Fresh Loaf

The Southeastern Film Critics Association (SEFCA), whose members include Creative Loafing Atlanta’s Curt Holman and former critic Felicia Feaster as well as Creative Loafing Charlotte’s Matt Brunson, yesterday named Milk the Best Picture of 2008 in its 17th annual voting. Director Gus Van Sant’s powerful look at slain activist Harvey Milk, the first openly gay man to hold public office in the nation, earned a total of three awards, with its other victories coming in the categories of Best Actor (Sean Penn, pictured) and Best Original Screenplay (Dustin Lance Black).

The uplifting drama Slumdog Millionaire proved to be the only other film snagging more than one prize, as it copped awards for Best Director (Danny Boyle) and Best Adapted Screenplay (Simon Beaufoy, adapting Vikas Swarup’s novel Q&A).

In the closest contest of the day, Anne Hathaway received the Best Actress award for her performance as a recovering addict in Rachel Getting Married; she beat The Reader’s Kate Winslet by two points. Winslet also earned multiple votes for her work in Revolutionary Road. (The Reader and The Curious Case of Benjamin Button open in Atlanta on Dec. 25. Other strong contenders such as Revolutionary Road and The Wrestler open in early January.)

The late Heath Ledger won Best Supporting Actor for his mesmerizing take on The Joker in the summer blockbuster The Dark Knight, while Penelope Cruz earned Best Supporting Actress kudos for her turn as a feisty free spirit in Vicky Cristina Barcelona.

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Batman soared more like Superman over the weekend when The Dark Knight earned an estimated $155.4 million. The sequel to Batman Begins broke most of the records that can be broken, including biggest opening weekend and, according to The Vulture:

the records for biggest single-day gross ($67 million on Saturday), largest number of opening theaters (4,366 nationally), biggest midnight gross ($18.5 million on Thursday night), best-ever July opening (beating Pirates of the Caribbean 2’s measly $136 million in 2006).

Final numbers will be in later today, so it’s possible Spider-man 3’s previous record could stand. It’s likely that Spider-man 3 sold more total tickets, with the higher ticket prices giving The Dark Knight the edge.

Apparently nobody saw it coming, either. The Dark Knight was generally expected to break $100 million (like Iron Man or better), but not to have one of the most successful weekends in film history. Most hugely successful movies tend to be brighter, flashier and more fun, and The Dark Knight was accurately perceived as being dark to point of despair, as the above image from someecards suggests.

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Some early notices for the epic-length Batman drama The Dark Knight suggest that the late Heath Ledger gives the “definitive” performance as The Joker, the Caped Crusader’s sociopathic arch-nemesis. It’s true that Ledger does tremendous, terrifying work in the film — if he’d lived, he could have launched a second career playing psychos. I’m not sure, however, that anyone can give the definitive performance of such a pop culture mainstay. In high-brow terms, it’s like expecting a definitive Macbeth or Blanche DuBois. Like any enduring fictional character, the Joker has a long history that reflects changes in his target audience and creative staff — we get different Jokers for different times. Following are five of the traits that make The Clown Prince of Crime possibly the most memorable and timeless villain of them all.

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