Tampa Calling

NOTE: I originally posted this on ninebullets.net last month. Eilen will be on the Cuban Club Cantina stage at Tropical Heatwave tomorrow. Her set time is 7:45 to 8:45. She gets the ninebullets.net seal of approval.

When I started ninebullets.net I really didn’t listen to too many woman singers. It wasn’t a conscious decision, really, just how it played out. Eilen Jewell was one of the singers who helped break that habit with her 2008 effort, Letters From Sinners And Strangers.

When I read on songs:illinois that she was changing her sound on Sea Of Tears I got a little worried. Why mess with a good thing, I wondered. Her last CD was perfect for damned near every mood and occasion.

With great trepidation I put the new one in my car stereo.

Huuuuge exhale. Turns out she didn’t remake her sound so much as tweak it a little here and there. The results are just as powerful as her last album. Powerful and melancholy with a little bit of a ’50s rock ‘n’ roll and sur-rock added to the background. “Sea of Tears”, the standout track, really drives this new sound home and could easily be a song Travolta and Thurman would have danced to in Pulp Fiction. Countering the rock of “Sea Of Tears” is the jazzy brooding of “Final Hour,” while “Codeine Arms” bridges the gap between the two.

By the end of Sea of Tears a couple of things are obvious. One, there really isn’t anyone out there doing what Eilen does, and if there is please tell me who they are. Two, this album will be on many a year-end Top 10 list, and with that said, three; this album is Essential Listening, so buy it.

Eilen Jewell’s Official Site, Eilen Jewell on myspace

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