Atlanta blog this week: Duane Moody’s epic countdown
Friday, December 7th, 2007Nothing in the Atlanta blogosphere has been more enjoyable this week than Duane Moody’s 31 Best of 2007, his daily December countdown of his favorite albums of 2007.
Some highlights.
31. Some Mad Hope by Matt Nathanson:
I downloaded it before a trip, and was determined to give it a go while I was traveling. Unfortunate choice or not, the first song on the record is Car Crash, which isn’t really something one wants to hear while flying (the imagery was just too uncomfortable). So the CD went on my back burner.
30. Tangled Up by Girls Aloud:
When the first single, Sexy No No No! was released, my suspicions were confirmed; this was going to be a record that moved fast, and rocked the pop . . . It is masterfully produced, and the manufacturing couldn’t be more pristine, which must have you wondering why I couldn’t give it a perfect 5 star rating. The fifth star is missing first and foremost, because of the strength of previous Girls Aloud hits that unfortunately, greatly overshadow more than a few of the tracks on Tangled Up.
29. Katharine McPhee by Katharine McPhee:
Given what is going on throughout the rest of the world with regards to pop music, I have to say it: America doesn’t have a great track record for doing proper pop. Fortunately for us, Katharine McPhee’s debut is a huge check in the plus column of what good pop should be.
27. Wincing the Night Away by The Shins:
For whatever (stupid) reason, the Shins’ latest album initially wasn’t even in the running for my favorite records of the year; but then I listened to it again, and was like, “WTF? It totally should be!â€
And the best one so far . . .
26. Dignity by Hilary Duff:
. . . she doesn’t seem interested in the parties and paparazzi like other stars her age, and she is here to sing about why . . . She seems more intent on finding love, living her life, and just having a good time; all without the flash bulbs, problems, and pitfalls that afflict other girls her age that experience the same fame that she has found. . . Hilary hasn’t been to rehab, and isn’t flashing her cooch on the cover of a magazine, and that is because she has made a conscious effort to avoid it (unlike many of her Hollywood peers). Making it a main theme of her record is her way of saying how she feels about the whole thing, and I say good for her.










