As I said with my last post about Nerdapalooza, I wasn’t really familiar with the whole genre (or its fan base) until mere weeks before attending the festival, but I had a short list of people I wanted to see as Trevor and I shoved off from St. Petersburg last Saturday morning.
Now, I’m typing this a little under 24 hours after getting home from the festival. Showered, rested, and fed, I’m still not sure how I want to cover it. There were plenty of disappointments, such as Kabuto The Python (the #1 thing I wanted to see) not thinking to try the rapping with a mask thing out before stepping out onto a stage, which resulted in Kabuto the Mime. There was The Protomen’s set so mired in feedback that you would have thought they brought it along as a special guest. Then there was the most frustrating part of all, the festival’s complete and utter inability to stay anywhere close to the schedule (more on that later).
But this isn’t meant to be a diatribe from some outsider coming in to point at the nerds and talk about how shitty their convention was. And as I drove home, I reflected on some of the cool shit we saw. The first band we caught, Captain Dan & the Scurvy Crew, were quite entertaining both sonically and visually as they took the stage in complete pirate garb. Kabuto aside, the rest of the Scrub Club showcase was phenomenal. As a “crew” they seem to embrace a “hiphop first, nerd second” approach to their music and stage show that really appealed to me.
Then there was the out of left field “holy shit I am gonna talk about that for months” set by Schaffer The Darklord. I’d listened to his material on Myspace in preparation for the festival and was lukewarm to it at best. However, live … live is where it was at. Those lazy beats and rhyme delivery were pushed aside for an uptempo, high energy tight stage show that captivated the entire room. Watching him on stage I kept thinking, this dude is like nerdcore’s version of Col. J.D. Wilkes (for those who don’t know, read about JD here). I don’t think there is any doubt that Schaffer stole the entire festival with his shortened performance. Read the rest of this entry »
To begin by beating a dead horse: Modern Radio sucks! We’re lucky in the Tampa Bay area with WMNF, but even this leftist station leans toward mainstream boomer culture rather than underground or avant garde sounds. And who can blame them? Fiscal feasability dictates the output of modern media (d’uh).
In a pinch, I tend to listen to right wing radio for a good, healthy gut laugh, because it’s better than being depressed by cheesy mediocrity! Bottom line: Radio is for the masses. Lowest common denominator pandering pervades every aspect of post-modern living. From the huge conglomerates to the indies, companies and not-for-profits don’t have faith in our ability to think, contemplate and make our own decisions. This is not special knowledge that I’ve tapped into / I do not have any extra intelligence not available to the rest of you. You are all well aware of the hoodwink that modern media attempts to pull over on us every day. It/s like that “Everybody Knows” song by Leonard Cohen (he supercedes boomer culture, right?). Read the rest of this entry »
Posted by Kate Cillian on Jul. 14, 2009, at 4:20 pm
I think it is safe to say that we are all “RIOT”ed out.
In 2007, Paramore proved itself as a band not to be reckoned with, putting out single after single, and continually making it to the top of the charts with songs like “Misery Business,” “Crush Crush Crush” and “Decode,” which hit the radio and moved into the homes and iPods of teens all over the world.
If you’re a Paramore fan, I have some good news. The band released a new single, “Ignorance,” on July 6. The song is more of a push towards punk-rock than previous Paramore albums. Frontwoman Hayley Williams recently told a journalist from Entertainment Weekly’s Music Mix blog, “the album is really soley based on friendship and betrayal, losing people you thought would be there forever, and then maybe either finding them again or not finding them again.”
These ideas are more than apparent in “Ignorance.” The new single illustrates a more confident Paramore, perhaps due to their recent flush of fame. Could this tune be aimed at ex-band members or maybe even ex-boyfriends? We may not ever know, but listening to it brings us closer to Hayley, in a way. “Ignorance” is spunky and catchy — watch out, it could get stuck in your head for weeks after listening. The single is available on iTunes or at Paramore’s official website. The new album, Brand New Eyes, will hit stores September 29. You can pre-order it now, also on their website. (Check out the new single performed live after the jump.)
Posted by David Warner on Jul. 14, 2009, at 12:52 pm
I distributed the following memo to the Tampa Creative Loafing staff this afternoon.
In the face of declining print revenues and an according shift of resources to web-first production, Creative Loafing is restructuring its editorial staff. Unfortunately, these adjustments have made it necessary to eliminate the position of senior editor held by CL veteran Eric Snider.
There is no question that CL will be a different place without Eric. He has made a major contribution to the company as a writer and editor, and his style, his street smarts, his charismatic presence and journalistic expertise have added immeasurably to CL in print, online, and in our day-to-day lives.
We will miss having Eric as part of the staff, both as a journalist and a friend. He will continue at CL full-time through the end of this week; after that, we hope to continue working with him on individual projects.
Sharry Smith, Publisher
David Warner, Editor
Nothing much else to say except that the recession sucks, that this was an extremely painful decision, and that it brings to four the number of layoffs we have had to make this year from an already small edit staff. And yet, in spite of everything, I’m still optimistic about the future of this company.
Posted by Kate Cillian on Jul. 14, 2009, at 12:49 pm
As I type this review, the memories of an unbelievable show put on by The Lonely H linger in my mind and make my heart soar. I’ve always sworn that I was born in the wrong era, and these guys give me hope that great throwback music can be found in this day and age.
To start the show, lead singer Mark Fredson gave us an important tidbit of information: “This is Eric’s first show with out a mustache. He’s had it since high school.”
Eric admitted, “I feel naked.” On that note, the audience was given a clue about the general vibe put off by these dudes: super laid back.
Hailing all the way from the rainy town of Port Angeles, Wash., The Lonely H takes us back to the classic sounds of American blues rock ala The Eagles, Tom Petty, and the Stones. This foursome has been all over the country (NY, IL, NB, MS, and more) in a crappy old van “with no AC!” When prompted, they said that “a European tour would be ideal. Like Spain or Prague.” They call themselves a “denim rock” band. What exactly is denim rock? Well, I had to ask…
Posted by Leilani Polk on Jul. 14, 2009, at 11:56 am
This just in from the Bruce Springsteen newsite: The Boss had added 25 dates to his current U.S. tour, including a stop at Tampa’s Ford Amphitheatre on Sept. 12; tickets go on sale July 24. Here’s the complete details, with the fluffery (gushing quotes from European press) edited out:
Bruce Springsteen & The Legendary E Street Band have added 25 new US concert dates to their 2009 ‘Workin’ On a Dream’ tour. Springsteen has now sold over 1.5 million concert tickets in 2009 alone, with the new dates expected to push that number over the two million mark. (Video of the band performing “The River” at 2009’s Glastonbury and complete schedule of tour dates after the jump. Read the rest of this entry »
Posted by Vinyl Fever on Jul. 14, 2009, at 11:05 am
Brought straight to your desktops by Lee at Vinyl Fever.
VINYL:
AA Bondy – American Hearts
Their latest (2008) release, now available on vinyl.
Amon Duul II – Yeti
“Yeti” was the second album by Amon Duul II and is quite a musical achievement. This is a double LP set and contains some of Amon Duul’s most impressive work – delivering their thick, full-fledged, multi-layered sound with dense instrumentation and a certain epic vastness. This is Krautrock in the full depth of its power: huge, towering, dark and completely devoid of any happy optimism, but still bound full of energy. An essential bit of the psych/prog era. Released with the original artwork.
Beastie Boys - Ill Communication
Deluxe reissue features the original album remastered and a bonus disc of 12 rarities, live tracks and B-sides.
David Bowie – Man Who Sold The World
David Bowie – Pinups
High-end Simply Vinyl label pressings.
The Clash – The Clash
The Clash – Give ‘Em Enough Rope The Clash – Combat Rock
High-end Simply Vinyl label pressings.
The Dead Weather – Horehound
The latest musical adventure by Jack White epitomizes the alt-rock ethic: do the music you love, do it yourself, and do it fast. The Dead Weather brings together lead singer Alison Mosshart (half of the London-based lo-fi post-punk duo The Kills), Queens Of The Stone Age guitarist Dean Fertita, The Raconteurs’ bassist Jack Lawrence, and White on drums and vocals.
Iggy & The Stooges – More Power
Digitally remastered collection of rare studio recordings from the Raw Power era.
WMNF’s 4th Annual Americana Fest at Skipper’s Smokehouse went off without a hitch this past Saturday, July 11, a hand clappin’, boot stompin’ good time that showcased the vast array of talent in Florida’s Americana scene.
Posted by Leilani Polk on Jul. 13, 2009, at 6:30 am
“Don’t stop, believing — hold on to the feeyayaling!”
“‘Cause I can’t fight this feeling anymore, I’ve forgotten what I started fighting for! And if I have to crawl upon the floor, come crashing through your door, baby, I cant fight this feeling anymore!”
“Come sail away, come sail away, come sail away with me!” (Think of Cartman singing it. Makes it twice as great.)
All right, enough of that. Just wanted to introduce two concert announcements I received over the weekend about two upcoming shows featuring ’70s classic rock bands known for their epic power balladry.
Journey (the current incarnation pictured at right, in case you didn’t recognize) stops at the Amway Arena in Orlando Wed., Sept. 23, with Night Ranger to open. Tickets are $126, $66 and $36, and go on sale this Sat., July 18 at 10 a.m.
And the “Cant Stop Rockin’ Tour 2009″ with REO Speedwagon and Styx (also featuring special guest opener Night Ranger) play a pavilion only Ford Amphitheatre Fri., Oct. 30. The reserved seat tickets are $59.50, $39.50, $29.50 and $19.50, with four-packs available for $60. Sales this Sat., July 18 at 10 a.m.
It’s been many weeks since I’ve made it out to a show in Tampa. I blame travels, nonspecific busyness and a lack of excitable summer concerts in the Tampa Bay area. It took Georgia’s Perpetual Groove (pictured, photo by Phil Bardi) — a band I’ve always somehow managed to miss even though they play the area frequently — to get me out of the house.
By the time the four-piece (drums, bass, guitar, synth/keys) took the stage just after 10 pm on Friday, July 10, a few hundred of Tampa’s finest heady brahs and chicks in sundresses crowded Ybor’s Crowbar Friday night. PGroove’s first set held true to their name — flowing from one disco rock groove to the next. It worked for most of the set, but I grew bored, craving more interplay, energy and stronger melodies. Read the rest of this entry »
Posted by Leilani Polk on Jul. 9, 2009, at 4:18 pm
After two confusing Tweets from Aerosmith guitarist Joe Perry — one alerting fans to the re-scheduling of Aerosmith’s Florida dates, the next saying the show could potentially still take place — I finally received word that the show has indeed been postponed.
Here’s the official Ford Amp statement:
(July 10, 2009) Aerosmith has postponed their scheduled show for July 11th at the Ford Amphitheatre in Tampa, FL due to an artist injury. A rescheduled date will be announced soon. Tickets purchased for the Ford Amphitheatre concert will be honored at the rescheduled date. For additional tour and ticket information, please visit www.livenation.com or www.aeroforceone.com.
Punknews.org reported this week that Long Island emo-rockers Brand New named and dated their upcoming fourth album. And One Head Can Never Die is scheduled to drop September 22, sandwiched between new albums by Muse (9/14, hopefully the next day in the U.S.) and AFI (9/29).
UPDATE: According to Aversion.com, Brand New renamed their forthcoming album Daisy.
As much as I love and revere Muse, my hopes and expectations are even higher for Brand New. While frontman Jesse Lacey never hesitated to elaborate his deepest, inner-most feelings even dating back to their pop-punk-leaning debut Your Favorite Weapon(2001), the musical progression showcased on the band’s two successive albums dwarfs his still-impressive growth as a lyricist. Deja Entendu(2003) and The Devil And God Are Raging Inside Me(2006) find two almost completely different bands, each superior to the last.
With Brand New progressing by leaps and bounds with each release, why does the end now draw near? (VIDEO AFTER THE JUMP) Read the rest of this entry »
Posted by Leilani Polk on Jul. 8, 2009, at 5:10 pm
Here’s a quick breakdown of your best live music bets for the upcoming weekend. Yes, we count Thursday, because that’s when the weekend really starts, right? I mean, for those of us who pretend it’s just a second Friday… For a more comprehensive schedule of concerts, check out our Upcoming Events page.
Thursday, July 09 Don Chambersw/Urbane Cowboys/Roppongi’s Ace/Al TorchiaDon Chambers (pictured) sings in a raspy drawl, plays banjo with electric guitar aggression, and writes Southern gothic narratives about death, heartbreak, and other grim topics set against slinky Southern-fried roots rock that crackles and burns with a fiery intensity. Last September, with his Athens, Ga.-based band GOAT, Chambers released his fourth album, Zebulon, which was co-produced by the Drive-By Truckers’ Patterson Hood and featured on NPR’s Second Stage. Chambers has been likened to Tom Waits and Johnny Cash, and both are adequate, if not accurate, comparisons. Chambers performs solo (sans GOAT) at two shows on either side of the Bay: at New World Brewery on Thursday with Urbane Cowboys, Roppongi’s Ace and Al Torchia, and on Friday at The Garage in St. Petersburg with support acts TBA), and also appears on Studio 10 Friday morning. Thurs., July 9, 9 p.m., New World Brewery, Ybor City; and Fri., July 10, The Garage, St. Petersburg. Both shows are $6. —LP
Friday, July 10
PBS (Porter Baptiste Stoltz) Ever since The Meters, New Orleans has had a tradition of turning out funky trios. PBD includes stalwarts of the Crescent City: bassist George Porter Jr., drummer Russell Batiste and guitarist Brian Stoltz. Their vocals are serviceable, but their musicianship and way with a groove are really the reason to see them. Standback opens. Fri., July 10, 8:30 p.m., Ace’s Lounge, Bradenton, $15 in advance/$18. —ESRead the rest of this entry »
Posted by Leilani Polk on Jul. 8, 2009, at 4:49 pm
The John Lisishow at Dave’s Aqua Lounge listed in this week’s issue as taking place on Saturday, July 11, is actually taking place on the following weekend, Saturday, July 18. Please make note on your live music calendars and we apologize for the error.
Posted by Leilani Polk on Jul. 8, 2009, at 11:32 am
Sludgy post-punkers The Melvins are set to release Chicken Switch, a different sort of 15-song remix CD, on Sept. 29 via Ipecac Recordings. How is it different? Apparently, instead of given a single track to work with, the remixers on Chicken Switch were provided with complete albums to produce their single tracks, and in some instances, more than one album was used as source material.
The band is also hitting the road to support NOLA heavy metal supergroup Down this August and September, which includes a stop at House of Blues in Orlando on Sept. 2.
Check out the Chicken Switch track listing and participating artists as well as the complete Melvins tour schedule after the jump. Read the rest of this entry »
They saved the not-a-dry-eye-in-the-house part for the very end. As the Michael Jackson memorial stretched just past two hours this afternoon, after a series of speeches and several emotional music performances, Jackson’s daughter approached the microphone, aunt Janet steadying her. Choking back sobs, 11-year-old Paris said, “Ever since I was born, Daddy has been the best father you could ever imagine. I just want to say I love him so much.”
If that didn’t get to your tear ducts at least a little, you’ve got a pretty chilly heart.
The second-most famous Jackson, Janet, clad in a black dress and beret, was sad- or stone-faced every time on camera. She neither spoke nor performed. Michael’s brothers Jermaine and Marlon offered tributes, and Jermaine sang a teary rendition of what speaker Brooke Shields said was Michael’s favorite song: the Charlie Chaplin chestnut “Smile.”
Maybe I’ve reached Michael Jackson overload, but I stayed dry-eyed until Paris’ comments at the end. Read the rest of this entry »
Posted by Eric Snider on Jul. 7, 2009, at 12:07 pm
No TV at the job? No worries. We’re streaming the Michael Jackson memorial here via Hulu. The stream starts at 12:55 p.m., so leave the window open or check back with us. Comment, comment, comment. I’ll be watching and weighing in.
Seriously, I am not gonna fuck this post up with lots of words that cloud the point and I don’t want any stupid jump cut put in to increase clicks So, here it is. Cut and Dry.
In three short years, the Reax/ThxMgmtHot Dog Show has established itself as a must-attend event of the summer, providing a great opportunity to see a diverse group of bands, catch up with old friends, make some new ones, and of course, witness a hot dog-eating contest. This year, the Hot Dog Show took place on Friday, July 3, at Crowbar. I arrived just in time to see the first female victory in the hot dog eating contest (sorry – I didn’t catch her name!), which was followed by an animated performance by Bealsville/Plant City-based Shunda K of Yo Majesty! Bringing the evening to a dance party conclusion was Sunbears! (Jacksonville).
Those Darlins release their self-titled debut today; more after the jump.
Against Me – The Original Cowboy Album comprised of demos from 2003’s As The Eternal Cowboy.
Animal Collective – Summertime Clothes 12” Highlights the warm weather standout jam “Summertime Clothes,” accompanied by remixes from Dam-Funk (Stones Throw), Zomby (Hyperdub), and L.D. (Hyperdub).
Broken Records – Until The Earth Begins To Part Scottish seven-piece releases their debut. They’ve already been tipped for greatness by NME, Q, and The Word. “Epic, swirling, joyfully mysterious music with a warmth and heart.” —The Guardian
Budos Band – Budos Band EP One of the most exciting of the Daptone label bands is The Budos Band, and they’re whetting our appetite for the upcoming Budos Band III full-length with this vinyl-only EP that gives the trademark horn-driven and bass-heavy Budos funk another slot in your collection. Includes a free MP3 download card.
Cat Power – Covers Record HQ-180 vinyl reissue.
The Donnas – Greatest Hits Volume 16 A comprehensive album featuring a mix of new songs, never-before-heard B-sides and live recordings, as well as re-recorded classics and previously unreleased tracks. Read the rest of this entry »
Posted by Leilani Polk on Jul. 6, 2009, at 12:22 pm
Scotland’s indie rock foursome Frightened Rabbit, fronted by brothers Scott and Grant Hutchison, hits several festivals (including Pitchfork) and makes a few solo stops this July. The band (pictured at left, photo by Dave Gourley at Kelvingrove Museum) has just announced that it will return to the states for a late summer-early fall tour that kicks off in Morrison, Colo., and ends at The Social in Orlando. They also debuted a new song and played some intriguing covers at Off the Beaten Track, an ongoing video music project (check that out HERE). Here are some highlights from the release (tour dates after the jump):
The foursome will team up with friends and countrymen, The Twilight Sad and We Were Promised Jetpacks for a raucous Scottish invasion of the States. The band will headline the anthemic rock-filled jaunt, which kicks off in Salt Lake City on September 14, following their appearance at the Monolith Festival in Colorado, alongside Yeah Yeah Yeahs, Girl Talk and the Walkmen. Read the rest of this entry »
I actually remember seeing this commercial on the air as a six-year-old boy in 1984. It sparked my desire and my need to own one of those red jackets. Also appearing in the commercial is Alfonso Ribeiro, Carlton Banks from The Fresh Prince of Bel-Air.
If “Michael Jackson” and “Pepsi ad” sound like something you’ve heard in the same sentence before, you’re probably recalling how in the same year, while recording a Pepsi commercial on stage in Los Angeles, Jackson was apparently seriously burned by malfunctioning equipment, which may or may not have led to some of his later plastic surgeries.
Ten days after his death, Michael Jackson is the biggest story in the entertainment world. Some of you may be crying overkill, but I’m still keeping tabs. Here’s a series of the latest links I’ve come across.
Five years ago, any music industry conference would feature hours of discussion about how to get your compact disc into the hands of DJs on FM radio, or tips on how to press and package a CD that wouldn’t get buried on the desk of an A&R executive at some major label. A lot has happened in five years. On Saturday, June 13 and 14, Hillsborough Community College and The Artist and Writers Group hosted the Second Annual Homemade Music Symposium in Ybor City, and in the combined 18-plus hours of discussion, commercial FM radio was not mentioned one time.
Instead, Saturday’s daytime programming included panels and workshops like “Alternative Media Promotion,” “Marketing, Touring and Band Management” and “How to Get the Most Out of a Studio Session.” Panelists included bloggers (Bryan Childs,Ninebullets.net), social networking specialists (Julia Gorzka, Brand Tampa) and local media (Lee Courtney, WMNF; Curtis Ross, Tampa Tribune; Julie Garisto, St. Pete Times as well as Creative Loafing’s Leilani Polk). Mr. Courtney was the only radio personality in attendance. (Tampa’s 88.5 FM is a community station that still allows their DJs to play CDs – they even sometimes play records.).
The Homemade Music Symposium’s goal is to educate nascent and struggling musicians in the ways and means of the music business and industry trends. It also included out-of-town industry folk and special keynote speakers – this year, it was Tunecore’s Peter Wells and Tony Michaelides, a local author from Manchester, UK, who’s colleagues and contemporaries include Factory Records’ Tony Wilson, David Bowie, U2 and The Stone Roses.
Conference attendees were mostly solo singer-songwriter types, with a sprinkling of MCs, publishers and managers as well as other local bloggers and marketers looking to get involved in the music scene or learn about new media. There was a lot of talk (maybe too much) about Twitter and Facebook, and of course the familiar geographical gripe of how Florida is difficult to tour/break out of, because there are no surrounding states (The closest top 10 market is Atlanta). A good portion of the crowd was visibly older, some dressed in flowery shirts and flip flops, and plenty of eyes glazed over when the topics inevitably circled back to “Tweeting” and social networks.
Sorely missing from the panel of experts, especially on the panel labeled “Area Record Labels and Artist Managers,” were representatives from the handful of local Tampa imprints, namely ADD, New Granada and 24 Hour Service Station (Geri X, Win Win Winter and The Beauvilles). 24 Hour owner Marshall Dickson stated that he would definitely be involved next year, but that this time around he just had “too much on his plate.” The only current label owner in attendance was Ivan Pena, who runs Mohawk Bomb Records (Soulfound, Ascending to Avalon and Rise of Saturn). Pena seemed optimistic about the Tampa Bay music scene, and about the fast-changing online industry, but insisted that artists need to tour incessantly and start treating their band like a business or risk failure.
The “Music Critics” panel, unfortunately the last session of the day, seemed to be the most pessimistic. One girl in the crowd asked for suggestions on how to become a music writer. The entire panel discouraged her. It may be in fashion for music writers to be moody and begrudging, but one would think their passion for music could somehow keep their chins up, not to mention grateful that they still have jobs in the age of Rotten Tomatoes and aggregated, user-generated reviews at Amazon.com.
Posted by Leilani Polk on Jul. 2, 2009, at 3:26 pm
Random news bites from the last several days (excluding anything about Michael Jackson … well, mostly).
Regina Spektor’s new album, far, debuted at No. 3 on the Billboard 200 this week and the lovely Russian-born songstress is scheduled to perform on Late Night with Conan O’Brien on Thursday, July 30. Slipping to the No. 2 spot this week are theJonas Brothers with Vines And Trying Times, which held last week’s No. 1 position. Black Eyed Peas have moved to the top of the charts withThe E.N.D. And in case you BEP fans were worried, the title doesn’t foreshadow the band’s immenint break-up, but stands for “The Energy Never Dies.” Clever.
Seattle grunge metal makers Alice in Chains have confirmed the dates of their upcoming world tour, sans lead voice Layne Staley, who, if you recall, faded away into reclusivity before he speedballed to his death in 2002. The tour supports the band’s first new studio release in more than 10 years, Black Gives Way to Blue (in stores September 29). The first single, “A Looking View,” is currently streaming on their MySpace page and definitely has the feel of classic Alice in Chains, complete with the hard-meets-soft harmonies by vocalist/guitarist Jerry Cantrel and Staley replacement, vocalist/guitarist William Duvall. Here’s a statement the band released about the new song: “The song basically speaks to any number of things that keep you balled up inside. A cell of our own making with an unlocked door that we choose to remain in. Focusing our attention inward instead of reaching out to a much larger world. I think this is common to us all. It’s funny how hard we fight to hang on to a bone we can’t pull through a hole in the fence, or how difficult it is to put down the bag of bricks and move on.” Current confirmed U.S. stops include Detroit, DC, Chicago, NYC, Milwaukee, Portland and San Francisco. No telling whether the tour will bring them to Florida. Read the rest of this entry »
Posted by Eric Snider on Jul. 1, 2009, at 12:37 pm
The hip-hop bible Vibe magazine, founded by uber-producer Quincy Jones in 1993, has folded. Jones, who sold the publication in 2006 and was unaware of its dire situation, has vowed to bring it back.
Jones said: “[Owner Wicks Media Group] just messed my magazine all up, but I’m gonna get it back. You better believe it, I’m'a take it online because print and all that stuff is over.”
Posted by Eric Snider on Jul. 1, 2009, at 10:53 am
Audio Visions South, the Tampa Bay area’s premiere, locally owned, high-end stereo and video store, will throw the second edition of its two-part event called “The Future of Music All Age Access Audio” on Sat., July 25, 10 a.m. to 6 p.m. The store’s acoustically exquisite listening rooms will buzz with activities.
The gathering will give music lovers a bunch of useful tips on gear, vinyl, accessories and more, and focus on how to maximize your music experience: AVS invites you to bring your digital media, CDs, LPs, iPod and laptop with you. Here are some of the event’s features:
• A Nitty Gritty LP cleaning station will be set up so your albums will be at peak performance levels when you learn to rip them to your computer.
• You will also learn the best way to rip CDs. Once ripped, you can load all your favorite tunes to your iPod and then we’ll help you figure out how to integrate your iTunes library with your in-home Hi-Fi system.
Posted by Eric Snider on Jul. 1, 2009, at 10:16 am
This just in from our pal Woody at Live Nation:
Brad Paisley brings his “American Saturday Night Tour 2009” to the Ford Amphitheatre on Friday, October 16.Dierks Bentley and Jimmy Wayne will round out the bill.
Tickets are $57.75 and $47.75* for Reserved Seats and $29.75* for the Festival Lawn.There is also a Festival Lawn 4-Pack available for $99.00.Tickets will go on sale Saturday, July 11 at 10am exclusively atwww.LiveNation.com, Ford Amphitheatre Box Office or charge by phone 877-598-8698.
It’s just like the old days. Michael Jackson is ruling the charts.
According to Nielsen SoundScan, which tracks record sales, Jackson’s solo albums sold 415,000 units last week, mostly in the time between the Friday after his death and Sunday night, when scanning for the week closed. 58 percent of the sales were digital downloads.
Because Jackson’s titles are not eligible for the Billboard 200, they are relegated to the Pop Catalog chart, where he holds the top nine positions. Three of his titles — Number Ones, Thriller and The Essential Michael Jackson — exceeded 100,000 in sales, outpacing Black Eyed Peas The E.N.D. (88,000), which claims No. 1 on the Billboard 200. It’s the first time that a catalog album has outsold the No. 1 on the 200, the survey of current albums. This week, Jackson has done it three times over.
Additionally, Jackson titles hold the first four positions on the Digital Albums chart, and six of the Top 10
Posted by Vinyl Fever on Jun. 30, 2009, at 3:55 pm
Vinyl:
Fugazi – 3 Songs (7″)
Originally recorded in 1989.
Levon Helm – Electric Dirt Electric Dirt again finds Levon steeped in tradition in his connection to the land and those who live by it, but this record goes deeper and wider, incorporating gospel, blues and soul elements in a bracing collection of originals and carefully chosen outside songs.
Wilco – Wilco (The Album) LP+CD
Wilco’s seventh combines the intimacy of its previous studio disc, Sky Blue Sky, with the experimentation of A Ghost Is Born in a set that boasts strong melodies and often unabashedly pop arrangements. LP includes the album on a CD.
Posted by Eric Snider on Jun. 30, 2009, at 12:35 pm
Uh oh, the 40th anniversary of Woodstock is about a month and a half away. Did you remember? If not, it’s probably due to the distinct lack of buzz, seeing as there is no official concert scheduled, although boosters keep adding “as yet” in hopes that original co-producer Michael Lang will manage to put together a show in New York’s Prospect Park.
A handful of mostly lame events are planned for different parts of the country, and a tour called Heroes of Woodstock — featuring Mountain, Jefferson Starship, Tom Constanten (repping Grateful Dead) and others — has 16 dates on the books (none in the Southeast). In all, though, it would seem as if folks have other things on their mind than memorializing the watershed cultural event.
That doesn’t mean it’s a complete wasteland. Sony Music has released a well-thought-out group of reissues called The Woodstock Experience, five two-CD packages pairing a classic 1969 album and a complete Woodstock performance. Sony catalog artists Santana, Janis Joplin, Johnny Winter, Jefferson Airplane and Sly and the Family Stone got the treatment.
Thirty-three acts performed at the Woodstock Music & Art Fair from Aug. 15-18, 1969, including such long-forgotten names as Quill, Sweetwater, Keef Hartley Band and Bert Sommer. (The Beatles, Led Zeppelin, Bob Dylan, The Byrds and a handful of lesser-knowns declined invitations. Jeff Beck, Iron Butterfly and Joni Mitchell canceled.)
Only a handful of the performances have been immortalized, mostly via the 1970 film Woodstock and its soundtrack. And Sony can legitimately boast three of them in this collection: Sly, Santana and Joplin. Winter did not make it into the movie and while Jefferson Airplane were represented with two songs in celluloid, their set has not earned the same historical cachet as the top three.
Let’s have us a closer look at these twofers. I’ve ranked them on their merit as live performances. Read the rest of this entry »
Posted by Eric Snider on Jun. 30, 2009, at 8:28 am
According to industry insiders, three Michael Jackson albums — Number Ones, The Essential Michael Jackson and Thriller — each sold 100,000 copies last week. The sales tracking week ended at the close of business on Sunday (June 28) night and will be reported today. That means the bulk of the sales took place in the three days after Jackson’s death.
Those six-figure tallies would’ve put the three discs at Nos. 1, 2 and 3 on the Billboard 200 —slightly ahead of the Black Eyed Peas’ The E.N.D. — but catalog albums are not eligible for the album sales chart, so Jackson will instead dominate the Pop Catalog survey.
Posted by Web Editor on Jun. 29, 2009, at 11:00 am
by Denis Baldwin
This year’s Homemade Music Symposium played out over the weekend at the Ybor HCC campus, bringing together musicians, singer-songwriters, music industry professionals, entertainers, writers, photographers and most every other aspect of the music industry to discuss the state of music, the nature of creating and marketing musicians and give a taste of things to come.
Overall, the symposium was a great success. Saturday opened with “Poets of Popular Song, The Lyrics and Lyric Writers of the Great American Songbook,” featuring the piano work of Paul Wilborn and the 107-year-old Rosa Rio. After their performance, many of the attendees broke for the lunch while the rest of us sat at our tables and handed out free swag and met with people.
To begin by beating a dead horse: Modern Radio sucks! We’re lucky in the Tampa Bay area with WMNF, but even this leftist station leans toward mainstream boomer culture rather than underground or avant garde sounds. And who can blame them? Fiscal feasability dictates the output of modern media (d’uh).
Five years ago, any music industry conference would feature hours of discussion about how to get your compact disc into the hands of DJs on FM radio, or tips on how to press and package a CD that wouldn’t get buried on the desk of an A&R executive at some major label. A lot has happened in five years. On Saturday, June 13 and 14, 
