I hit The Center for Puppetry Arts for opening night of The Ghastly Dreadfuls II: Handbook of Practical Hauntings and Other Phantasmagoria by Jon Ludwig and Jason Von Hinezmeyer. I’ll review it in more detail closer to Halloween, but wanted to mention that it easily lives up to its entertaining predecessor, The Ghastly Dreadfuls: Compendium of Graveyard Tales and Other Curiosities (which I previewed in 2006).
The follow-up has the same cast and same format, presenting seven undead storyteller/musicians, who use puppetry to recount chilling ghost stories while playing spooky tunes between tales. The new version presents new songs and stories, with the exceptions of “The Girl in the New Dress,” inspired by vintage Coca-Cola print ads, and “Danse Macabre,” a performance of the classic-Saint-Saens composition while amorous, boozing skeletons and other haints party down in a graveyard. You can catch glimpses of the latter two in this preview clip edited from the show’s previous incarnation:
2) Diane Wilson reads from Holy Roller: Growing Up in the Church of Knock Down, Drag Out; or, How I Quit Loving a Blue-Eyed Jesus at First Existentialist Congregation.