Sacrificial inspiration
Tuesday, October 27th, 2009
Often, people ask me where I get my inspiration. I don’t usually have an answer. I may ramble about the farmers’ market, or detail an epiphany I had while visiting a new city. But it’s very difficult to delve into the process in a few sentences. It’s poetic to talk about inspiration being all around you, and that if you just open your eyes wide enough, you’ll see. Smell the roses … or garbage bin, for that matter.
The romantic notion that inspiration can strike anyone, wildly and without rhyme or reason, simply isn’t true. As with any creative endeavor, inspiration is only useful when you have a firm foundation of experience and technique to filter it through.
But if you have a moment, I’ll walk you through the inspiration behind a dish that I’m doing at a private dinner this month. The dinner happens to be in a graveyard. At night. Outside. In total darkness, except each diner is armed with a flashlight.
I’ll be describing the last savory course of a five-course meal.








It’s the type of place that doesn’t really feel like a restaurant. You walk in whenever you want. Wearing whatever you want. And sit down without the prerequisite formality of most dining experiences. It’s somewhere between the atmosphere of a diner or Waffle House and that of a high school cafeteria. You’re there to eat. Hang out. Share some good times with friends or family. And you leave with the feeling that you’ve gotten way too good of a deal. Both monetarily and in terms of the food experience. Your boss will love this place for a business lunch. Your mother-in-law from Cincinnati wants to eat there while visiting over the holidays (and that sounds better than having her cook). Your kids won’t feel out of place. Your husband won’t think it’s too fancy. Professionals in the restaurant industry will return to their own workplace and say it was all right, but not good enough to be that busy. That’s when you know you’ve succeeded. A little competitive smack talking is healthy in this industry.
Right now, I’m at a coffee shop. A few moments ago, I signed an autograph on one of those papers you find in front of such places. Probably looks like the one you’re reading now. I’m in a baseball cap, pulled just over my eyes, and a pair of camouflage carpenter shorts I got from Target. And a nondescript navy blue sweatshirt.




