Tampa Calling

Several days ago, while watching Marco Benevento fire up his piano on a YouTube video, I got to thinking — who are some of the best keyboardists around right now, the ones who truly bring chops to the table, either via instrumental compositions, or songwriting, or both? I’ve tried to go less obvious — no one’s questioning the skills of Gregg Allman, or Keith Emerson, or Count Basie, or Richard Wright, or George Duke, or Dr. John, or interchangeable piano men Billy Joel and Elton John, or even the wondrous Stevie Wonder. We all already know those dudes are at the top. But what about some of the less obvious, but no less great? In the vein of Ivan’s Top 5 Bass Players Ever — except that, despite the title of my post, I’m not really claiming these are the best key players ever, just my favorites — I’ve put together the following list, in no particular order, and with video.

Marco Benevento
He’s among the most talented keyboardists around right now, in my humble opinion. He’s pretty hip to current technology and usually incorporates it into his compositions. I’ve seen him play in his main band with drummer Joe Russo, the Benevento/Russo Duo, I’ve seen him perform as part of a Led Zeppelin tribute, Bustle in Your Hedgerow, I’ve seen him tear it up with Russo, Mike Gordon and Trey Anastasio during the GRAB tour, and I’ve seen him in his solo project, a trio with badass bassist Reed Mathis and drummer Matt Chamberlain. The following video Marco with his trio playing “Twin Killers” from a May 13 show in Philly.

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I fell in love with Soviet-born songstress Regina Spektor a few years ago with the release of 2006’s Begin to Hope. While I was initially turned off by the inherent pop marketability of the album (it’s almost too well-produced for its own good), I was drawn to her poetry, to the sweetness of her accented voice, to the moments of her singing in her native language. (There’s more of that on her earlier self-released albums, though she really does it best in her third album, Soviet Kitsch.)

Anyway, the point of this post is that Miss Spektor is set to finally release the follow-up to Begin to Hope and I am stoked. Other than her adorable duet with Ben Folds, “You Don’t Know Me” — the first single off his 2009 album, Way to Normal — Spektor has been virtually MIA for far too long. Now, she’s gearing up for a worldwide release of far, due out on Sire Records June 23. (The official press release with info on her upcoming Letterman and Good Morning America, track listing and European tour dates, and the video for her new song, “Laughing With,” after the jump.) Read the rest of this entry »

Black Crowes – War Paint Live
Clutch – Slow Hole To China (remastered rarities)
Rivers Cuomo – Live at Fingerprints
Omar Kent Dykes w/ Jimmy Vaughan – Big Town Playboy
Bob Dylan – Together Through Life (regular and deluxe edition with bonus Theme Time Radio Hour CD and DVD!)
Esquivel – Infinity in Sound, Volumes 1 & 2
Ben Folds Presents: University A Cappella (Best of Ben Folds/Ben Folds Five as performed by University a cappella groups. Selected and produced by Ben with his own a cappella versions of Effington and Boxing.)
Heaven & Hell – The Devil You Know (members of Black Sabbath, you know?)
Mike Jones – The Voice
Kool Keith & H Bomb – Stoned Read the rest of this entry »

A wrap of the Friday, April 3 show by B.Treotch; photo by Phil Bardi.

Walking by the Ritz in Ybor city last Friday night, you may have thought some tech convention was going on. Tucked-in shirts, leather belts and fresh haircuts are not your normal rock concert attire, but then again, Ben Folds isn’t your normal rock star. The clever singer/songwriter has straddled the line between thick-glasses nerd and cool piano-popster for more than a decade now.

The 42-year-old, supported by a drummer, bassist and multi-instrumentalist played over two dozen songs that spanned his solo career and his three studio albums with the Ben Folds Five. Drawing heavily from last year’s under-the-radar Way To Normal, Folds opened with “Errant Dog.” The band then worked the crowd with tracks from Songs for Silverman — “Landed” and “Jesusland” — followed by the Whatever and Ever Amen’s anthemic “Battle of Who Could Care Less,” Normal’s “Effington” and Rockin’ the Suburbs’ “Losing Lisa.” Then they brought it down with “Lullabye” from The Unauthorized Biography of Reinhold Messner and a new one, “Kylie From Connecticut.” Read the rest of this entry »

Here are the pick of the litter from our Upcoming Concerts pace. To see the complete list, click here.

Friday, April 03
The Zou w/Bang Bang Boom/The Pauses. The Youngstown, Ohio-brewed Zou (pictured) makes progressive alt-meets-art rock with a bluesy grittiness and dark lyrical stylings like “I will feel the same until they lower my pine box.” Fat n’ fuzzy basslines, two guitars alternating between heavy distorted riffs and thin, jagged ribbons of siren-piercing licks, a trill of keys or blast of synths, and a vocalist who alternately sings, rap-chants, and hits powerful, affected high notes ala Serj Tankian of System of a Down. Pretty great stuff. Fri., April 3, 8 p.m., New World Brewery, Ybor City, $7. —LP

Bay Area Beat Maiden Showcase feat. Ronny Elliot/Rebekah Pulley/Blind Buddy Moody. A local showcase presented in celebration of the release of a new local-centric music rag, Bay Area Beat. Fri., April 3, 8 p.m., Pro Star Soundstage, St. Petersburg, $6. —LP

Ben Folds W/Jukebox the Ghost Ben Folds has a knack for producing some of the most catchy-without-being-saccharine, dry-humored piano-driven pop ballads out there, though he has his share of maudlin and melancholy moments. He’s released three full-length solo albums since his amicable break from Ben Folds Five in 2000, including last year’s Way to Normal. Funny story about that album – it was leaked a few months before the actual release date on a fan site. All those who heard it thought it to be a legitimate copy, but the joke was on them; Folds revealed in a radio interview a few weeks later that he and the band had recorded fake versions of all the songs from Way to Normal in a single overnight session in Dublin and then “leaked” the fake to the public. (I’ve actually heard debates about whether the fake is better than the real.) Folds is one hell of a dynamic showman – I saw him hold a crowd of 10,000 in thrall at Langerado last year – and he hasn’t stopped in town solo for quite some time, so this is a performance you don’t want to miss. Folds-influenced upbeat indie pop rock trio Jukebox the Ghost opens. Fri., April 3, 8 p.m., The Ritz Ybor, Ybor City, $31.50. —LP Read the rest of this entry »

I got to see Ben Folds perform at Langerado last year and it was one of the highlights of the now-defunct fest, Folds far more lively and engaging and far less maudlin than I expected. So you can imagine my pleasure at receiving this very exciting concert announcement from No Clubs:

BEN FOLDS
w/ Special Guests TBA
Appearing at The Ritz Ybor
Tampa, FL
Friday, April 03, 2009
Doors Open 8:30PM
Tickets: $29.50 ADV / $31.50 DOS
Tickets Available
http://ticketmaster.com
http://daddykool.com

Over the last 15 years, Ben Folds’ first-class melodic gifts, irony-laced lyrics, and punk-rock tendency to play piano as if it were a contact sport have earned the North Carolina native a legion of devoted fans of all ages. These people, quite simply, are going to go nuts for Way To Normal. The album, Folds’ third solo studio release, is dominated by the kind of irresistible hooks and piano-pounding pandemonium that listeners haven’t been treated to since Folds’ years with his previous band, the platinum-selling Ben Folds Five. Way to Normal is an exuberant, raucous, and sometimes profane mix of sure-fire crowd-pleasers (“Hiroshima,” “Bitch Went Nuts,” and the frenetically fuzzed-out “Dr. Yang”), cheerful snark-fests (“The Frown Song,” “Brainwascht”), and thoughtful, moving ballads (“Cologne,” “Kylie From Connecticut”) that Folds wrote at the end of 2007. Read the rest of this entry »

Updated: Dec. 6, 2008:

Updated: Dec. 16, 2008:

Click here for “Ten more depressing Christmas songs.”

This list of sad Christmas songs first ran as a feature in Creative Loafing, back when it was the Weekly Planet, in 2002. I then re-posted it here at TampaCalling last December.

Unfortunately, the list is again proving appropriate, even more this year than during any holiday season in my lifetime. So, I decided to revive the entire article that ran in the old Weekly Planet under the title “Blue Christmas: Songs to avoid (or wallow in) for the season.” Cheers.

Originally published 12.18.02:

As anybody living on this side of a Rockwell canvas already knows, the holidays aren’t always the happiest time of the year. If you’re strapped for cash, feeling lonely or disenfranchised, Christmas usually ushers in as much grief as joy. So, to help deal with the potential doldrums of this week of all Madison Avenue weeks, here’s a list of 12/25 songs from the past three decades that wittily reflect — in no uncertain terms — the occasionally grim realities of the season. (Such pre-rock classics as “White Christmas” harbor nearly as much melancholy as merriment, as well, but Jewish composers like Irving Berlin buried the sentiment a bit deeper in the subtext than today’s songwriters.)

The alphabetically listed tunes posted below range from poignant (”Pretty Paper”) and irreverent (”Fairy Tale of New York”) to humorous (”The Christians and the Pagans”) and morbid (”Brick”) — the overriding criteria for the selections being reality-based storytelling traditionally missing from the standard holiday fare. And although John Lennon’s “Happy Xmas (War is Over)” made the cut, political songs with less universal emotional gravity — Steve Earle’s “Christmas in Washington,” Randy Newman’s “Christmas in Capetown” — were deemed unworthy. As was Elvis’ generic “Blue Christmas” and the well-intentioned but nauseating 1980s sap-fest “Do they Know It’s Christmas.”

Included after the artists’ name is the best budget album on which to find each title. This little perk is just in case you’re looking for that special depressing something to send your ex. You know, just to remind him or her of just how much misery they’ve caused you during this season of supposed Yuletide spirit.

“Brick” Ben Folds Five, Whatever and Ever Amen The economically challenged protagonist rises at “6 a.m. the day after Christmas” to drive his young girlfriend to the abortion clinic. Now how’s that for holiday cheer? Killer Line: “They call her name at 7:30/ I pace around the parking lot/ Then I walk down to buy her flowers/ And sell some gifts that I got.”

“The Christians and the Pagans,” Dar Williams, Mortal City How about a little humor before blowing our brains out? In this astute comedic sketch from Williams, two related families polarized by religious differences come together for a holiday meal and try to agree that “Christmas is like solstice.” Killer Line: “The food was great, the tree plugged in, the meal had gone without a hitch/ Till Timmy turned to Amber and said, “Is it true that you’re a witch?”

“Christmas in Prison,” John Prine, Sweet Revenge John Prine is one of few songwriters who could take such clichéd country-music terrain as prison, heartache and Christmas, and come up with something that smacked of true sincerity — no big surprises, but genuinely moving. Killer Line: “It’s Christmas in prison/ There’ll be music tonight/ I’ll probably get homesick/ I love you/ Goodnight.”

“Fairytale of New York,” The Pogues, If I Should Fall From Grace With God A homeless couple’s dialogue begins cheerily but by the end of this four-minute exchange, vile nastiness prevails. Killer Line: “You’re a punk/ You’re an old slut on junk … You scum bag/ You maggot/ You cheap lousy faggot/ Happy Christmas your arse/ I pray God/ It’s our last.”

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