Tampa Calling

It’s just like the old days. Michael Jackson is ruling the charts.

According to Nielsen SoundScan, which tracks record sales, Jackson’s solo albums sold 415,000 units last week, mostly in the time between the Friday after his death and Sunday night, when scanning for the week closed. 58 percent of the sales were digital downloads.

Because Jackson’s titles are not eligible for the Billboard 200, they are relegated to the Pop Catalog chart, where he holds the top nine positions. Three of his titles — Number Ones, Thriller and The Essential Michael Jackson — exceeded 100,000 in sales, outpacing Black Eyed Peas The E.N.D. (88,000), which claims No. 1 on the Billboard 200. It’s the first time that a catalog album has outsold the No. 1 on the 200, the survey of current albums. This week, Jackson has done it three times over.

Additionally, Jackson titles hold the first four positions on the Digital Albums chart, and six of the Top 10

Read more.

Ever since the phrase “pull a Radiohead” entered the music blogosphere’s lexicon, we’ve watched as a diverse list of acts such as Nine Inch Nails, Saul Williams, Pennywise, and Portishead explore ways to reinvent the music business wheel. One of the highest-profile free agents is Pearl Jam – a group unafraid to fight corporate giants like Ticketmaster head-on. But Eddie Vedder and company don’t fear partnering up with a big box store either.

Billboard reports:

[Pearl Jam manager Kelly Curtis] confirmed that deals were also finished or in the works with an online retailer, a mobile partner, a gaming company and with a network or possibly networks of indie retail stores. “Target ended up allowing us to have other partners. We’ll be able to take care of all levels of the Pearl Jam fan…We wish we could tell the whole story right now, but all the deals aren’t done. Target was cool enough to realize that little independent record stores are not their competition.”

Pearl Jam will follow in the footsteps of AC/DC, Prince, Guns n’ Roses, The Eagles, Bruce Springsteen, and many other famous names that granted exclusivity deals with big box retailers. But Pearl Jam’s deal with Target is not quite as odious. Details after the jump. Read the rest of this entry »

Radio behemoth Clear Channel is one of the latest victims in the music business downfall. The official news is as follows:

US radio giant Clear Channel Communications has announced a new round of layoffs, with 590 workers in its radio division to be cut. The new layoffs, which follow a round of 1,850 in January, will include employees in programming, engineering and customer service. The January layoffs were primarily in sales. Shows canceled due to the layoffs will be replaced by nationally syndicated shows. Clear Channel also said that it has suspended matching contributions to employees retirement accounts, but would resume making contributions if the company is successful in reaching 90% of its internal cost saving targets.

It sucks that people are losing their jobs, but is anyone really surprised? Radio has been a corporate game for so long, that it’s no longer relevant. So what now?

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You know when you learn something pleasantly unexpected?  For instance, a favorite band you wrote off as finished because its principal members blame each other for stupid shit through music blogs announces their first tour in years? What’s that feeling called? Oh, yeah… hope!

The Pixies return to action this summer with a series of European concert dates, including a June 14 appearance at the Isle of Wight festival with Neil Young, Billboard has confirmed. The gigs will be the first for the alternative rock standard-bearers since 2007, dispelling doubts that the group’s most recent hiatus was permanent. Further details about the additional European shows will be released soon. No North American gigs are planned, according to Billboard’s sources.

The full article from Billboard provides a bit more background, but barely scratches the surface of several years of tension. Statements made by Frank Black and Kim Deal towards the end of 2007 fueled my pessimism that the reunion was over.

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Tampa’s (actually Brandon’s) own Damon Fowler’s national debut CD, Sugar Shack, makes its first appearance on the Billboard Blues Chart this week at #12.

This from a release by his record label, San Francisco-based Blind Pig:

Audiences and critics alike are responding to the young guitar phenom’s exciting, soulful blend of Southern rock and swamp blues.  In an early review,  Billboard called the CD a “notable project” and Fowler a “formidable slide guitar player … his playing throughout the album is deft … and his original material is solid,” while The Virginian-Pilot said “Sugar Shack effectively introduces a major talent” and praised Fowler’s “formidable guitar chops and slide work, versatile tenor voice, and expert command of rustic American music styles.”

If you haven’t seen CL’s multi-media feature on Fowler, click here.

Billboard magazine, long the music industry bible, celebrated the 50-year anniversary of its Hot 100 singles chart not too long ago, and issued a compilation of the top songs and artists of the last half-century. I’m not even that much of a chart hound and I got lost in the lists for quite awhile. Billboard’s Hot 100 is based on actual sales and airplay, and therefore has been an accurate historical gauge for what’s really been popular in music over the years. Peruse the 50-year charts here.

Here’s a quick quiz before you go browsing:

1. One man (who was a member of two bands) is in the Top 11 artists. Who is it?

2. Janet Jackson and Michael Jackson both made the Top 10 artists. Which one placed higher?

3. What contemporary hard-rock band placed highest on the Hot 100 list?

4. Who placed more solo songs on the Hot 100, Paul McCartney or John Lennon?

ANSWERS IN COMMENTS. (Click on Leave a Comment” below)