Tampa Calling

Some shots from last night’s Green Day show at the forum. More will be featured in a follow-up review of the show that will be posted sometime tomorrow. Stay tuned.

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Metal Monday came early this week with Sunday evening’s show at Czar’s Imperial Palace featuring Torche, House of Lightning and Averkiou. Death Metal, one of Tampa’s more unqiue claims to fame, has influenced a plethora of subgenres including the hardcore scene I grew up in. It was awesome to see how many old school hardcore kids made it out on a Sunday night along with a whole new group of metal afficiandos.

Torche

Hailing from Miami, Torche has a rabid fan base hooked on their unique sound – part thrash with a twist of melodic hardcore, and dare I say a bit of twang, all against a solid metal foundation. Decibel Magazine called Torche’s music a “whole new beast built from the DNA up.” Ever since Torche’s Meanderthal (Hydrahead Records) took the No. 1 spot on Decibel’s 2008 Top 40 Extreme Albums list, the band’s fan base has rapidly expanded. Thankfully, their intensity remains intact. (MORE PICS AFTER THE JUMP) Read the rest of this entry »

Check out my shots from the Maxwell show at Ruth Eckerd Hall in Clearwater this past Thursday, July 30. Apparently the neo-soul singer is bashful; the handful of photographers were granted access to shoot the first three songs, but only from the very back of the auditorium.

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“I’m so blessed to / have spent the time / with my family and the friends I love/ with my short life / I have met so many people I deeply care for”

These final chanted lyrics of Yeasayer’s “Red Cave” go a ridiculously long way in summarizing exactly what my recent trip to Chicago for the fifth annual Pitchfork Festival meant to me. While I’d been to the fest several times in the past (the first three, actually), this marked the first time that a huge group of old friends (LBHS stand up!) were able to meet up and enjoy the city and the music and the drunken shenanigans together. (Pictured at right: Wayne Coyne of the Flaming Lips; all photos by R. Kevin Rose.)

What’d I learn? well, for starters… we are all official members of the POSI-ADULT CREW. Not straight edge — not even close — but definitely upbeat and affable. Positive, if you will. A group of kids raised on (amongst many, many other things) Bad Brains’ “P.M.A.”, Seven Seconds, Dag Nasty, Gorilla Biscuits, etc., who grew into a geographically dispersed crew of adults … all of us still kinda “Screaming For Change” in our own unique ways. (LOTS MORE PICS AND SHENANIGANS AFTER THE JUMP) Read the rest of this entry »

A photo review of last night’s American Idol Live concert at the St. Pete Times forum. To check out a review of the show, click here.

A piano duel between Matt Giraud and Scott MacIntyre. Read the rest of this entry »

A series of shots from the Wednesday, July 22 show featuring Reel Big Fish, the English Beat and The Supervillains at The Ritz Theater in Ybor City.

Reel Big Fish

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Pedals on our Pirate Ships finally sailed into Tampa on July 21! Which explains how I found myself out late on a Tuesday work night at Transitions Art Gallery to see Pedals on our Pirate Ships (Richmond), The Wild (Atlanta) and Regular Size People Fight (Tampa).

Pedals on our Pirate Ships

My friend Jeff made me some mix CDs last winter and the song that immediately caught my attention was “Peter Pan Syndrome,” with its chorus “Will you be my Wendy? Will you be my Tinkerbell? / Don’t be silly you can be my Tiger Lily still” and lines like “We don’t have goals but we have lots of fun” and “but secretly we all miss our mothers, we seek security in the arms of lovers.” When I couldn’t get the song out of my head, I looked up the band with a peculiar name, Pedals on our Pirate Ships, listened to the rest of the songs posted on their Myspace page, and was hooked.

Hailing from Richmond, VA, these folk punk rockers play extremely fun and catchy tunes with just a tinge of introspection. In “Reinventing Bryan Adams” Matt belts out “Why do they call it goodbye, doesn’t feel so good to me, why don’t we call a spade a spade, say what we really mean… look me in the eye and say loving you is fucking killing me” At the show, a small but enthusiastic crowd sang along at the top of their lungs to the crowd favorites, including “Peter Pan Syndrome” and “Night of the Living Wage.” Read the rest of this entry »

WMNF’s 4th Annual Americana Fest at Skipper’s Smokehouse went off without a hitch this past Saturday, July 11, a hand clappin’, boot stompin’ good time that showcased the vast array of talent in Florida’s Americana scene.

Have Gun, Will Travel

Originally masterminded by Ted Lukas, Americana Fest is all grown up. This year featured ten outstanding Florida Americana bands: Ted Lukas & the Misled, Will Quinlan & the Diviners, Have Gun, Will Travel, Thomas Wynn & the Believers, Nervous Turkey, Black Finger, Roppongi’s Ace, Mike Dunn & the Kings of New England, Matt Butcher and The Nine Volts plus a national headliner: Blue Mountain. Read the rest of this entry »

In three short years, the Reax/ThxMgmt Hot Dog Show has established itself as a must-attend event of the summer, providing a great opportunity to see a diverse group of bands, catch up with old friends, make some new ones, and of course, witness a hot dog-eating contest. This year, the Hot Dog Show took place on Friday, July 3, at Crowbar. I arrived just in time to see the first female victory in the hot dog eating contest (sorry – I didn’t catch her name!), which was followed by an animated performance by Bealsville/Plant City-based Shunda K of Yo Majesty! Bringing the evening to a dance party conclusion was Sunbears! (Jacksonville).

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“There’s so much joy in what we do up here…” Craig Finn of The Hold Steady exclaimed to fans near the end of their set at The Ritz on July 2, 2009, “…we are all the Hold Steady!“

The joy rang loud and proud throughout their set. Fans of The Hold Steady don’t just come and watch the band — they participate and follow along with the band antics.

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by Denis Baldwin

This year’s Homemade Music Symposium played out over the weekend at the Ybor HCC campus, bringing together musicians, singer-songwriters, music industry professionals, entertainers, writers, photographers and most every other aspect of the music industry to discuss the state of music, the nature of creating and marketing musicians and give a taste of things to come.

Overall, the symposium was a great success. Saturday opened with “Poets of Popular Song, The Lyrics and Lyric Writers of the Great American Songbook,” featuring the piano work of Paul Wilborn and the 107-year-old Rosa Rio. After their performance, many of the attendees broke for the lunch while the rest of us sat at our tables and handed out free swag and met with people.

More pics after the jump: Read the rest of this entry »

A band of Florida traveling bards and minstrels aka the Citrus Circuit Tour made a stop at New World Brewery on Saturday, featuring Lake Worth’s Truckstop Coffee, Daytona’s Lauris Vidal, Gainesville’s The Takers and Bradento-based Have Gun, Will Travel.

Have Gun, Will Travel

With three new songs and a Tom Petty cover, Have Gun, Will Travel (HGWT) continues to innovate at each show. Accordingly, HGWT’s set had New World Brewery dancing up a storm and singing their hearts out to old favorites like “When We Were Kings” and “Blessing and a Curse” (affectionately know by fans as “Bop Ba Da” after the chorus that stays in your head all the way home). Read the rest of this entry »

A delightful and talented band of troubadours, Cory Branan, Jon Snodgrass (of Drag the River/Armchair Martian) and Joey Cape (of Lagwagon), stopped in at New World Brewery on a balmy Thursday evening last June 25. The concept behind this tour was to get these three alt-country musicians together on a stage and see what happens in a casual format, kinda like the Revival Tour.

Jon Snodgrass and Cory Branan (pictured above) kicked off the festivities by alternating songs and occasionally performing duets – check out “Born Apart.” The audience enthusiastically joined in on their performance, singing along to their favorite tunes like Sondgrass’ “Song for Gibson” and Branan’s “Prettiest Waitress In Memphis.” (MORE PICS AFTER THE JUMP.) Read the rest of this entry »

All photos by Tracy May; to check out the complete gallery, click here.

The last time I was at The Ritz was for the fateful Corrosion of Conformity show where (4) people were stabbed with (1) ultimately dying. I’d heard a lot about the near million dollar renovation the venue had gone through prior to reopening a year (really? it’s been a whole year?) ago but I had not seen it yet. What better chance than for their free, one year anniversary show featuring one of my favorite songwriters, Grayson Capps (pictured with hair swinging at right)?

The venue itself is beautiful and the acoustics are dramatically improved. Granted, I am judging the latter on one show but Grayson and the Stumpknockers were loud and they sounded great and the re-configured ballroom is infinitely more conducive to live music than it used to be. While this isn’t supposed to be a review of the venue I wanted to mention it ’cause they did a fantastic job and I look forward to seeing more shows there. Read the rest of this entry »

Frodus Conglomerate International (1993-1999) resurrected on June 18, 2009 at Redlight Redlight, Orlando, FL, continuing what has been an outstanding ’90s hardcore reunion year (most recently the unbroken/split lip reunion at burning fight). Supporting the resurrection was Tampa’s Guiltmaker and Orlando’s Hurrah.

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Phil Spector was photographed by the California Department of Corrections and Rehabilitation in June 2009 after his arrest on murder charges (Spector was sentenced to 19 years in prison following his conviction for murdering actress Lana Clarkson, whom he shot to death in his Los Angeles home in February 2003) . And it turns out that crazy hairdo he sported in court (seen here) was not actually his real hair. Why would a man wear such a strange looking wig? Maybe because without it, he resembles Gollum from the Lord of the Rings trilogy.

See the horror below:

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Pontiak galloped into New World Brewery this past Thursday, June 11, the exceptional headliner of History’s last show in Tampa supported by King of Spain and Glasgow. Another splendid Thx Mgmt show – thanks Joe.

Pontiak

To get the downlow on Pontiak, check out Eric Snider’s interview with the brothers who make up this band. Live, Pontiak delivers a constantly evolving performance, its members switching instruments (who doesn’t love the impact of double drum sets?) and keeping even the most jaded scenester interested. These mistral brothers are a talented family garnering positive media attention from sources as diverse as Pitchfork and Wired. Read the rest of this entry »

This weekend, I determined that the quality of your back-up singers determines the cheese factor of your show. Steely Dan’s were a trio of lovely ladies straight out of 1989, whose vocals were overshadowed by bad hair and fashion, and badly choreographed dance hands. Yes, I said it — dance hands, those theatric gestures all the drama club kids make when singing in musicals, the ones that don’t really express anything but keep your arms from hanging down at your sides like wet noodles. So, yes, I was distracted by the trio, but I was also just not that into the music, either. (Photos by Phil Bardi taken from the soundboard.)

Full disclosure: I am not among the loyal legion of Dan fans. I can understand and appreciate the influence of the progressive jazz-rockers, and I like some songs from their catalog, although they are guilty of recording one of my least favorite songs, ever, “Rikki Don’t Lose That Number.” (I’m a hater on “Deacon Blues,” too.) There’s just something about the Steely Dan sound — its slick production quality, Donald Fagen’s vocal tone — that rubs me wrong. But my mind has been changed by greater things and music is oftentimes different when consumed in a live setting, and since my husband is a devotee and has never seen them live, and since I’ve never seen them perform live, either, I took us both to the show at Ruth Eckerd Hall this past Friday, June 12. The Florida leg of the “Rent Party ‘09″ tour was a sort of warm-up for the upcoming series of special bigger-city bills where the band will play one of each of their classic albums in its entirety at each show. Read the rest of this entry »

Thx Mgmt brought an all-star Florida rock n’ roll show to New World Brewery last Friday, June 5, featuring Tampa darlings The Beauvilles, Orlando-based Thomas Wynn & The Believers and Jacksonville’s Shawn Fisher & The Jukebox Gypsies. The master plan was a mini-weekend tour with stops at each of the bands’ hometowns while rotating the headliner spot and introducing the out-of-town bands to new audiences. A grand idea!

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Ed Lowery and friends (which includes the Tampa Two Stroke Scooter Club) threw a benefit concert in support of Mike Formato, a friend injured in a serious scooter accident, at New World Brewery this past Saturday May 30. It was a eclectic evening of music featuring sets by Magadog, Light Yourself on Fire and The Boozers.

Magadog

Magadog is the band that introduced me to ska at the tender age of 16, opening up a parallel universe to the SXE/hardcore scene. When I moved to DC for college, I was surprised to find that the hardcore and ska scenes didn’t interact in any purposeful way like they do here in Tampa. When Magadog broke up, it was very sad … my friends and I had so much fun through the years with them at shows with Checkered Cabs, Skavoovie and The Epitones, The Toasters, The Pietasters and many others. When Magadog reformed in 2007, we were psyched to have them back and so far, we haven’t been disappointed! With one new record out, Sunrise…, and another on the way, Ybor City, Magadog is firmly back in the skank of things. Saturday evening’s performance had the crowd skanking the night away… who doesn’t love a little skaerobics? Read the rest of this entry »

City of Ships sailed into Ybor City last Friday, May 29, and headlined a New Granada Show at New World Brewery with Tampa favorites Guiltmaker and Gainesville-based Liquid Limbs.

City of Ships

Currently hailing from Richmond, Va., City of Ships produces a unique brand of heavy yet clever post-hardcore rock. Live, the band delivers a mega sound that is LOUD … the last time my ears felt like this (i.e., as if they were bleeding) was after a Deadguy/108 show in the mid-’90s. With long hair, and some strategic fan placement, the headbanging was ON. But to call City of Ships a headbanging rock band means you are missing the point. Their music is complex and incorporates a variety of musical influences all rolled up in a unique package. They are one of the few bands that you love listening to both on disc and live. City of Ships has a new record due out on July 21, 2009, Look What God Did To Us (Translation Loss Records), and they are touring extensively this summer across the US and Europe. In the meantime, check out their myspace page for teaser songs. Read the rest of this entry »

WMNF’s 2009 Tropical Heatwave managed to be a scorcher in spite of torrential downpours. The best thing about Heatwave is the ability to see a wide variety of genres in one evening in close proximity. I managed to catch 10 bands this year on 5 stages: The Beauvilles, David Dondero, James Intveld, Johnny Cakes & The Four Horsemen of the Apocalypso, Kinobe & Soul Beat Africa, Magadog, Modern Skirts, Will Quinlan & The Diviners, Roppongi’s Ace and Thomas Wynn & The Believers.

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@autopsy4: Made it to Ybor. Have I mentioned how much I hate driving to Tampa?

I arrived to Ybor late and famished due to the traffic jam the rest of the world refers to as Tampa. After getting my access secured and a whiskey inside of me I started to settle down and headed to the Cantina for some of the Southern rock sounds of Mojo Gurus. I only managed to catch their last 3 songs but that was all I needed. The blistering rock mixed with the whiskey were getting me where I need it to be and all I needed at this point was a hot dog and I was gonna be fixed.

On my way out of the Cantina I bumped into some old friends and decided a double whiskey and catching up was gonna have to suffice as food. While the double put a beating on my wallet, it was exactly what the head was wanting and I was exactly where I needed to be as Thomas Wynn & The Believers took the stage. Read the rest of this entry »

Photos by Phil Bardi.

Let’s put this in perspective: when Jane’s Addiction and Nine Inch Nails toured together for the first Lollapalooza in 1991, current high-school seniors were just being born, crying for their momma’s milk. Now NIN and Jane’s have returned to milk the cash cow one more time. Though never officially declared a reunion tour, the fact that the original four members of Jane’s Addiction – singer Perry Farrell, guitarist Dave Navarro, bassist Eric Avery and drummer Steven Perkins – have only occasionally been in the same room together, let alone played a show,  certainly made it feel like one. And that’s OK by me.  Jane’s pulled the plug at the peak of their success, leaving many fans and soon-to-be-fans craving a live show.

Trent Reznor is a different story. The reclusive god of goth has been releasing albums once every five years or so and touring about the same. Then he dropped the news that this tour would be NIN’s last. Maybe that’s so, but rock stars have a penchant for breaking such promises.

So, what can you expect when two powerhouse bands schedule a big reunion/farewell tour? Overworked fog machines? Yep. Tons of faded black t-shirts? Yep. Power-packed shows filled with the greatest hits? Err..  Not so much, at least for the NIN set.

Catching many of the crowd off guard, a four-piece NIN took the stage rather early, just before 8 p.m.  Reznor –  dressed in a green t-shirt, black jorts and combat boots — led the band through a spirited five-song run to open to the set: “Now I’m Nothing,” “Terrible Lie,” “SIN,” “March of the Pigs” and “Piggy.”  The performance lost steam as the band trudged through tracks from all over the NIN catalog. It seemed like most of the crowd — many attending their one concert of the year — were waiting for “Closer.” They didn’t get it, and seemed to be even more confused that the band chose to play an Adam Ant cover so late in the set. Reznor finally won the crowd back when he ended the set with great nostalgia (but no tripped out video) with “Head Like a Hole” and “Hurt.” (More text, pictures, setlists, and video after the jump) Read the rest of this entry »

Thx Mgmt hosted yet another fine show this past Wednesday, May 6 — Jason Isbell & The 400 Unit with Red Cortez at Crowbar.

One thing is certain: Americana fans are a committed group. From the moment the music started, the outside patio emptied, people practically sprinting inside. The audience actually watched Red Cortez, unusual for a relatively unknown opening act. As soon as Jason Isbell & The 400 Unit started setting up, people rushed the stage so they could be assured a spot up front. Read the rest of this entry »

Saturday found a distilled presence at New World Brewery!

Whiskey & Co. headlined a fine evening of Americana along with Will Quinlan & The Diviners and Matt Butcher this past Saturday, April 25. The show was hosted by Thx Mgmt. (More pics and info about the show after the jump.) Read the rest of this entry »

Dead Confederate headlined an eclectic evening of psychedelic, experimental electronica, soul and straight up rock this past Friday, April 24, at Crowbar in Ybor City with support by The Future on Films in Space, The Beauvilles and Palantine.

Dead Confederate, which hails from Athens, Ga., is hard to describe … their stage set-up suggests metal while their stage presence more like grunge, but the music itself is decidedly clever. The Onion suggests that Dead Confederate is forging a new genre of music … check them out and decide for yourself! Read the rest of this entry »

Austin-by-way-of-Orlando’s New Roman Times were on their best game this past Saturday, April 18, at New World Brewery as they celebrated the release of their full-length, On The Sleeve, on New Granada Records. Frequently compared with indie greats like The Pixies, Versus and Sonic Youth, NRT successfully fuses quality songwriting with dance-worthy guitar-driven rock ‘n’ roll.

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I admit it that I start too many blogs lamenting about why it is that there are no shows (that I want to see, at least) for days/week/months and then there are several competing shows the same night …

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It’s not every day we’re lucky enough to see a veritable folk legend at New World Brewery — especially not one with a career as illustrious as Country Hall of Famer Charlie Louvin. On Friday, Mr. Louvin and his band graced New World Brewery with a special performance. At 82, Mr. Louvin tours regularly, releases new records and continues to inspire a new generation of musicians. He effortlessly connects with an all-ages audience by weaving stories and running commentary in between songs in a manner that most musicians can’t even dream of pulling off. Most of us can only dream of being this cool at any point in our lives — let alone at 82.

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Click Here to View the Full Set

Where to begin? Last Thursday seems like so long ago, the start of a very long weekend of incredible music. With the Harvest Of Hope festival bringing bands by the boatload to Florida, many of them played shows throughout the state before and after the weekend. I (with my girlfriend and a few other friends) went to four shows in six days across the state. I did my best to document all of this with pictures and video; and even managed to score a short video interview with Bryce Dessner of The National. Read the rest of this entry »

Deerhunter plays at Czar to packed house. Photo by MatthewParke

With arrival of folksy revivalists like Iron and Wine, Devendra Banhart and Bon Iver, it would seem that the charge of the minimal guitar is relentless. Deerhunter is proving wrong those that believe loud guitars are on the fritz. An ambient, post-punk band with a scotch of garage finesse took over Czar’s stage late Monday night.
Their album is tame compared the show the audience received that night. Ambient garage punk with melody, and it was loud. Whenever drummer Moses Archuleta hit bass drum on his set, the whole audience felt its thud. “Is this amp too loud? Is my guitar to loud?” asked vocalist, guitarist and band front man Branford Cox. Halfway through the set, Moses had busted through his bass drum. Opening band Summerbirds in the Cellar’s bass drum fearfully took its place. Read the rest of this entry »

Potential lesbian and singer Miley Cyrus revealed this week on Tucson morning radio show Johnjay & Rich that she was rebuffed by Radiohead (her favorite band, “the only one she would cry over” according to her agent) during the Grammy Awards last month.

Radiohead was in a dressing room only four doors down from Ms. Cyrus. Miley had her manager request a little face time with Thom and the gang. Their response? “We don’t really do that kind of thing.”

Cyrus told the radio hosts she thought it was “rude.” She even left the ceremony and missed Radiohead’s live performance on the show. “I left ’cause I was so upset. I wasn’t going to watch. Stinkin’ Radiohead! I’m gonna ruin them, I’m going to tell everyone,” she said.

Last week we covered the 50th anniversary of Buddy Holly’s death with a rare tape of a Buddy Holly phone call to Decca Records and some mp3s from the original master tapes.

Here are some really cool pictures, all from a new photography exhibition at Proud Galleries, called simply “Buddy Holly.”

See more pics below the jump.

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