Posted by Joel Weiss on Jul. 31, 2009, at 11:39 am
Shitty concert etiquette can destroy what could otherwise be an out-of-this-world concert experience. I’ve attended hundreds of metal, rock, and punk shows and witnessed all manner of drunken douchebaggery. The more intense the show, the more idiocy you’ll have to put up with.
I’m not a people person. I don’t go to shows to get shitfaced. I don’t go to shows to intentionally collide with people galloping in a sloppy circle while shadowboxing. There’s nothing wrong with either of those things, and I have no problem putting up with people who engage in them — I just want to enjoy an awesome live show.
Gogol Bordello played the Ritz Ybor last Monday. They were just as amazing as their last Bay Area appearance at the State Theatre, and I had an awesome time. Early on, however, I feared my evening would be ruined by the most egregious concert etiquette faux pas. An error so heinous it transcends rock shows and infringes upon normal everyday life: exceptionally awful body odor. Read the rest of this entry »
Posted by Leilani Polk on Jul. 21, 2009, at 12:45 pm
Google “gypsy punk” and most of the dozen or so results relate back to Gogol Bordello. Search the band specifically and you’ll find more than a million pages that mention it. While Gogol’s Ukraine-born visionary/composer Eugene Hütz isn’t interested in taking credit for spearheading a whole new movement in American music, his band’s influence is undeniable.
Gogol grew from NYC’s underground music scene, just as much a melting pot as the city itself. Hütz immersed himself in it and assembled a motley crew of talented, multi-ethnic musicians to create his gypsy punk orchestra and make his vision of infusing East-European culture into Western music a reality.
The nine-member band represents seven nationalities all told. Their sound combines gypsy and Slavic music traditions with punk rock, dub reggae, metal, rap and even some funk and grooves, and the lyrics are delivered in English sprinkled with Spanish, Ukrainian and Italian verses. Since 1999, they have released four LPs; the most recent, 2007’s critically acclaimed Super Taranta!, fully launched Gogol into the international spotlight.
Many of Gogol’s songs (including “Wonderlust King, below”) are about living a roving, responsibility-free lifestyle, though various other topics are touched upon, from the absurdly catchy “Start Wearing Purple,” about letting loose and being silly, to “American Wedding,” which pokes fun at our country’s stuffy wedding traditions (“Where is the vodka, where’s marinated herring? / Where is the supply that gonna last three days?”), to the hilarious God vs. Science debate in “Supertheory of Supereverything.”
Everyone contributes vocals to the boisterous, colorful music, like violin virtuoso Sergey Ryabtsev, capable of some of the fastest and most furious fiddle playing I’ve ever witnessed; accordion player Yuri Lemeshev, who also moonlights with the studio band on Late Night with Conan O’Brien; and attractive lady entertainers and pandemonium makers Pamela Jintana Racine and Elizabeth Sun, who alternately sing, dance, and play marching band-style percussion throughout the live shows.
Hütz is the captivating and unpredictable center of it all. He sings lead, plays forceful acoustic guitar, and, usually shirtless with sweat dripping from his thick handlebar mustache, marches back and forth encouraging playful unruliness and leading spirited singalongs. He pilots the vigorous musical spectacle and keeps both his band and the audience as amped-up as he is.
Leilani: So, tell me about the role you play in the band as ringleader. How much of your songwriting goes into what happens on stage?
Eugene: I think it’s quite obvious (laughs robustly) that I write all the songs. (VIDEOS AFTER THE JUMP) Read the rest of this entry »
Posted by Leilani Polk on May. 26, 2009, at 3:55 pm
As an addendum to my recent column, “Traveling to see music without losing your money (or your mind),” I’ve put together this small group of shows and fests that provide some good selections for music-motivated travel. If you haven’t already made travel plans this summer, here are some of your best bets.
Grizzly Bear and TV on the Radio Saturday, June 13, The Tabernacle, Atlanta
If you wanna go, get your tickets now — it’s a Saturday night co-headlining bill featuring of two of Brooklyn’s most hip and beloved bands, both with recent albums — Grizzly’s just-released Veckatimest, TVOTR’s fantastic Dear Science from last year — so the show will most definitely sell out. I would be at this show, front row, if I wasn’t just returning from a music-motivated vacation that same Thursday.
The Decemberists (pictured) with Andrew Bird and Blind Pilot July 18-19, Edgefield, Portland, Oregon
The chamber rock quintet only comes as close as Atlanta and plays that date on Wednesday, June 3 — not at all convenient for a road trip unless you plan on taking that week off. But the tour also includes this appealing Saturday-Sunday run in Portland, and with whistling singer/songwriter Andrew Bird, and Portland’s own indie pop duo, Blind Pilot. Read the rest of this entry »
Posted by Leilani Polk on May. 18, 2009, at 2:55 pm
Dozens and dozens of acts will make it onto Tampa Bay area concert stages this summer. Here’s our best bets, in a wide range of genres.
Stanton Moore The bespectacled founder of NOLA funk purveyors Galactic is widely regarded as one of the best drummers currently drawing air. This show has him in a trio setting with estimable guitarist Will Bernard and keyboardist Robert Walter. The small ensemble allows room for Moore to strut his Crescent City-honed skills. Expect expansive jamming and finely honed interplay. (Video: Stanton Moore Trio performing at Emerald Lounge in Asheville, N.C., Sept. 10, 2008.) (May 28, Crowbar, Ybor City)—Eric Snider
Sunday, May 31 WMNF Jazz Jam feat. Sam Rivers/PBS/World Afro-Cuban Ensemble/Infinite Groove Orchestra/Impromptu/Trio Vibe/others TBA Tampa Bay’s community radio station has been putting together more jazz events of late — thank you for that — this being one of the more ambitious. Saxophonist Sam Rivers, 83, was once a front-rank player on the New York (and thus international) avant-garde scene. He’s settled into legendhood well, living in Orlando and taking gigs as he pleases. A potpourri of locally-based acts rounds out the bill. (May 31, Skipper’s Smokehouse, Tampa) —ESRead the rest of this entry »
Posted by Leilani Polk on Apr. 27, 2009, at 2:27 pm
Much randomness has arrived in my inbox, made headlines, been ranted about, premiered, revealed … you get the idea. Here’s a breakdown of news stuff that caught my eye over the past seven days.
Tonight, the Decemberists (pictured) make their first appearance on The Colbert Report since the 2006 ShredDown between Funk and Colbert fill-in, Peter Frampton. Portland’s indie chamber rock ensemble is set to perform “The Wanting Comes In Waves / Repaid.”
Newcomer pop-soul singer/songwriter Priscilla Reneais the latest webcam-owning self-promoting musician who’s used YouTube to get noticed. She’s got a real nice voice, young and velvety sweet, so teen-attractive that she was scooped up by Power/Capitol without delay and released her debut EP, Hello My Apple, March 31. Here’s the adorable vid she put out in honor of her release. Whaddya think?
Shitty concert etiquette can destroy what could otherwise be an out-of-this-world concert experience. I’ve attended hundreds of metal, rock, and punk shows and witnessed all manner of drunken douchebaggery. The more intense the show, the more idiocy you’ll have to put up with.
