Most pop singers from the ’60s and ’70s who are fortunate enough to still be touring resort to what I call vocal cheats. That’s when they get to a point in an old hit that has a particularly high note they can’t hit — a note that especially resonates with the baby-boomer audience — so they either drop it an octave or turn it over to the background singers.

There’s nothing really shameful about these vocal cheats — it would be worse, for instance, if Daryl Hall tried to hit that big release note in “She’s Gone” and failed miserably. Or if Roger Daltrey attempted to render the big scream in “Won’t Get Fooled Again” and sounded like a frog.

I tell you all this because I saw Boz Scaggs last night at Ruth Eckerd Hall and he didn’t resort to any vocal cheats. He’s 65 years old. Very impressive. When, on “Lido Shuffle,” it came time for the “Lido, whoa, whoa” part, he was right on it — with the backup singers helping, yes, but not drowning him out and thus protecting him. Scaggs came up a little short or a little thin on some of the high notes, but he went for them all.

It wasn’t just the lack of vocal cheats that made Scaggs’ 75-minute set in front of a near-sold-out crowd a success. His voice still has that full, creamy texture of the old days, and his delivery and phrasing brimmed with nuance. (more photos below; all are by Tracy May)

Read more “Concert review: Boz Scaggs @ Ruth Eckerd Hall, Thurs., July 2″ »

Five years ago, any music industry conference would feature hours of discussion about how to get your compact disc into the hands of DJs on FM radio, or tips on how to press and package a CD that wouldn’t get buried on the desk of an A&R executive at some major label. A lot has happened in five years. On Saturday, June 13 and 14, Hillsborough Community College and The Artist and Writers Group hosted the Second Annual Homemade Music Symposium in Ybor City, and in the combined 18-plus hours of discussion, commercial FM radio was not mentioned one time.

Instead, Saturday’s daytime programming included panels and workshops like “Alternative Media Promotion,” “Marketing, Touring and Band Management” and “How to Get the Most Out of a Studio Session.” Panelists included bloggers (Bryan Childs, Ninebullets.net), social networking specialists (Julia Gorzka, Brand Tampa) and local media (Lee Courtney, WMNF; Curtis Ross, Tampa Tribune; Julie Garisto, St. Pete Times as well as Creative Loafing’s Leilani Polk). Mr. Courtney was the only radio personality in attendance. (Tampa’s 88.5 FM is a community station that still allows their DJs to play CDs – they even sometimes play records.).

The Homemade Music Symposium’s goal is to educate nascent and struggling musicians in the ways and means of the music business and industry trends. It also included out-of-town industry folk and special keynote speakers – this year, it was Tunecore’s Peter Wells and Tony Michaelides, a local author from Manchester, UK, who’s colleagues and contemporaries include Factory Records’ Tony Wilson, David Bowie, U2 and The Stone Roses.

Conference attendees were mostly solo singer-songwriter types, with a sprinkling of MCs, publishers and managers as well as other local bloggers and marketers looking to get involved in the music scene or learn about new media. There was a lot of talk (maybe too much) about Twitter and Facebook, and of course the familiar geographical gripe of how Florida is difficult to tour/break out of, because there are no surrounding states (The closest top 10 market is Atlanta). A good portion of the crowd was visibly older, some dressed in flowery shirts and flip flops, and plenty of eyes glazed over when the topics inevitably circled back to “Tweeting” and social networks.

Sorely missing from the panel of experts, especially on the panel labeled “Area Record Labels and Artist Managers,” were representatives from the handful of local Tampa imprints, namely ADD, New Granada and 24 Hour Service Station (Geri X, Win Win Winter and The Beauvilles). 24 Hour owner Marshall Dickson stated that he would definitely be involved next year, but that this time around he just had “too much on his plate.” The only current label owner in attendance was Ivan Pena, who runs Mohawk Bomb Records (Soulfound, Ascending to Avalon and Rise of Saturn). Pena seemed optimistic about the Tampa Bay music scene, and about the fast-changing online industry, but insisted that artists need to tour incessantly and start treating their band like a business or risk failure.

The “Music Critics” panel, unfortunately the last session of the day, seemed to be the most pessimistic. One girl in the crowd asked for suggestions on how to become a music writer. The entire panel discouraged her. It may be in fashion for music writers to be moody and begrudging, but one would think their passion for music could somehow keep their chins up, not to mention grateful that they still have jobs in the age of Rotten Tomatoes and aggregated, user-generated reviews at Amazon.com.

Read more “Homemade Music Symposium 2009: Conference Wrap-Up” »

Random news bites from the last several days (excluding anything about Michael Jackson … well, mostly).

Regina Spektor’s new album, far, debuted at No. 3 on the Billboard 200 this week and the lovely Russian-born songstress is scheduled to perform on Late Night with Conan O’Brien on Thursday, July 30. Slipping to the No. 2 spot this week are the Jonas Brothers with Vines And Trying Times, which held last week’s No. 1 position. Black Eyed Peas have moved to the top of the charts with The E.N.D. And in case you BEP fans were worried, the title doesn’t foreshadow the band’s immenint break-up, but stands for “The Energy Never Dies.” Clever.

Seattle grunge metal makers Alice in Chains have confirmed the dates of their upcoming world tour, sans lead voice Layne Staley, who, if you recall, faded away into reclusivity before he speedballed to his death in 2002. The tour supports the band’s first new studio release in more than 10 years, Black Gives Way to Blue (in stores September 29). The first single, “A Looking View,” is currently streaming on their MySpace page and definitely has the feel of classic Alice in Chains, complete with the hard-meets-soft harmonies by vocalist/guitarist Jerry Cantrel and Staley replacement, vocalist/guitarist William Duvall. Here’s a statement the band released about the new song: “The song basically speaks to any number of things that keep you balled up inside. A cell of our own making with an unlocked door that we choose to remain in. Focusing our attention inward instead of reaching out to a much larger world. I think this is common to us all. It’s funny how hard we fight to hang on to a bone we can’t pull through a hole in the fence, or how difficult it is to put down the bag of bricks and move on.” Current confirmed U.S. stops include Detroit, DC, Chicago, NYC, Milwaukee, Portland and San Francisco. No telling whether the tour will bring them to Florida. Read more “CL Sound Bites: Regina Spektor, Alice in Chains, Wilco, The Dodos and more!” »

Jeff Tweedy doesn’t sound any happier. I’ve always found the Wilco leader’s apparent discomfort in his own skin to be one of the reasons the band was capable of compelling music (although by no means always).

On “Solitaire,” one of the many somber, introspective tunes on Wilco’s self-titled seventh studio album, Tweedy sings in his trademark laconic style, “Once I thought without a doubt/ I had it all figured out/ The universe with hands unseen/ I was cold as gasoline/ Took too long, to see, I was wrong, to believe, in me/ Only.”

Does that suggest that Tweedy is now playing well with others? Or has he finally found the others that are willing to follow his vision. I’m guessing it’s the latter.

In any case, Wilco’s approach on the new album hews more closely to standard song structures than some of the avant-garde-leaning work of the past. Only a handful of songs really stick to your ribs, though, and only one will have you singing it in Read more “Review, Wilco, Wilco (with audio)” »

So, I got this email about this “spellbinding” (PR agent’s words, not mine) Daft Punk-produced video for Douglas Armour’s song, “Flushed & Flamelike, Themselves.” While the video looks real good, there’s not much to it. In sum, a crazy-eyed dude runs through the forest, stopping to do some slow-mo thrashing of his long stringy hair against various particularly breathtaking (and likely digitally-produced) backdrops (still shot at right). After watching the video, I thought the postscript to the e-mail was particularly funny: “PS: I’m accepting submissions to my unofficial video caption contest. Current front-runner: ‘This is why no one invites Andrew WK to go camping any more.’” Check it out after the jump and tell me if you are as baffled by it as I. Read more “Douglas Armour’s new and baffling Daft Punk-produced video” »

Hip-hop seems adrift, with no particular faction dominating the pop psyche (or the charts). Bling-rap isn’t resonating as much lately, these being trying times and all. The current landscape is perfect for a multi-facted, thinking artist such as Mos Def, whose fourth studio album, The Ecstatic, continues his impressive body of musical work.

The 35-year-old Brooklyn native — who has, perhaps more than any other rapper, made a mark in film, TV and theater — has never had much use for rules. And even though Mos Def is a middling music star, he still approaches his recordings with a decided indie hip-hop aesthetic.

That shows in his choice of producers —Madlib, Preservation, Mr. Flash, J Dilla — who collectively let the rhythm tracks breath, allowing room for Mos Def’s relaxed, conversational flow. Complementing the urban scrapyard of sounds, snippets of found dialogue and arcane samples are various jazz elements like vibes and horns and a handful of Middle Eastern-type chants.

Mos Def, a Muslim, avoids clichéd ’hood themes in favor of utopian ideas (“Revelation”) and commentary about everyday life (“Workers Comp”).

The album has moments of clever irony — like, on the intro the “The Embassy,” where a captain addresses his passengers and describes in detail the guns they have in the cabin. Read more “Review: Mos Def, The Ecstatic” »

Attention Unsigned Bands: July 5 is Deadline for Mohawk Bomb Records‘ No Lip Vol. 3 Compilation. Please submit your best song through Sonicbids. Time Left to Submit: 4d , 3h, 25m

Based in Clearwater, Mohawk Bomb Records is a new kind of records music label, focused on sharing all music with the World using online marketing, social media networks and mobile technologies. To see the entire Mohawk Bomb Records’ discography…

RT on Twitter: @mohawkbomb Deadline 2 Submit 4 No Lip 3 Comp Jul 5. Time Left: 4d , 3h, 25m http://tinyurl.com/maj92g #tampamusic #727music

It’s a holiday weekend, which means one extra day of partying down and supporting the local music scene without fear of a hangover-filled workday to follow. Here’s a quick breakdown of your best live music bets. For a more comprehensive schedule of concerts, check out our Upcoming Events page.

Thursday, July 2
Mike Dunn & the Kings of New England (pictured at right)/Will Quinlan/King of Spain Winter Park singer/songwriter Mike Dunn makes music that evokes freedom and wind in your face. His grabby, anthemic tunes send out a whiff of Americana, but at core they are pure, pop-infused rock ’n’ roll. Dunn pulls from a list of 11 confederates to make up his backing band, the Kings of New England, on any given night. No word on how many will show up at New World for this gig, but the safe bet is it won’t be all 11. Atlanta’s Rick Brantley was formerly on the bill but has been replaced by local one-man experimental rocker, King of Spain (Matt Slate). And Quinlan, well, we all know Quinlan, the dour dean of Tampa Bay’s Americana scene. Thurs., July 2, 9 p.m., New World Brewery, Ybor City, $7. —ES

Michael McDonald + Boz Scaggs Two of the most popular vocalists of the 1970s join together in a co-bill at Ruth Eckerd. My strong preference is Scaggs, with his round, throaty soul croon. His Silk Degrees (’76) is an unmitigated classic. Lately, Scaggs’ has added standards from the American Songbook to his repertoire, so his show will be a compendium of material over several decades. (Concertgoer alert: He’s going on first; to read more about him, check out the CL feature here.) When McDonald joined the Doobie Brothers in 1975, they went from a guitar-oriented bar band (albeit a slick one) to a Grammy-winning pop outfit dominated by McDonald’s keyboards and syrupy voice. He had a solid solo career in the 1980s, despite the blemish known as “Yah Mo B There.” Thurs., July 02, 7:30 p.m., Ruth Eckerd Hall, Clearwater, $62.50-$103. —Eric Snider

Friday, July 03
Starlight Mints/Evangelicals (pictured at left, photo by Sarah Cass) You might want to take a break from the Hot Dog show and stroll up the street for Starlight Mints, a band out of Norman, Okla. (home of Flaming Lips) that would make a proper co-bill with Sunbears!. The quartet of “pop mutants” brings plenty of whimsy and weirdness to their sound, but never strays from tried-and-true rock verities: hooks, tuneful vocals, muscular rhythms. The band is backboned by synthesizers, but adds playful twists — like the cartoon horns on “Zoomba” from their new album Change Remains. Evangelicals are also from Norman, and sound as if they might’ve been to a few barbecues at Coyne’s house. Fri., July 3, 9 p.m., New World Brewery, Ybor City, $8. —ES
Read more “This weekend’s best bets in Tampa Bay area music, July 2-5.” »

The hip-hop bible Vibe magazine, founded by uber-producer Quincy Jones in 1993, has folded. Jones, who sold the publication in 2006 and was unaware of its dire situation, has vowed to bring it back.

Jones said: “[Owner Wicks Media Group] just messed my magazine all up, but I’m gonna get it back. You better believe it, I’m'a take it online because print and all that stuff is over.”

Read more.

Audio Visions South, the Tampa Bay area’s premiere, locally owned, high-end stereo and video store, will throw the second edition of its two-part event called “The Future of Music All Age Access Audio” on Sat., July 25, 10 a.m. to 6 p.m. The store’s acoustically exquisite listening rooms will buzz with activities.

The gathering will give music lovers a bunch of useful tips on gear, vinyl, accessories and more, and focus on how to maximize your music experience: AVS invites you to bring your digital media, CDs, LPs, iPod and laptop with you. Here are some of the event’s features:

• A Nitty Gritty LP cleaning station will be set up so your albums will be at peak performance levels when you learn to rip them to your computer.

• You will also learn the best way to rip CDs. Once ripped, you can load all your favorite tunes to your iPod and then we’ll help you figure out how to integrate your iTunes library with your in-home Hi-Fi system.

• We’ll go over streaming video and the best download method for your set up. Read more “The Future of Music event to be held at Tampa’s Audio Vision’s South” »

This just in from our pal Woody at Live Nation:

Brad Paisley brings his “American Saturday Night Tour 2009” to the Ford Amphitheatre on Friday, October 16. Dierks Bentley and Jimmy Wayne will round out the bill.

Tickets are $57.75 and $47.75* for Reserved Seats and $29.75* for the Festival Lawn. There is also a Festival Lawn 4-Pack available for $99.00. Tickets will go on sale Saturday, July 11 at 10am exclusively at www.LiveNation.com, Ford Amphitheatre Box Office or charge by phone 877-598-8698.

It’s just like the old days. Michael Jackson is ruling the charts.

According to Nielsen SoundScan, which tracks record sales, Jackson’s solo albums sold 415,000 units last week, mostly in the time between the Friday after his death and Sunday night, when scanning for the week closed. 58 percent of the sales were digital downloads.

Because Jackson’s titles are not eligible for the Billboard 200, they are relegated to the Pop Catalog chart, where he holds the top nine positions. Three of his titles — Number Ones, Thriller and The Essential Michael Jackson — exceeded 100,000 in sales, outpacing Black Eyed Peas The E.N.D. (88,000), which claims No. 1 on the Billboard 200. It’s the first time that a catalog album has outsold the No. 1 on the 200, the survey of current albums. This week, Jackson has done it three times over.

Additionally, Jackson titles hold the first four positions on the Digital Albums chart, and six of the Top 10

Read more.

Vinyl:

Fugazi - 3 Songs (7″)
Originally recorded in 1989.

Levon Helm - Electric Dirt
Electric Dirt again finds Levon steeped in tradition in his connection to the land and those who live by it, but this record goes deeper and wider, incorporating gospel, blues and soul elements in a bracing collection of originals and carefully chosen outside songs.

Wilco - Wilco (The Album) LP+CD
Wilco’s seventh combines the intimacy of its previous studio disc, Sky Blue Sky, with the experimentation of A Ghost Is Born in a set that boasts strong melodies and often unabashedly pop arrangements. LP includes the album on a CD.

Pete Yorn - Back & Fourth

Read more “Vinyl Fever’s new releases in vinyl, CD, DVD … and a Bobblehead” »

It used to be that MTV would overplay videos to such a degree that it was impossible not to know the latest singles by Madonna, or Prince, or Michael Jackson (may he RIP). Those artists blew wads of cash to make miniature movies for their songs. (Michael and sister Janet’s 1995 acclaimed video duet, “Scream,” cost $7 million alone to produce.)

Nowadays, MTV doesn’t play videos so much as it airs clips of them during the closing credits of its neverending reality TV programming, so many artists have turned to YouTube to get the vids out and are likely alot more budget conscious when making them. The results vary from fun and inspired to downright garbage. Here’s a look at two Moby videos created in support of his ninth album (out today on Little Idiot). I’ve also included a preview clip of Bjork’s live Voltaic CD/DVD release. (Complete clips from the DVD would be nice but sadly, there are leaked or uploaded as yet.)

Artist: Moby
Album: Wait for Me
Songs: “Shot in the Back of the Head,” “Pale Horses.”
Both of Moby’s new singles have intrigued me with their raw electro-meets-organic feel. The video for “Shot in the Back of the Head” is David Lynch’s dark and abstract translation of the song, which is rather gloomy all on its own; and “Pale Horses,” the second single with haunting female vocals by Amelia and melancholy overtones, is directed by Elanna Allen and follows a lonely alien who takes a train to the moon to find some companions. Both are animated, but in very different styles.
Grade: A for both; the music was good and the videos compelling enough to make me want to check out Moby’s new album. (CHECK OUT THE VIDEOS AFTER THE JUMP). Read more “New videos for new music: Moby and Bjork” »

Uh oh, the 40th anniversary of Woodstock is about a month and a half away. Did you remember? If not, it’s probably due to the distinct lack of buzz, seeing as there is no official concert scheduled, although boosters keep adding “as yet” in hopes that original co-producer Michael Lang will manage to put together a show in New York’s Prospect Park.

A handful of mostly lame events are planned for different parts of the country, and a tour called Heroes of Woodstock — featuring Mountain, Jefferson Starship, Tom Constanten (repping Grateful Dead) and others — has 16 dates on the books (none in the Southeast). In all, though, it would seem as if folks have other things on their mind than memorializing the watershed cultural event.

That doesn’t mean it’s a complete wasteland. Sony Music has released a well-thought-out group of reissues called The Woodstock Experience, five two-CD packages pairing a classic 1969 album and a complete Woodstock performance. Sony catalog artists Santana, Janis Joplin, Johnny Winter, Jefferson Airplane and Sly and the Family Stone got the treatment.

Thirty-three acts performed at the Woodstock Music & Art Fair from Aug. 15-18, 1969, including such long-forgotten names as Quill, Sweetwater, Keef Hartley Band and Bert Sommer. (The Beatles, Led Zeppelin, Bob Dylan, The Byrds and a handful of lesser-knowns declined invitations. Jeff Beck, Iron Butterfly and Joni Mitchell canceled.)

Only a handful of the performances have been immortalized, mostly via the 1970 film Woodstock and its soundtrack. And Sony can legitimately boast three of them in this collection: Sly, Santana and Joplin. Winter did not make it into the movie and while Jefferson Airplane were represented with two songs in celluloid, their set has not earned the same historical cachet as the top three.

Let’s have us a closer look at these twofers. I’ve ranked them on their merit as live performances. Read more “Newly released: Complete Woodstock sets by Sly, Joplin, Santana, Airplane and Winter (with video)” »

According to industry insiders, three Michael Jackson albums — Number Ones, The Essential Michael Jackson and Thriller — each sold 100,000 copies last week. The sales tracking week ended at the close of business on Sunday (June 28) night and will be reported today. That means the bulk of the sales took place in the three days after Jackson’s death.

Those six-figure tallies would’ve put the three discs at Nos. 1, 2 and 3 on the Billboard 200 —slightly ahead of the Black Eyed Peas’ The E.N.D. — but catalog albums are not eligible for the album sales chart, so Jackson will instead dominate the Pop Catalog survey.

Read more.

First Levon Helm survived throat cancer, then, improbably, he started singing again. And then, astonishingly, he returned to form. While his voice is thinner than during his days with The Band — he is 69, after all — Helm still brings the grit, that marvelous blend of Ozark country, blues and gospel.

His first album after recovering, 2007’s Dirt Farmer (Vanguard), was a treasure, an absolutely genuine slice of Americana that won the Grammy for Best Traditional Folk Album.

Its followup, Electric Dirt, is another triumph, extending the reach of Farmer while retaining its rustic character. The new disc, released Tuesday, June 30, is not simply a plugged-in extension of its predecessor. Although electric guitars pop up now and again, it’s still largely an acoustic album. The addition of horns on four tracks — two arranged by Allen Toussaint and two by Stephen Bernstein — gives the new one an added dimension, some extra oomph.

The horns get into the act right way with a springy version of the Grateful Dead’s “Tennessee Jed,” which has a decidedly Band-ish feel and kicks off the disc with a great deal of exuberance. Read more “Review: Levon Helm, Electric Dirt” »

If you and three to five of your friends plan on attending a Live Nation show this summer at Ford Amphitheatre, the company waves the service fees this Wednesday, July 1. So, basically, you save money on four- and six-packs of tickets for the following shows: blink-182, Coldplay, Crue Fest 2, Def Leppard with Poison and Cheap Trick, Depeche Mode, Incubus, Rascal Flats with Darius Rucker, and the Rockstar Energy Drink Mayhem Tour featuring Marilyn Manson and Slayer. Here’s the release: Read more “Live Nation continues “No Service Fee Wednesdays”” »

by Denis Baldwin

This year’s Homemade Music Symposium played out over the weekend at the Ybor HCC campus, bringing together musicians, singer-songwriters, music industry professionals, entertainers, writers, photographers and most every other aspect of the music industry to discuss the state of music, the nature of creating and marketing musicians and give a taste of things to come.

Overall, the symposium was a great success. Saturday opened with “Poets of Popular Song, The Lyrics and Lyric Writers of the Great American Songbook,” featuring the piano work of Paul Wilborn and the 107-year-old Rosa Rio. After their performance, many of the attendees broke for the lunch while the rest of us sat at our tables and handed out free swag and met with people.

More pics after the jump: Read more “Homemade Music Symposium photo review” »

A band of Florida traveling bards and minstrels aka the Citrus Circuit Tour made a stop at New World Brewery on Saturday, featuring Lake Worth’s Truckstop Coffee, Daytona’s Lauris Vidal, Gainesville’s The Takers and Bradento-based Have Gun, Will Travel.

Have Gun, Will Travel

With three new songs and a Tom Petty cover, Have Gun, Will Travel (HGWT) continues to innovate at each show. Accordingly, HGWT’s set had New World Brewery dancing up a storm and singing their hearts out to old favorites like “When We Were Kings” and “Blessing and a Curse” (affectionately know by fans as “Bop Ba Da” after the chorus that stays in your head all the way home). Read more “Review: Citrus Circuit Feat. Have Gun, Will Travel, Takers, Truckstop Coffee & Lauris Vidal” »

A weekly bulletin on musical guests playing late night TV; set your TIVOs or DVRs if you’ve got an early bedtime and you haven’t already caught these appearances (or want to see them again).

The Late Show with David Letterman, CBS
Monday, June 29: Steve Earle (June 3, pictured; photo by Ted Barron)
Tuesday, June 30: The Fray (April 2)
Wednesday, July 1: the Jonas Brothers (June 11)
Thursday, July 2: P.J. Harvey & John Parish (June 12)
Friday, July 3: Rick Ross with Magazeen (May 14)

The Tonight Show with Conan O’Brien, NBC
Monday, June 29: Green Day (June 2)
Tuesday, June 30: John Mayer (June 4)
Wednesday, July 1: Bonnie Raitt and Taj Mahal (June 9)
Thursday, July 2: Neko Case (June 11)
Friday, July 3: Incubus (June 17) Read more “Late night music, June 29-July 4: The rerun edition, Vol. III (with video)” »

A delightful and talented band of troubadours, Cory Branan, Jon Snodgrass (of Drag the River/Armchair Martian) and Joey Cape (of Lagwagon), stopped in at New World Brewery on a balmy Thursday evening last June 25. The concept behind this tour was to get these three alt-country musicians together on a stage and see what happens in a casual format, kinda like the Revival Tour.

Jon Snodgrass and Cory Branan (pictured above) kicked off the festivities by alternating songs and occasionally performing duets - check out “Born Apart.” The audience enthusiastically joined in on their performance, singing along to their favorite tunes like Sondgrass’ “Song for Gibson” and Branan’s “Prettiest Waitress In Memphis.” (MORE PICS AFTER THE JUMP.) Read more “Photo review: Cory Branan, Joey Cape & Jon Snodgrass at New World Brewery” »

Billboard reports:

On the table for consideration is a Janet Jackson/Jackson Brothers tribute tour to celebrate the life of Michael Jackson, according to sources.

The proposal is either that the Jacksons fulfill some of Michael’s London shows, or do a U.S. tour where they would perform his hits and theirs with him. Janet would be the star of such a show, substituting for Michael since none of the brothers would be remotely capable of being
the lead performer.

Read more.

Mohawk Bomb Records announced today the release of the debut EP from Ascending to Avalon, whose Soundgarden-meets-Minus-the-Bear throwback riff rock and psychedelic sensibility make them a prime choice to fans of Led Zeppelin, Black Crowes, Foo Fighters and Open Hand.

“Wake the Sleeping Sun” is a 7-song eclectic blend of styles that shows the band’s talent and diversity. Ascending to Avalon was started in March 2008, when Ryen Gerson (vocals, guitar) started jamming with Lance Miller (drums) and Eric Bourne (guitar) on some material that sat around in the depths of his mind. The trio quickly formed a bond which led them to record over 20 original songs and put forth a rough demo recorded in Ryen’s basement. In October 2008, producer Ivan Pena started working with the band and the result was “Wake the Sleeping Sun”, an eclectic display of the band’s range of influences, full of radio rock appeal.

Listen below the jump:

Read more “New Ascending to Avalon EP “Wake the Sleeping Sun” out today!” »

Danger Mouse and Sparklehorse
Dark Night of the Soul

From the first reports of a new project by artist/producer Danger Mouse and singer/multi-instrumentalist Sparklehorse (Mark Linkous), to the freaky 16-second video revealing filmmaker David Lynch’s hand in its artistic direction, to its Internet leak after the dispute with EMI turned into a permanently unresolved issue, Dark Night of the Soul has been generating a shadow-shrouded hype that reflects the album’s own bewitching eeriness.

The 13 songs were written by DM and SH in collaboration with a noteworthy cast of nearly a dozen guests, who not only provided vocals but helped compose and produce their respective tracks. Each one retains its own individual feel, but all remain within Dark Night’s moody boundaries and feature DM’s skilled multi-layering production techniques. Read more “Review: Danger Mouse and Sparklehorse, Dark Night of the Soul” »

Two years ago, Jonathan Berlin was in a bad place. He was the lead singer and songwriter for a band called Bernard that had a distribution deal through East/West, a division of Warner Bros. The trio, whose drummer was his longtime collaborator and best friend Jared Bowser, had played 300 shows on tour.

Photo: Ian Witlen

So what exactly was the problem, you might wonder?

“With Bernard, we worked our asses off to make it happen,” Berlin, 25 (at right in photo), says in a phone interview. “As it turned out, it just wasn’t fun. I always loved writing songs, but after we got hooked up with Warner Bros, I started writing and I couldn’t do it. It was like, ‘I’m writing a record for Warner Bros. This has to be good.’ The whole thing wasn’t really awesome.”

Given those circumstances, a lot of artists would’ve continued to flog it, but Berlin decided to walk away. The Bernard split led in part to a four-month rift between him and Bowser, 23.

Berlin decided to rethink this whole music career thing. And he came up with something of a novel solution: He had to basically stop trying. So Berlin retreated to his loft in downtown Jacksonville and started making music for himself.

Videos after the jump.

Read more “CL Interview: Sunbears! (the impressive Jax duo plays Crowbar next Friday) (with video)” »

It’s about time Incubus graced us with their musical presence again. For the past three years we’ve had to make do with listening to their 2006 album Light Grenades. Don’t get me wrong — my ears thoroughly enjoyed it (It was, after all,  No. 1 on the Billboard Top 200), but after a good week of replaying the CD in my car, I carelessly tossed it in the back seat and retrograded back to my faithful Led Zeppelin collection.

I almost forgot all about my long-time love of Incubus. But I have good news friends; They’re back! Monuments and Melodies hit stores June 15th and it has been playing in my car and on my laptop ever since. The two-disc album showcases their greatest hits and new favorites to add to your list. For fans, this disc a must-have.

Read more “Review: Incubus, Monuments and Melodies” »

Ed. Note: What follows is a repost of an item by CL Marketing Director Joran Oppelt from his recent trip to SXSW. At the time, I thought it was just a really cool video. Today I think it’s become something more. You can see Joran’s original post here.

Quincy recalls his first encounters with Michael Jackson and their work on the best-selling records Off the Wall and Thriller, as well as the birth of MTV and how they broke through the “no black artists” mandate.

This exclusive CL TV video was shot in March at Jones’ 2009 South by Southwest keynote address. Video after the jump …

Read more “Quincy Jones remembers his first encounter with Michael Jackson (video)” »

Here are some links to various stories about Michael Jackson’s death and its aftermath:

Jermaine Jackson explains details.

A look back at Michael Jackson’s life in photos.

Reactions from friends and stars: Britney Spears, Diddy Combs, Quincy Jones and more.

AP: “World Mourns King of Pop”

Jackson’s scheduled London concerts leave a tangled business mess. $85 million in advance ticket sales.

Billboard; King of the pop charts.

MTV News: “Michael Jackson and MTV — From Epic Videos to Show-Stealing Performances.”

Never has so much triumph dissolved into so much tragedy.

From kid star to King of Pop to punchline. And now dead. Michael Jackson was 50 when he died earlier today of a heart attack. A shock — but, then again, when it came to Michael Jackson, nothing was.

Some people will dismiss Jackson’s death as a fitting end to a twisted caricature of a life. They might even get a chuckle out of it. I won’t. I’m hit. This is one of those celebrity deaths that I’ll remember where I was when I heard about it. (As it turned it, it was at Cirque de Soleil; I left soon after.)

I’m upset, more than I guess I thought I’d be. But I’m focusing on memories. I was there, watching, when he wowed the country with his pre-adolescent charm on Ed Sullivan, his skin the color of milk chocolate. I was there, watching, as he turned into a man, still with childlike charisma.

I was there in 1979, in an arena in Honolulu, when he performed with The Jacksons, but the most riveting material was from his new album, Off The Wall. I was there, in front of the TV, when he first did the moonwalk on Motown 25 and folks talked about it for days, months. I was there, a newly minted music critic, giving Thriller all of three stars.

And yes, I was there when he gradually sanded his skin to the color of chalk and remade his nose into a button. Read more “Michael Jackson dead: a remembrance from a critic and fan” »

He might not actually be dead yet, but TMZ is reporting that pop master Michael Jackson, who suffered a cardiac arrest earlier this afternoon at his Holmby Hills home, has passed away at age 50. According to them, the paramedics said that they were unable to revive him. (Other publications, like ABC News, MTV.com, NPR and the New York Times are not so quick to jump to the RIP conclusion.)

So is Jackson alive or dead? Is this the Shrodinger’s Cat paradox being played out right in front of our very eyes? Keep watching the headlines…

After repeatedly hearing this new disc hyped by The Mars Volta leader Omar Rodriguez-Lopez in recent interviews as their “acoustic record,” TMV fans might be a bit surprised when they finally get to hear Octahedron.

Acoustic guitars highlight only a couple of the tracks on the new album, primarily the single “Since We’ve Been Wrong,” the over-7-minute “With Twilight as My Guide,” and “Copernicus.” The rest of the songs feature as much of the bombastic guitar and keyboard-driven rock as their fans are used to.

A special five-on-the-floor shout-out goes to track 2, “Teflon,” where vocalist Cedric Bixler-Zavala wails, “Let the wheels burn/ Let the wheels burn/ Stack the tires to the neck/ With the body inside.”

What strikes me as particularly “acoustic” about Octahedron is the lack of dense, arpeggiated guitar overdubs that typically define the Volta’s sound. In fact, the only guitar “solo” is placed at the end of “Luciforms,” the last song on the record.

Read more “Review: The Mars Volta, Octahedron” »

All photos by Tracy May; to check out the complete gallery, click here.

The last time I was at The Ritz was for the fateful Corrosion of Conformity show where (4) people were stabbed with (1) ultimately dying. I’d heard a lot about the near million dollar renovation the venue had gone through prior to reopening a year (really? it’s been a whole year?) ago but I had not seen it yet. What better chance than for their free, one year anniversary show featuring one of my favorite songwriters, Grayson Capps (pictured with hair swinging at right)?

The venue itself is beautiful and the acoustics are dramatically improved. Granted, I am judging the latter on one show but Grayson and the Stumpknockers were loud and they sounded great and the re-configured ballroom is infinitely more conducive to live music than it used to be. While this isn’t supposed to be a review of the venue I wanted to mention it ’cause they did a fantastic job and I look forward to seeing more shows there. Read more “The Rock Report: Grayson Capps @ The Ritz Ybor (with pics!)” »

For those of you who like free music and indie bands repped by Paper + Plastick Records (Foundation, Farewell Continental, Gatorface, We Are The Union, Assassinate The Scientist, Protagonist, Blacklist Royals, Landmines, Coffee Project and Andrew Dost), label founder/owner Vinnie Fiorello (also of Less Than Jake) is offering the label catalog, for free, in honor of his birthday. Here’s the release:

Gainesville, FL – Vinnie Fiorello, drummer of ska/punk legends Less Than Jake and owner of Gainesville-based independent label Paper + Plastick Records, is celebrating his birthday in style this year. To commemorate, the music industry vet is giving away P+P digital catalog (except the latest release, Shook Ones’ The Unquotable A.M.H.) to the first 200 loyal fans that visit www.audiblediversiongroup.com/paperandplastick/browse/DigitalReleases at 3PM EST. “My birthday seemed like a logical day to do this” admits Fiorello. “While I’m celebrating with tacos and beer, people can celebrate with some of my best friends and favorite bands on P +P.” “I’m doing this because I want to share the music I love. Maybe you heard the band name or maybe you heard a song or two… so now is the time to dive into the P+P catalog for free at 3,” he says. A lucky 200 fans will receive over 80 free tracks, from artists such as Foundation, Farewell Continental, Gatorface, We Are The Union, Assassinate The Scientist, Protagonist, Blacklist Royals, Landmines, Coffee Project and Andrew Dost. Read more “Less Than Jake drummer Vinnie Fiorello offers the Paper + Plastick Records digital catalog — for free!” »

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The second man to walk on the surface of the moon meets the first man of bud in this Funny or Die clip.