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Lupe opens with a stingy taco policy

Monday, October 26th, 2009

lupe chile relleno

lupe flanWe checked out the new Lupe Taqueria (905 Juniper St., 678-904-4584) over the weekend. The new restaurant by Riccardo Ullio is located in the space formerly occupied by Cuerno, his attempt at a Spanish restaurant (something that never seems to succeed in Atlanta).

The new restaurant, named after the Virgin of Guadalupe, features a very straightforward menu of tacos and classics like the chile relleno above and the flan at right. The chile relleno departs from the usual around town by featuring a filling of queso cincho — an aged, firm cheese that does not melt into the creamy texture of chihuahua cheese.

Although it’s completely usual to do so, I prefer my chiles served over the traditional red sauce, not under it, as the chef is doing here. That can easily turn the fried flour-and-egg coating soggy.

I have one major complaint about the restaurant. It calls itself a “taqueria,” but you are only allowed to order  plates of three-of-a-kind tacos with the usual rice and refried beans — no mix-and-match. So, even if you’re tempted to order a $9 plate of tacos as a starter, they all have to be of a single kind.

I’ll have more to say in Grazing later this week.

(Photos by Cliff Bostock)

Riccardo Ullio to open Mexican restaurant in Cuerno space

Monday, September 28th, 2009

sotto caprese

sotto melon

We dined at Sotto Sotto this evening and got a mouth full of wonderful food and an ear full of news.

First, the meal: It was the last night of Inman Park Restaurant Week and the restaurant was packed with diners taking advantage of the restaurant’s $25 three-course meal. I actually skipped that but I did take the server’s suggestion that we “say goodbye to this year’s Heirloom tomatoes” by ordering dishes that featured them, like the Caprese salad above.

The salad included a very good bufala mozzarella and yellow, purple and red Heirlooms. The yellow, which I don’t recall encountering anywhere else this year, was especially good, with a slightly sweet flavor that Wayne called “watermelony.” For my entree I chose the restaurant’s classic dish of tortellini stuffed with ricotta flavored with fresh mint under a tart sauce of red Heirlooms and basil.

Wayne ordered the three-course meal, starting with the cantaloupe and prosciutto shown here, followed by a risotto topped with chopped tomatoes and basil. He spooned down a bowl of chocolate soup for dessert.

Now the news. We ran into Riccardo Ullio, owner of the restaurant, along with Fritti next door and Beleza in Midtown.

(more…)

Cuerno closes its doors

Friday, May 29th, 2009

This just appeared as Riccardo Ullio’s Facebook status:

Cuerno will be closing its doors this Sunday, so for all of you that have enjoyed dining there in the past, please stop by this weekend for a farewell.

No word yet on the reason for the closing.

Grazing: Tierra’s Dan Krinsky needs a kidney

Friday, April 17th, 2009
Tierra's Dan Krinsky

LOOKING FOR A DONOR: Tierra's Dan Krinsky

I’m back to pizza this week, but first, I want to cite some important news in Atlanta’s culinary community. Dan Krinksy, co-chef and owner of Tierra with his wife, Ticha, is in need of a kidney donor.

Krinsky was diagnosed with polycistic kidney disease, a genetic disorder, about six years ago. He has been seeking a donor for two years and although he’s had seven offers, none of them turned out to be a match. He is now undergoing dialysis three times a week.

His blood type is O, the most common, so the competition for a donor kidney, including a cadaver organ, is intense. He prefers a living donor because, he says, cadaver kidneys are not as reliable over the long term. Recent research has concluded that donating a kidney does not affect health or life expectancy.

All donor costs will be paid by Krinksy’s insurance company. Recovery from the laparoscopic surgery is usually about two weeks.

Continue reading “Grazing: Tierra’s Dan Krinsky needs a kidney”

(Photo by James Camp)

Of chefs and owners

Monday, October 29th, 2007

Wow, here’s a roundabout communication. Over the weekend, one of our interns came across an open letter to me, posted on Atlanta Cuisine’s site, in a thread about this blog. Phew!

But the nature of the letter was quite interesting, and I’d like a chance to respond. The post read:

Besha- I read your review of Beleza in CL this weekend, and loved it for all of it’s insight into the challenges of the menu. What I find interesting though is the continued classification of Riccardo Ullio as the “chef” of his restaurants Sotto Sotto and Fritti; however you do in you article name Michelle McKenzie as the chef at Beleza. As an employee of Mr. Ullio for over a year, I have yet to see him actually work in one of his kitchens, or plan one of his seasonal menus. When I am working, and a guest asks to speak to Chef Ullio, we are told to reply that “the Chef has the day off, and to please look for him in his kitchen tomorrow”. I would think that Riccardo Ullio would be more befitting of the description of a restaurant visionary here in Atlanta, finding great themes and concepts, and bringing them to life in his great restaurants. However, in my time working in his restaurants, it would be a dishonor to credit the great food of Sotto Sotto and Fritti to Riccardo Ullio. The real credit goes to the talented daily management, as well as the kitchen staff (many of whom have been working for Riccardo for 7+ years).

Having worked in restaurants myself for many years with “executive chefs” who are never around, I understand the letter writer’s frustration. Believe me, I know how valuable the team of cooks, sous chefs and chefs de cuisine are, which is partly why I did my Food Issue this year focusing on cooks rather than chefs. But I think in the restaurant industry, it is somewhat understood that owners who are chefs by trade are often going to get that executive chef title, whether or not it’s deserved. It’s something that comes up a lot, and even more so when the supposed chefs don’t even live in the same city as their restaurants. Should we assume that the flurry of celebrity chefs who are about to open restaurants in Atlanta are not actually the chefs, or should not be credited as such? I suppose that remains to be seen, as some chefs are very involved in all their projects (I recently met Jean Georges on site at his Minneapolis restaurant, Chambers Kitchen, despite that he most certainly does not live in Minnesota), while some are not (Emeril’s anyone?).

As far as Riccardo Ullio and Beleza go, I know that Michelle McKenzie is the chef and is credited as such, that Ullio is the owner, and that’s how I defined him in the article as well as how he defines himself, and that he is incredibly involved in the project. Every time I visited for the review he was there, acting as owner, not as chef. When I spoke with him on the phone, it was obvious that the overall direction of the restaurant, menu included, would eventually be his call.

As for his other restaurants, I have done no direct reporting on them. But I know that chefs come and go at Sotto Sotto (Jose Rego recently left to become chef at Allegro), but the menu does not change in any significant way. I can only conclude that Ullio is behind the overriding direction of the menu, thus making him deserving of the title “executive chef.” If I was a staff member who had been directed to tell white lies to customers about an owner’s involvement, it would annoy me as well. But then again, working for chef/owners who spend every waking moment of their lives in their own kitchens can be difficult, too. I think most chefs hope one day to set their kitchens on a steady course, step away from the stove, and put their faith in a well-chosen staff. Should that mean they have to give up their title as chef? I’m not so sure.