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The perils of molecular gastronomy

Tuesday, July 14th, 2009

Keep your hands off the liquid nitrogen:

An experimental German chef accidentally blew off both his hands attempting to concoct a “molecular gastronomy” dish with liquid nitrogen, a newspaper report said on Monday…..

There was an “enormous explosion,” according to the Berliner Morgenpost daily. The would-be Heston Blumental – a leading proponent of molecular gastronomy – lost one hand in the explosion and the other was so badly injured it had to be amputated.

(Hat tip: Kit Fenton)


Wednesday food links

Wednesday, March 18th, 2009

Grant Achatz defends molecular gastronomy on the Atlantic’s food website.

John Kessler reports on the new menu format at Restaurant Eugene, plus more.

The L.A. Times reports on the delay in the 300% tariff markup on Roquefort.

Dirty Wine South has a nice ode to Popcorn Sutton, the Tennessee moonshiner who died two days ago.

Culinary war erupts in Spain

Monday, June 2nd, 2008

el-bulli.jpgThe New York Times featured an interesting story Sunday about an unexpected culinary controversy that has erupted in Spain.

As any foodie worth his liquid nitrogen knows, Spain is the progenitor of so-called molecular gastronomy, a cooking style that employs unconventional technologies to change the ordinary form and texture of ingredients. This style, whose best example in Atlanta is Richard Blais, is witty above all but it also often heightens the experience of flavor.

The godfather of this movement is Ferran Adrià whose restaurant, el Bulli, I visited about six years ago with a Greek friend from London. It was as much theater as dining and, while I enjoyed it, my friend detested it. He’s a scientist and complained, predictably, that it was like eating “laboratory experiments.”

The Times reports:

Santi Santamaría, one of the country’s most prominent chefs, has directed bruising public attacks at his avant-garde counterparts, accusing them of producing pretentious food they would not eat themselves — and potentially poisoning diners with chemicals that he says have no place in the kitchen.

“Some chefs are offering a media spectacle rather than concerning themselves with healthy eating,” Mr. Santamaría said as he accepted a recent prize for his new book, “La Cocina al Desundo” (“The Kitchen Laid Bare”). In it, the burly, outspoken chef, who trumpets his own dedication to natural ingredients, assails the proliferation of junk food culture — and once again takes on the effete creations of the Spanish avant-garde kitchen.

“We have to decide, as chefs, if we want to continue to use the fresh products of our Mediterranean diet or opt for using additives,” he told journalists in Madrid on Monday, when he repeated a call for the Spanish authorities to investigate restaurants’ use of, for example, liquid nitrogen, for instant freezing, and methyl cellulose, a gelling agent.

The predictable response has been that there is nothing incompatible about avant-garde techniques and healthy cooking with top-quality ingredients. I say it’s “predictable” in part because this style of cooking has helped make Spain’s culture the European Union’s most cutting-edge. So, there is a broad investment in maintaining that rep.

For myself, I think Adrià’s influence has only improved Spanish cuisine. I’ve traveled frequently in Spain and never found the cuisine up to the Italian or French style. I remember once, in Barcelona, becoming so starved for a green vegetable that I sought out a very hippie-esque vegan cafe that was full of other Americans.

The Times piece concludes with this cogent observation:

Dan Barber, chef of Blue Hill in New York, said that the dispute was reminiscent of the storm over nouvelle cuisine in France in the 1970s and a more recent, nationalist debate over the use of non-French ingredients in haute cuisine. Mr. Barber, an advocate of organic, local ingredients who is an admirer of Mr. Adrià, said the controversy bore testimony to how mature the Spanish culinary movement had become.

Read the entire story here.

Molecular gastronomist back in town

Wednesday, May 30th, 2007

Richard BlaisI’ve confirmed with my own palate Besha Rodell’s report that Richard Blais has indeed returned to Atlanta and is cooking at Element, in the old Cherry location on West Peachtree Street. I’ll be reporting in next week’s paper about my experience. I reviewed Element about a month ago, before Blais arrived. It’s the first time in more than 20 years of writing Grazing that I’ve returned to the same restaurant within a month. (At right is James Camp’s photo of Blais for a column I wrote in 2005.)

Blais, in case you have been living under a mushroom somewhere, is famous for his practice of molecular gastronomy, an investigation of the science of cooking that, in practical application, often changes the forms of ingredients and distills flavors in almost unbearable intensity. The most famous molecular gastronomist, although he eschews the term, is Ferran Adrià of El Bulli in Spain.

While it’s easy to dismiss molecular gastronomy as novelty for its own sake, I think it is one expression of the way we are questioning the aesthetics of cooking and dining. The definitive text on the subject is French chemist Hervé This’ book Molecular Gastronomy: Exploring the Science of Flavor. This’ new book, Kitchen Mysteries: Revealing the Science of Food, is due out this fall. It’s difficult not to regard molecular gastronomy as a postmodern phenomenon, since it is in many ways a re-ordering of culinary history in a sometimes futuristic way.

Blais was in Miami the last few months, mainly engaged in product development, which he did not enjoy as much as cooking. He previously cooked at a number of Atlanta restaurants, from one bearing his own name to, most recently, One Midtown Kitchen. Considering his, um, short shelf life, I suggest you jet-propel yourself to Element now.