Good news for every independent musician in the World. MTV (owners of the Rock Band franchise) just announced its own new distribution platform through the immensely popular musician-simulation game Rock Band.
The Rock Band Network is a revolutionary system that will allow bands, studios and record labels to create and sell playable game content from their master recordings using the same professional tools used by Rock Band developers. Rock Band Network, currently in closed beta, should launch to the public in August (with in-game sales later in the year).
MTV has infused Rock Band Network with professional utilities to enable a community of music makers to get their work to the masses and profit by it. Paul DeGooyer, a senior VP with MTV games, tells Billboard that “We’re talking about a set of serious professional tools to allow people on the front line of writing and recording songs to completely control their destiny with respect to interactive products and then giving them direct access to the download store.”
Some of you might be surprised that music isn’t my primary motivation for going to this weekend’s fifth annual Pitchfork Music Festival, but seriously, folks … that’s the god’s honest truth. I mean, I’m definitely hyped about going and checking out a handful of the bands playing there, but what has me most excited is a get-together with a group of old friends who’ll be congregating in Chi-town for the fest. A motley crew to say the absolute least. Let’s just hope none of us get arrested this weekend – unlike that other Chicago adventure that ended with my boy getting thrown in the pokey for public nudity! Three-plus days chock full o’ friends, libations, hot dogs (not really, well, kinda … I’ve never been to Hot Dougs!) and music … it just can’t come soon enough! Read the rest of this entry »
“There’s so much joy in what we do up here…” Craig Finn of The Hold Steady exclaimed to fans near the end of their set at The Ritz on July 2, 2009, “…we are all the Hold Steady!“
The joy rang loud and proud throughout their set. Fans of The Hold Steady don’t just come and watch the band — they participate and follow along with the band antics.
One of the ways people find out about new music is by listening to what their favorite trusted music critics have to say. Whether it’s a local newspaper or Rolling Stone, getting reviewed is very important to bands, especially the songwriters. Reviews provide professional validation and encouragement when they are positive, and derail genius if they are negative or overly critical.
But even knowing the perils, thousands of bands stills send in their CDs to music critics everywhere, hoping that that one person will explain their music in such an accurate and flattering way that fame would be the only logical result from these words being printed. Here’s some advice that may help put things in a more realistic perspective, and why the review doesn’t really matter.
We’re getting cranked up for Best of the Bay — yes, already — and this year more than ever we want your input early in the process. We just had a brainstorm meeting to choose award categories for the Readers’ Poll, which we’re expanding this year. We’re in the process of fine-tuning our choices, and we don’t want to miss out on any great ideas.
As usual, we’re going to have a bunch of Readers’ Poll categories in Music. Our list includes some perennials — Best Local Band, Best Concert Venue, Best Singer/Songwriter — and some new ones (Best Jam Band). Here’s your chance to suggest a category you’d like to see. (Best Autoharpist, Best Tuvian Throat Singer, whatever. Maybe even something more sensible.)
We’re finalizing the categories next Tuesday, so the deadline to add suggestions in the Comments section below is Mon., June 8 at 5 p.m.
And just to be perfectly clear: We’re not looking for who you think should win, just the category itself. Thanks!
Hello fellow geeks! When I woke up this morning, I found out some AWESOME news. Today is Star Wars Day. HAPPY INTERNATIONAL STAR WARS DAY!
May 4 is called Star Wars Day because of a play on words based on the similarity between “May the 4th be with you” and “May the force be with you”, a phrase often spoken in the Star Wars movies.
Dorky, but this is a great occasion to do a blog post about the Top 5 Movie Themes of All Time. Here’s my 5:
It was a long time coming for session number six, but well worth it, as Clearwater-based hard rockers Soulfound join Joran and Stephen in the studio to talk about playing locally and nationally, recording and playing together for a decade and their decision to go on hiatus. They also bring their amps and put them to good use. MP3s of Temper Temper, Occupation and Looking For Me can be downloaded below the jump, along with pics.
What’s up Loafers!?! Real quick, before we get to the content … just wanted to say hi!!! Y’know, introduce myself, all that jazz, as I’m finally gonna start contributing here on Tampa Calling. I’m Jack. I promote shows and select tunes (w/ my boy DJ Archaea) and I’ve actually been heading up my own blog as well for a minute now. Anyway, here it is: my first post, copied directly from the aestheticized >>> blog and focused squarely on the out-of-towners playing this Saturday night at Creative Loafing’s Sensory Overload 4 point 0.
ELIOT LIPP = Over the last 5+ years, Mr. Lipp has consistently produced some of the world’s finest Electro / Glitch-Hop, for a handful of the hottest labels in the game (Eastern Developments, Hefty, Mush, etc.). His music is marked by an obsessive exploration of the place where analog synths and software-based composition meet, his sound almost immediately recognizable (a quality all-too-rare in Electronic Music) — rich and relentlessly melodic lines laced over funky breaks and broken beats. He just released Peace Love Weed 3D on his own Old Tacoma imprint; highly recommended for fans of PREFUSE 73, DABRYE, DJ SHADOW, Golden-Era Hip Hop, etc.
“What a diff’rence a day makes” – María Méndez Grever
The music portion of SXSW has begun and Austin is infested with indie rockers, scenesters, hipsters and musicians from all over the world. The snarky t-shirts and iPhones of the interactive and film portion have been replaced with leather, tight pants and guitar cases. And they’re everywhere.
Try to imagine if every bar, club and art gallery in Tampa and St. Pete tented their parking lots and had full concert lineups on indoor and outdoor stages for 6 straight days. It’s a lot to take in. Not to mention, the stimulation of the local economy here – from stage and equipment rental to groceries and clothing – is staggering.
These Arms Are Snakes at Red Eye Fly. More photos after the jump.
There are many methods of navigating the music portion of “South by.” You can meticulously plot your path, you can wander from bar to bar (if you have a wristband or a badge) or you can do a combination of both. Modes of transport can include car (shout out to Monica Armendazzle), cab, bus, shuttle, bike (they ought to rent these), rickshaw, horse-and-buggy, and finally your own two feet.
Ivan is in town now, as well as some folks from Creative Loafing Atlanta, so we’ve been coordinating via text. This has worked to avoid overlap and to catch wind of “secret” parties such as last night’s Playboy Party held in a warehouse on E. 12th in which Jane’s Addiction played a surprise hour-long set. Word on the street is that Metallica will be doing a similar stunt tonight to promote their new Guitar Hero game. We’ll see.
Sunday. Laid low today. Resting up for the long week ahead. Took another nice long walk this morning to HEB (Texas’ answer to bad grocery stores).
Definitely no iPhones at HEB. Actually, there was a Cricket and Boost Mobile kiosk in the entryway next to the Coke and holographic sticker machines.
Spent most of the day cutting together footage from day one.
Here it is:
UPDATE: Davey (one of the guys I’m staying with) just returned from DJ’ing what he described as a “Rat Pack-themed interactive after-party.” He said the party was totally lame, but that he played for an hour and got paid $300. Travis (his roommate) lamented on how last night, his band played a three-hour gig, two hours away, got paid $100 and had to split it four ways – less the gas money. Seems like half of us are always in the wrong business.
In Episode 30 of SMAsh Radio, Joran, Stephen and special guest Infinite Skillz discuss Black History Month, our new black president and Infinite’s love of white girls.
1. Dynasty – Truth
2. Laws & DJ Knucklez (feat. KG) – Top Spot
3. Peaches feat. Shunda K (Yo Majesty) – Buck You Like a Billionaire
4. BASE, Inc. – 49ers
5. Infinite Skillz – N.O.I.S.E
6. Nice Krispy – Never
If you’re having a difficult time spotting Artur Dyjecinski in a crowded room, just look for the guy in the cowboy shirt with the super bad-ass mustache. Then, once you find him, ask him to tell you about all of the places that you want to travel to, because it’s almost guaranteed he has been to them and can tell you where the party is at.
Artur was born in Poland, moved to Canada when he was two, then later relocated to England and is now pondering the idea of moving to Australia after touring the United States and France.
It all started when Artur picked up the guitar for the first time at age eight. He booked his first gig covering Bob Marley songs at age 13, and to this day has still never had a formal music lesson.
If he isn’t interesting enough to you yet, get this: Artur’s day jobs include creating and selling his art and using his Masters degree in Mathematics to run statistics for banks.
Ultimately, Case says, the songs on Middle Cyclone are more about the universal need for love, regardless of what form it may take.
“What other people might call ‘love songs,’ I think of as homages,” she says. “They can be to a person, a region, a feeling, even sad feelings.”
In addition to 12 new tracks, Case also covers two songs on Middle Cyclone: “Never Turn Your Back on Mother Earth” by Sparks, and “Don’t Forget Me” by Harry Nilsson.
Middle Cyclone was produced by Case, with Darryl Neudorf, and recorded in Tucson, Brooklyn, Toronto and Vermont. It features Case, backed by her core band: guitarist Paul Rigby, bassist Tom V. Ray, backing vocalist Kelly Hogan, multi-instrumentalist Jon Rauhouse, and drummer Barry Mirochnick. She’s also joined by a number of guests, including M. Ward, Garth Hudson, Sarah Harmer and members of The New Pornographers, Los Lobos, Calexico, The Sadies, Visqueen, The Lilys and Giant Sand.
Clearwater-based Mohawk Bomb Records announces the release of No Lip Vol. 2. Available through www.mohawkbomb.com and via all major online music services (iTunes, Amazon, eMusic, Rhapsody and Napster), the compilation features 14 songs from 14 artists spanning the entire Rock music spectrum.
No Lip Vol. 2 celebrates independent bands from all over the World, with bands from Florida, California, Texas, Canada, England and Australia. Among the songs featured are previously unreleased tracks by Soulfound, The Redlight Stare, Ascending to Avalon and Soul Destroyer. Also, returning are 900 Pound Gorilla, Bull Lee and Drew Street Mary (along with Soulfound) who were all featured on No Lip Vol. 1.
For session #4, Joran and Stephen welcome Tampa’s Hat Trick Heroes into the studio to talk about their new album Push It Forward, recorded in Nashville with producer John McBride. The band also perform three tracks: Cemetery Lane, Stuck in a Hole and Wild Turkey.
Version 1.1 – WITH MORE BASSISTS! – I’ve always wanted to write a post like this. I have been a student of the Bass Guitar for around 15 years and have always fought the “apparent unimportance” of bass players in contemporary music. Through this post I hope to once and for all assert the position of bassists everywhere in the highest echelons of cool.
On the way to the show, I kept thinking that I needed to keep my wits about me. This was the first show that I’d acquired the tickets through Creative Loafing and it would be nice to impress them with lucid recollections on our first shot at this show review thing. Kind of like dating, you know, give them the angelic version of Autopsy for the first few weeks, let them get attached a little and then show them the rambling, incoherent “what? I saw a show tonight? Did I like it?” version. Everything was going according to plan. I was stone sober (mostly) and we were on schedule to get to the venue and walk in just in time for Old Crow to start. Then, everything went to hell. When we got to Tampa Theatre, we found out that Old Crow was a little over an hour from playing. A professional would have went in and watched the opening act but Creative Loafing fired most of their professionals and now they’re stuck with a lush like me. So, while one of those many professionals CL used to employ would have gone on in … I headed to The Hub. And the rest, as they say, is history … My head was wet with whiskey and about 10 people were in front of me in the beer line when I heard the show start; one-and-a-half songs later, I took my seat and this is my story.
The last time Old Crow Medicine Show came through Tampa, they played to a sold-out crowd at the legendary Skipperdome. This time through, the band switched it up and took the stage at the historic Tampa Theater. Going to the show, I knew two things for certain. One, this would be a much mellower crowd and two, it would be almost perfect sound wise.
The show was broken up into two sets with a 20-minute break in between. The first set was enjoyable enough but it was lacking the energy I’d feared it might. The crowd was flat and the band, both in song selection as well as stage performance, was mellow. I was dead-on about the sound, though. Tampa Theatre never disappoints on that front unless you’re there to see a movie. I’m not saying the first set was bad … it was just a little lackluster. Had the entire show gone on at that pace, I would have probably gotten bored before the end.
This was a stark contrast from their previous show at Skipper’s and as the band walked off the stage after the first set, I was worried that the more formal venue was dictating a more stuffy performance.
Maybe I needed more whiskey to help me find their groove. Fortunately, due to state smoking laws, Tampa Theatre now allows re-entry and The Hub is a mere 20 (yes, I counted) steps away. Read the rest of this entry »
So you think you want to be a rapper, eh? It’s more hard work and hustle than Hennessy and hoes. Gone is the time where you create a little buzz and then sit back and wait for a label/lottery ticket to come and rescue you from your day job. In fact, these days you might want to keep that 9 to 5 even if the majors do come calling. In order to survive, let alone thrive, as an emcee these days, you have to be more and do more than just move the crowd…
I’ve been called a lot of different names thus far in my life: jock, nerd, fat boy, lightweight, goofball, transplant, outsider, new guy, frat boy, weirdo, and cool kid. Those were all while I was in school.
Nowadays, I pretty much just go by Infinite Skillz or Infinite for short. My mother just calls me loud. As the middle child, I’ve kind of always needed to be that way. I’d speak early and often, flexing my vocal cords to get noticed. After every loving admonishment, I’d always tell her that one day I’m going to get paid to make noise.
Officially, N.O.I.S.E. stands for the Nation of Infinite Skillz Entertainment, which is my official fan club. Making N.O.I.S.E. is the name of this blog, but it is also my motto. When asked about Hip Hop, President-Elect Barack Obama said that one of the things he admired most about rap artists is their entrepreneurial spirit. He liked the fact that many of my colleagues have started their own record labels becoming moguls instead of commodities. That’s Making N.O.I.S.E.
I too respect hustle and hard work but there is a limit to that. Are you really doing big things if your label roster consists of your hype man and your roommate? That is not Making N.O.I.S.E. That’s you and your homeys playing House: The Hip Hop Edition. Read the rest of this entry »
Posted by Eric Snider on Nov. 20, 2008, at 12:15 pm
If you’re a loyal reader of Tampa Calling or if you just happened by, thanks for your interest. We’ve got something very cool to announce: Creative Loafing has launched a new website specifically geared to music.
If you’re one of those itchy types, and would rather go directly to the site than read the rest of this highly informative post, click here.
For those who are still with me, this overhaul had to be done. Until now, the Music section of the CL site had been on a weekly schedule, just like the paper. That meant a lot of stories, features and info that just sorta sat there for days on end.
Now the music site is live, as in live, updated constantly with all sorts of news and info. And everything — features, interviews, record reviews, the latest Amy Winehouse debacle — is easy to find.
We have links to breaking news under This Just In at the top right, an Upcoming Concerts list updated daily with our picks for the best upcoming concerts, and all the latest posts from Tampa Calling. Reviews of the latest albums, DVDs, and books, as well as access to our massive archive, can be found on the bottom right of the page. You can watch videos on CLTV, listen to tracks and podcasts on CL Radio, and browse through pics from last night’s show at the State.
OK, here’s the most important part: We want this site to be more than user-friendly and dynamic; we’re making a big push for it to become a vibrant forum for discussion and the exchange of information and ideas. We’ve already recruited several bloggers from the local music community with a range of interests and emphases. And we want more.
If you’re interested in becoming part of our wide-ranging blog community, by all means contact us. The more voices the better. If you think it’s a cool idea but aren’t sure about committing, use the comments field on Tampa Calling to post your stuff. We’ll feature the best ones under New User Comments. Don’t be shy. We love snarky one-liners, but feel free to write longer comments as well.
Have a suggestion for the new site? Shoot us an email here
Thank you for reading to the end. NOW, you can check out the site.
One of the ways people find out about new music is by listening to what their favorite trusted music critics have to say. Whether it’s a local newspaper or Rolling Stone, getting reviewed is very important to bands, especially the songwriters. Reviews provide professional validation and encouragement when they are positive, and derail genius if they are negative or overly critical.
It was a long time coming for session number six, but well worth it, as Clearwater-based hard rockers 
