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Highlights from our A&E blog

Friday, May 1st, 2009

All’s not lost in Requiem for a Paper Bag (In honor of A&E Assistant Wyatt Williams’ last day — he’ll still be contributing regularly to the paper and blog — I present to you one of his great recent blog posts.)

‘Snoutbreak’ is the word of the week (Jon Stewart coins a new term for the swine flu.)

The Televangelist: ‘Lost’ episode 14 (The show’s 100th episode following Obama’s 100 days speech. Coincidence? I think not.)

Bench Press: Weekend sports roundup (GOkickball, the Mitty and more.)

Hollywood Product: X-Men Origins: Wolverine (Curt breaks down the vengeful action flick with mutant powers.)

Atlanta stores to celebrate Free Comic Book Day tomorrow (Oxford Comics, Criminal Records, the Book Nook and many more participate.)

Read more at Culture Surfing

Fox airs three-part Wolverine trailer starting Sunday

Friday, February 13th, 2009

Wolverine courtesy of 20-Century Fox

Starting Sunday, Fox will give its viewers an exclusive look at one of the most anticipated movies this Spring. On Feb. 15, Fox will debut part one of a three-part reveal for the upcoming film X-Men Origins: Wolverine during “Family Guy.” Each of the 60-second spots will tie into another, giving “Wolvie” fans an episodic sneak peak into the film’s plot, characters and, of course, his origins as told by screenwriter David Benioff (The Kite Runner) and director Gavin Hood (Rendition).

The remaining two spots will air on Monday, Feb. 16, during “House” and the final installment will air on Tuesday, Feb. 17, during “American Idol.”

After the series of commercials air, all three will be available exclusively on Yahoo.

X-Men Origins: Wolverine hits theaters nationwide May 1, 2009.

(Photo courtesy 20th Century Fox)

Hulk Vs. doubles the animated mayhem

Tuesday, January 27th, 2009

It’s a clash of the titans. Superhero publishers Marvel and DC Comics have had a pitched rivalry for decades, and in the battle for the big screen, Marvel has enjoyed more victories at getting its costumed characters like Spider-man into movie theaters (the huge success of DC’s The Dark Knight notwithstanding). DC takes the consolation prize for crafting much better shows for television and straight-to-DVD, from the longstanding live-action hit “Smallville” to last year’s intriguing cartoon feature Justice League: New Frontier.

Apart from such tolerable, kid-oriented series as “X-Men: Evolution” and “The Spectacular Spider-man,” Marvel’s animated output isn’t nearly as interesting. DVDs like The Invincible Iron Man and the two Ultimate Avengers films feel more like marketing trial balloons for future film products. Marvels newest animated movie, Hulk Vs. (released today) proves to be a notch above its predecessors, but its eyes still seem more focused on the cinema than its immediate audience.

Hulk Vs. contains two films of about 40 minutes apiece. “Hulk Vs. Wolverine” seems like a way to prime the pump for this May’s theatrical X-Men Origins: Wolverine prequel starring Hugh Jackman. The other, “Hulk vs. Thor,” provides an animated dry run for the characters tapped for 2010’s announced Thor film, reportedly to be directed by Kenneth Branagh. Essentially, the Hulk is a sort of guest star in his own films.

In a sense, the films succeed by aiming low. Hulk Vs. harks back to the pleasures of special double-length, giant-size issues of comic books that would contain two stores of monster mayhem for the price of one. Although the Hulk’s Jekyll-and-Hyde relationship to his alter ego Bruce Banner provides plenty of metaphors for the tension between emotion and intellect, Hulk vs. puts all the emphasis on the monstrous green protagonist’s ability to smash stuff. So which film is better? Who wins in “Hulk vs. Wolverine” vs. “Hulk vs. Thor?”

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Comic-Con footage starts going “Up” on-line

Monday, July 28th, 2008

Every year Comic-Con steals some of the thunder of Atlanta’s Dragon*Con (this year held Aug. 29-Sep. 1). The San Diego comic book, fantasy and all around geek showbiz convention has gradually become Hollywood’s unofficial venue for hyping genre projects. That neat-0 Iron Man trailer from last year, for instance, debuted at Comic-Con. A friend of mine who lives in Los Angeles and frequently attends Comic-Con said that the studio hype is getting a little out of hand: “This is the year that Hollywood Officially Ruined Everything.” I wasn’t there, but here are a few apparent highlights. (Any of you who did attend Comic-Con, please let us know what else looked cool.)

Pixar presented an extremely short teaser trailer for next year’s Up — which, based on the company’s track record, could be one of next year’s best movies. Up stars the voice of Ed Asner and has been called “”a Pixar-meets-Miyazaki art film version of About Schmidt,” so it could be the studio’s riskiest venture yet:

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