Tampa Calling

Jackson Browne settles his copyright case with the Republican Party, which played his 1977 hit, “Running on Empty” without permission in a McCain campaign ad that aired on TV and the Internet.

Pop Matters writer Charles A. Hohman offers a lengthy, media-packed analysis of Born in the U.S.A in honor of its 25th anniversary: “Sex in the U.S.A.: Male Sexuality in Springsteen’s American Dream.”

A new covers album of songs by New Zealand indie great and recent stroke victim Chris Knox features a rather respectable line up — Guided by Voices, the Mountain Goats, Jay Reatard, Yo La Tengo and Lambchop, among many others.

In answer to Animal Collective’s getting the go-ahead from the Grateful Dead for the experimental band to sample the jam grandfathers’ song, Blender offers up “Grateful Dead songs ready for sampling, and the artists that should sample them.”

YouTube and Warner Music still can’t agree about liscensing fees.

Chris Brown (pictured) makes a public apology for the assault on Rihanna last month.

Last Thursday, on the 40th anniversary of the Apollo 11 mission to land on the Moon, NASA came out with the embarrassing news that it had somehow, over the years, managed to record over America’s most important historical footage of said trip to the Moon’s surface. You know, the famous footage of Neil Armstrong’s “one small step for man, one giant leap for mankind,” the one that all those conspiracy theorists say is faked Wag the Dog style? Yeah, that footage.

(Apparently, in the 1970s and ’80s, NASA had a shortage of tapes, so it erased about 200,000 of them and reused them, including ones documenting the historical event.)

Luckily, NASA’s news came with a Hollywood saves-the-day solution: those crafty preservationists who restored Casablanca are digitally sharpening and cleaning up grainy footage of the moon landing taken from four sources NASA scrounged from around the world. The results are said to be better than what TV viewers witnessed on July 20, 1969, and according to senior NASA engineer Dick Nafzger, “There’s nothing being created; there’s nothing being manufactured.”

In honor of NASA’s royal fuck-up, I’ve made up a playlist of songs dedicated to the moon. There are a great deal more than 10, and some are rather obvious, but headlines are better with nice round numbers … interesting how many of these songs were produced in the ’70s. I guess a mission to the moon will inspire some songs, huh? Read the rest of this entry »

CL’s choice picks for this weekend in music.

Friday, May 08
What was it that Deiter said on Sprockets? Oh yeah … “Your story has grown tiresome.” I can see this gimmicky show — Unwigged & Unplugged: An evening with Christopher Guest, Michael McKean and Harry Shearer, which features the three now-silver-haired comedians who made up Spinal Tap performing acoustic — as getting real old real fast. Let’s hope the trio doesn’t think that just the songs can carry the day; they’d better have some funny shtick in there, or I could see this thing being a waste of time. Then again, I could be wrong. Still, one wonders: What happens when you run an acoustic guitar through an amp and turn the amp up to 11? Fri., May 8, 8 p.m., Mahaffey Theater, St. Petersburg, $36.50-$49.50. —ES

Post rock meets experimental electronica by instrumental Los Angeles duo El Ten Eleven (pictured). Made up of Kristian Dunn (fretless bass, guitar/bass doubleneck) and Tim Fogarty (electric drums, acoustic drums, synthesizers), El Ten Eleven employs heavy looping and much effects pedal-pushing to create its fuzzified, lively brand of dance music. Also performing: Surly, The Tape Delay and Ghost of Gloria. Fri., May 8, 8 p.m., Orpheum, Ybor City, $8 in advance/$10 DOS. —LP

It’s only fitting that Nashville’s Kings of Leon have graduated to playing arenas — although the Sun Dome is pretty small in that regard — because their sound has morphed from a garage-y immediacy to, yup, more of an arena-style bombast. “Sex on Fire,” the first single from KoL’s current album, Only by the Night, casts a U2-ish hue. The shift must be working: Only by the Night ascended to No. 5 on the Billboard 200, besting 2007’s Because of the Times by 20 slots. For more, read CL’s interview with guitarist Matthew Followill here. Fri., May 8, 8 p.m., USF Sun Dome, Tampa, $35.50 and $43. —ES Read the rest of this entry »

It’s been raining all day, even before I woke up, making the already problematic feat of getting out of bed doubly difficult. The gray weather is making my brain cloudy and I’m having a hard time focusing on anything other than the soothing pitter-patter of drops on the Creative Loafing office’s metal roof. (If it was raining harder, it’d be near impossible for me to even think.)

Anyway, here’s a list of my top 10 personal favorite songs about rain. I know there are plenty I left out, but there are so many goddamn songs about rain. Makes a person wonder how many songs there are about the sun.

1. “Rain Song,” Led Zeppelin, Houses of the Holy, 1973

2. “Here Comes the Rain Again,” The Eurythmics, Touch, 1984

3. “Why Does It Always Rain on Me?” Travis, The Man Who, 1999

4. “Raindrops Keep Falling On My Head,” written by Burt Bacharach for Butch Cassidy and the Sundance Kid, 1969

5. “Dry the Rain,” The Beta Band, The Three EPs, 1998

6. “November Rain,” Guns n’ Roses, Use Your Illusion I, 1992 Read the rest of this entry »

A selection of CDs, EPs, LPs, Digital Releases, DVDs and Box Sets that dropped today.

Arcade Fire, Miroir Noir DVD (Merge)
The Assemble Head in Sunburst Sound, When Sweet Sleep Returned (Tee Pee)
Bat for Lashes, Two Suns (Astralwerks)
Black Dice, Repo (Paw Tracks)
Casiotone for the Painfully Alone, Vs. Children (Tomlab)
Crystal Antlers, Tentacles (Touch & Go)
Del the Funky Homosapien, Funk Man: The Stimulus Package (digital self-release)
Doves, Kingdom of Rust (Astralwerks)
Ramblin’ Jack Elliott, A Stranger Here (Anti-)
Erasure, Total Pop! (Rhino) [box set]
The Felice Brothers, Yonder Is the Clock (Team Love) Read the rest of this entry »