OK, here’s my list. Stay tuned for Top 10s by Snider and Leilani.
1. Lucinda Williams: Little Honey (Lost Highway)
On Little Honey, alt-country queen Lucinda Williams returns to the more focused, rock-oriented sonics of her breakthrough 1998 album Car Wheels on a Gravel Road. In doing so, she reveals a newfound sexual confidence (”Honey Bee”) and celebrates domestic bliss (”Tears of Joy”). The singer/songwriter also manages to mine pathos for humor on the superb Elvis Costello duet “Jailhouse Tears.” Williams can still break your heart, though. “Little Rock Star” plays like a much-needed note to Amy Winehouse, penned by a sympathetic female singer who has already survived the perilous, do “whatever it’ll take to get them to listen” phase. Williams closes Little Honey with a fun treat: A surprisingly awesome swamp-rock cover of the AC/DC road warrior anthem “It’s a Long Way to the Top (If You Wanna to Rock ‘n Roll).”
2. Lil Wayne: Tha Carter III (Cash Money)
Lil Wayne’s stoned, whisper-y flow and high-drama delivery is spellbinding. The dude opens his mouth, and you listen, hanging on each dazzlingly whack rhyme. On Tha Carter III, Weezy’s scattered-brain brilliance is in top form – as is the big budget production that dutifully follows Weezy’s serpentine flow like a hypnotized lover. The New Orleans native’s boasts, observations and musings are weirdly striking at nearly every turn (”I’m a young millionaire, tougher than Nigerian hair.”) Wayne still bulks at straight story telling, but to fault him for this would be like dissing Dali or Picasso for rebuking realism.
3. My Morning Jacket: Evil Urges (ATO)
Genre-hopping indeed rock outfit My Morning Jacket’s juiciest disc to date features a smattering of styles, all of which are rendered outstandingly natural by the Louisville band. There are moments of extreme sadness (”Librarian”) and utmost silliness (”Highly Suspicious.”) Leader Jim James’ versatile voice convincingly sells everything from guitar-blazing, kick drum-intensive arena rock (”Aluminum Park”) to somber country-pop (”Sec Walkin.) Unlike other ultra eclectic offerings, Evil Urges never comes across as show-y. You just get the sense that My Morning Jacket is doing what they love. And doing it damn well.
4. Robyn: Robyn (Konichiwa/Cherry Tree/Interscope)
This year former Swedish pop tart Robyn finally witnessed the U.S. release of her 2005 self-titled disc. Britney and the rest of our countrys’ brain-dead blowup dolls blew Robyn away in terms of sales, but the woman born Robin Miriam Carlsson in 1979 proved the most compelling of the bunch. By far. Over thick disco beats, jittery high hat, deep space bleeps and icy strings, Robyn subverts pop platitudes. She exudes sexiness, smarts, poise and vulnerability in a way rarely seen in a world where hottnes is defined by Paris Hilton.
5. Bob Dylan: Tell Tale Signs: The Bootleg Series Vol. 8 (Columbia)
The magnitude of Dylan’s late-career resurgence is brought into sharp focus here with a collection of “rare and unreleased” tracks recorded between 1989 and 2006. The two-disc set is a dud-free treasure chest featuring previously unreleased gems like the Time Out of My Mind outtake “Red River Shore” (an epic folk tale with spiritual overtones), the unreleased 2005 lament “Can’t Escape From You” and the superior Oh Mercy session version of “God Knows.” Another testament to Dylan’s genius is hearing drastically different “alternate takes” that are every bit as fascinating as the ones that made the final cut. Sequenced judicially, Tell Tale Signs plays like a stellar double-album by popular music’s most vital elder statesman.
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Grizzly Bear and TV on the Radio
