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	<title>Comments on: Sundance review: Ballast</title>
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		<title>By: seriously?</title>
		<link>http://blogs.creativeloafing.com/popsmart/2008/01/23/sundance-review-ballast/comment-page-1/#comment-335</link>
		<dc:creator>seriously?</dc:creator>
		<pubDate>Fri, 25 Jan 2008 00:01:09 +0000</pubDate>
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		<description>Get your buckets ready. 
 I think it is safe to say that &quot;Ballast&quot; didn&#039;t have the same budget as &quot;No Country for old Men&quot;. I do agree that it was a great film, but it comes with experience and, in reality, money. I guess maybe it&#039;s best to just agree to disagree. Nothing can be perfect. I don&#039;t think it&#039;s the Mona Lisa either. Far from it. It doesn&#039;t make me freak out and &quot;wanna. like, text my friends &#039;OMG!&#039; and, like, this movie is sooooo good&quot;, but it could be worse. It could have been yet another &quot;indie&quot; film with a  Jon Brion knock off soundtrack and some cool NYC kids walking around being all &quot;like&quot; junior-existentialists. 

p.s. No country for old men was a bit grande in comparison. Simple to a degree, but I do recall a few explosions.</description>
		<content:encoded><![CDATA[<p>Get your buckets ready.<br />
 I think it is safe to say that &#8220;Ballast&#8221; didn&#8217;t have the same budget as &#8220;No Country for old Men&#8221;. I do agree that it was a great film, but it comes with experience and, in reality, money. I guess maybe it&#8217;s best to just agree to disagree. Nothing can be perfect. I don&#8217;t think it&#8217;s the Mona Lisa either. Far from it. It doesn&#8217;t make me freak out and &#8220;wanna. like, text my friends &#8216;OMG!&#8217; and, like, this movie is sooooo good&#8221;, but it could be worse. It could have been yet another &#8220;indie&#8221; film with a  Jon Brion knock off soundtrack and some cool NYC kids walking around being all &#8220;like&#8221; junior-existentialists. </p>
<p>p.s. No country for old men was a bit grande in comparison. Simple to a degree, but I do recall a few explosions.</p>
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		<title>By: Glenn LaFollette</title>
		<link>http://blogs.creativeloafing.com/popsmart/2008/01/23/sundance-review-ballast/comment-page-1/#comment-329</link>
		<dc:creator>Glenn LaFollette</dc:creator>
		<pubDate>Thu, 24 Jan 2008 06:49:38 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/popsmart/2008/01/23/sundance-review-ballast/#comment-329</guid>
		<description>I&#039;m glad someone else has seen this, and if it&#039;s true that somehow I&#039;m looking at Mona Lisa and just seeing a smug fat chick, I&#039;m sorry. But I really don&#039;t think so. I think it&#039;s a film worth seeing because of the obvious intrigue. If you took the idea for the story, wrote it on a couple sheets of paper and slid it across the table, I&#039;d say that sounded like a wonderful story. It doesn&#039;t need to be &#039;American.&#039; It doesn&#039;t need grandeur. What it needs is to translate from those sheets of paper, onto the screen into a wonderful film as well. And it&#039;s not. I don&#039;t need a soundtrack. &#039;No Country for Old Men&#039; jumped through that hoop and was spectacular. And there are several films that peer into the real world and come away with some substance. I just don&#039;t see it here, but others might. All I see is a good idea from a director who may have a brilliant vision, but doesn&#039;t see the mistakes right in front of his nose.

Sometimes that happens. Sometimes a Lawrence becomes a Lance. And sometimes a reviewer sees a smug fat chick instead of the Mona Lisa. I dunno. We all make mistakes, and I think Hammer did with this film. When it wins something, I&#039;ll fetch the tar and feathers.</description>
		<content:encoded><![CDATA[<p>I&#8217;m glad someone else has seen this, and if it&#8217;s true that somehow I&#8217;m looking at Mona Lisa and just seeing a smug fat chick, I&#8217;m sorry. But I really don&#8217;t think so. I think it&#8217;s a film worth seeing because of the obvious intrigue. If you took the idea for the story, wrote it on a couple sheets of paper and slid it across the table, I&#8217;d say that sounded like a wonderful story. It doesn&#8217;t need to be &#8216;American.&#8217; It doesn&#8217;t need grandeur. What it needs is to translate from those sheets of paper, onto the screen into a wonderful film as well. And it&#8217;s not. I don&#8217;t need a soundtrack. &#8216;No Country for Old Men&#8217; jumped through that hoop and was spectacular. And there are several films that peer into the real world and come away with some substance. I just don&#8217;t see it here, but others might. All I see is a good idea from a director who may have a brilliant vision, but doesn&#8217;t see the mistakes right in front of his nose.</p>
<p>Sometimes that happens. Sometimes a Lawrence becomes a Lance. And sometimes a reviewer sees a smug fat chick instead of the Mona Lisa. I dunno. We all make mistakes, and I think Hammer did with this film. When it wins something, I&#8217;ll fetch the tar and feathers.</p>
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		<title>By: seriously?</title>
		<link>http://blogs.creativeloafing.com/popsmart/2008/01/23/sundance-review-ballast/comment-page-1/#comment-328</link>
		<dc:creator>seriously?</dc:creator>
		<pubDate>Thu, 24 Jan 2008 04:42:42 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/popsmart/2008/01/23/sundance-review-ballast/#comment-328</guid>
		<description>First off, &quot;Lance&quot; is the directors name, while &quot;Lawrence&quot; is the characters name. Little mix up but no big deal. I think what you are really asking for from the film, with all of your desired expose, is a blockbuster, American film. Sometimes it is so wonderful to experience a film that doesn&#039;t treat the audience as if they were unable to, not only GET the point, but as if we were to unable to just revel in something as primitive as a simple story of human life. I&#039;m afraid that the constant &quot;need&quot; for grandeur is what makes US cinema so lackluster. How many explosions does one need to be fulfilled? I can see how sometimes a &quot;stating the obvious&quot; film can be good. I get sick too and I can slurp chicken soup with the best of them, but to say that Ballast is sub-par because it lacks in expose is simply tragic in and of itself. The &quot;hype&quot; just might so happen to be the fact that it attempts to tell a story. So be it a simple one with no soundtrack, at least he achieved HIS intention. 
Ballast Rating: B+</description>
		<content:encoded><![CDATA[<p>First off, &#8220;Lance&#8221; is the directors name, while &#8220;Lawrence&#8221; is the characters name. Little mix up but no big deal. I think what you are really asking for from the film, with all of your desired expose, is a blockbuster, American film. Sometimes it is so wonderful to experience a film that doesn&#8217;t treat the audience as if they were unable to, not only GET the point, but as if we were to unable to just revel in something as primitive as a simple story of human life. I&#8217;m afraid that the constant &#8220;need&#8221; for grandeur is what makes US cinema so lackluster. How many explosions does one need to be fulfilled? I can see how sometimes a &#8220;stating the obvious&#8221; film can be good. I get sick too and I can slurp chicken soup with the best of them, but to say that Ballast is sub-par because it lacks in expose is simply tragic in and of itself. The &#8220;hype&#8221; just might so happen to be the fact that it attempts to tell a story. So be it a simple one with no soundtrack, at least he achieved HIS intention.<br />
Ballast Rating: B+</p>
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