As an addendum to my recent column, “Traveling to see music without losing your money (or your mind),” I’ve put together this small group of shows and fests that provide some good selections for music-motivated travel. If you haven’t already made travel plans this summer, here are some of your best bets.

Grizzly Bear and TV on the Radio
Saturday, June 13, The Tabernacle, Atlanta
If you wanna go, get your tickets now — it’s a Saturday night co-headlining bill featuring of two of Brooklyn’s most hip and beloved bands, both with recent albums — Grizzly’s just-released Veckatimest, TVOTR’s fantastic Dear Science from last year — so the show will most definitely sell out. I would be at this show, front row, if I wasn’t just returning from a music-motivated vacation that same Thursday.

The Decemberists (pictured) with Andrew Bird and Blind Pilot
July 18-19, Edgefield, Portland, Oregon
The chamber rock quintet only comes as close as Atlanta and plays that date on Wednesday, June 3 — not at all convenient for a road trip unless you plan on taking that week off. But the tour also includes this appealing Saturday-Sunday run in Portland, and with whistling singer/songwriter Andrew Bird, and Portland’s own indie pop duo, Blind Pilot.

All Points West Festival Music & Arts Festival
July 31-Aug. 2, Jersey City, New Jersey
The rather fatty fest lineup makes up for the unsavory setting, and you can always take a ride six miles over to NYC if you get tired of the obnoxious accents. Or the smell.
Music highlights: Tool (pictured), Coldplay, Beastie Boys, Yeah Yeah Yeahs, My Bloody Valentine, Echo & The Bunnymen, Vampire Weekend, The National, MGMT, the Ting Tings, Gogol Bordello, Fleet Foxes, MSTRKRFT, Q-Tip, the Pharcyde, Ra Ra Riot, Arctic Monkeys, Neko Case, Crystal Castles, Kool Keith, The Black Keys, Elbow, Telepathe, Tokyo Police Club, White Rabbits, the Postelles, Silversun Pickups, the Gaslight Anthem, Steel Train, Heartless Bastards, Mogwai, Ghostland Observatory, Lykke Li, Akron/Family and others.

Outside Lands Music & Arts Festival
August 28-30, Golden Gate Park, San Francisco
San Francisco is fun to visit, fog and all — there are literally dozens upon dozens of things to do aside from the music; the Ghirardelli Square (free chocolate!), Chinatown, Amoeba Music, Haight-Ashbury, City Lights … And this eco-friendly fest boasts a bevy of awesome acts with more TBA.
Music highlights: Pearl Jam, Dave Matthews Band, Incubus, Beastie Boys, Black Eyed Peas, M.I.A., Ween, The Mars Volta, Conor Oberst & the Mystic Valley Band, Lucinda Williams, Thievery Corporation, Tom Jones, Modest Mouse, Built to Spill, Mastodon, Raphael Saadiq, Band of Horses, TV on the Radio, Robert Randolph & The Family Band, Bat for Lashes, The Avett Brothers, Silversun Pickups, Calexico, Os Mutantes, Tea Leaf Green, Deerhunter, The National, Q-tip, Calexico, Kinky, The Dodos, Lila Downs, Bettye Lavette, Los Campesinos!, Lenka, Akron/Family John Vanderslice, The Morning Benders, West Indian Girl, Portugal. The Man, and Extra Golden.

This Saturday marks the second annual Record Store Day, a national salute to the more than 700 indie music stores located across the country and the positive impact they make on their communities. In honor of the event, several Bay area stores are offerings specials and carrying limited edition, exclusive Record Store Day releases.

Daddy Kool gives 10 percent off all new albums and 20 percent off all used inventory, and hosts some yet-to-be-announced activities.

Other area stores, like Sound Exchange, Mojo Books & Music and Vinyl Fever, have stocked up on an array of exclusive Record Store Day releases available only at indie stores. Amid the offerings are an array of split 7”-ers, including a double 7” of live tracks from Atlanta and Edinburgh by Tom Waits and Lucinda Williams, and a split 7” featuring covers of songs from Warner Bros.’ back catalog – Flaming Lips with Stardeath and White Dwarfs performing Madonna’s “Borderline,” and The Black Keys doing Captain Beefheart’s “Her Eyes Are a Blue Million Miles.” Guided By Voices re-releases its Hold On Hope LP with three bonus tracks, My Morning Jacket offers a limited run CD and double 10″ vinyl release recorded live in Louisville at Ear X-tacy record store, and Wilco makes its forthcoming concert DVD, Ashes of American Flags, available solely to indie stores and on its website on Record Store Day. Other exclusive RSD vinyl releases come from Bruce Springsteen, Leonard Cohen, Mastodon, Bob Dylan, Radiohead, Jane’s Addiction, The Stooges, Modest Mouse, Slayer, The Decemberists and Black Kids, among many others.

Mojo Books & Music offers all manner of freebies and releases, 10 percent off everything in the store, spins by DJ Sam Esser, and live performances by Have Gun, Will Travel, Surfer Blood, and an acoustic set by Drew Cutler of Lush Progress.

Vinyl Fever takes it a step further and offers a collection of 3,500 unusual, collectible records from thousands of LPs the store recently snagged from a music industry veteran, which includes 61 Apple label albums by non-Beatles groups. DJs will be playing select cuts from the vintage albums, and Vinyl Fever also hosts a live in-store performances by New Roman Times. free DeLosa’s pizza and PBR, hourly drawings with prizes, and a special guest appearance by Tampa Tribune music critic Curtis Ross. Bring nonperishable food donations for America’s Second Harvest of Tampa Bay.

Sat., April 18: 10 a.m.-9 p.m. Vinyl Fever, 4110 Henderson Blvd., Tampa, 813-289-8399; 10 a.m.-7 p.m., Daddy Kool, 538 Central Ave., St. Petersburg, 727-822-5665; 10:30 a.m.-8 p.m., Mojo Books & Music, 2558 E. Fowler Ave., Tampa, 813-971-9717; and 11 a.m.-9 p.m., Sound Exchange, Tampa, 813-978-9316. Call the individual stores for more info.

OK, here’s my list. Stay tuned for Top 10s by Snider and Leilani.

1. Lucinda Williams: Little Honey (Lost Highway)
On Little Honey, alt-country queen Lucinda Williams returns to the more focused, rock-oriented sonics of her breakthrough 1998 album Car Wheels on a Gravel Road. In doing so, she reveals a newfound sexual confidence (”Honey Bee”) and celebrates domestic bliss (”Tears of Joy”). The singer/songwriter also manages to mine pathos for humor on the superb Elvis Costello duet “Jailhouse Tears.” Williams can still break your heart, though. “Little Rock Star” plays like a much-needed note to Amy Winehouse, penned by a sympathetic female singer who has already survived the perilous, do “whatever it’ll take to get them to listen” phase. Williams closes Little Honey with a fun treat: A surprisingly awesome swamp-rock cover of the AC/DC road warrior anthem “It’s a Long Way to the Top (If You Wanna to Rock ‘n Roll).”

2. Lil Wayne: Tha Carter III (Cash Money)
Lil Wayne’s stoned, whisper-y flow and high-drama delivery is spellbinding. The dude opens his mouth, and you listen, hanging on each dazzlingly whack rhyme. On Tha Carter III, Weezy’s scattered-brain brilliance is in top form – as is the big budget production that dutifully follows Weezy’s serpentine flow like a hypnotized lover. The New Orleans native’s boasts, observations and musings are weirdly striking at nearly every turn (”I’m a young millionaire, tougher than Nigerian hair.”) Wayne still bulks at straight story telling, but to fault him for this would be like dissing Dali or Picasso for rebuking realism.

3. My Morning Jacket: Evil Urges (ATO)
Genre-hopping indeed rock outfit My Morning Jacket’s juiciest disc to date features a smattering of styles, all of which are rendered outstandingly natural by the Louisville band. There are moments of extreme sadness (”Librarian”) and utmost silliness (”Highly Suspicious.”) Leader Jim James’ versatile voice convincingly sells everything from guitar-blazing, kick drum-intensive arena rock (”Aluminum Park”) to somber country-pop (”Sec Walkin.) Unlike other ultra eclectic offerings, Evil Urges never comes across as show-y. You just get the sense that My Morning Jacket is doing what they love. And doing it damn well.

4. Robyn: Robyn (Konichiwa/Cherry Tree/Interscope)
This year former Swedish pop tart Robyn finally witnessed the U.S. release of her 2005 self-titled disc. Britney and the rest of our countrys’ brain-dead blowup dolls blew Robyn away in terms of sales, but the woman born Robin Miriam Carlsson in 1979 proved the most compelling of the bunch. By far. Over thick disco beats, jittery high hat, deep space bleeps and icy strings, Robyn subverts pop platitudes. She exudes sexiness, smarts, poise and vulnerability in a way rarely seen in a world where hottnes is defined by Paris Hilton.

5. Bob Dylan: Tell Tale Signs: The Bootleg Series Vol. 8 (Columbia)
The magnitude of Dylan’s late-career resurgence is brought into sharp focus here with a collection of “rare and unreleased” tracks recorded between 1989 and 2006. The two-disc set is a dud-free treasure chest featuring previously unreleased gems like the Time Out of My Mind outtake “Red River Shore” (an epic folk tale with spiritual overtones), the unreleased 2005 lament “Can’t Escape From You” and the superior Oh Mercy session version of “God Knows.” Another testament to Dylan’s genius is hearing drastically different “alternate takes” that are every bit as fascinating as the ones that made the final cut. Sequenced judicially, Tell Tale Signs plays like a stellar double-album by popular music’s most vital elder statesman.

6. Gnarls Barkley: The Odd Couple (Downtown/Atlantic)
Gnarls Barkley blew people’s minds with their 2006 debut St. Elsewhere. Its synthesis of producer Danger Mouse’s R&B-rap-future funk-fusion and Cee-Lo’s confessional vocals were unlike anything on the market. The duo’s follow-up, The Odd Couple, lacks a chart-shattering single like “Crazy.” But on balance, the new album is every bit as absorbing as its predecessor. With Danger Mouse’s spooky production egging him on, Cee-Lo continues to explore his fragile psyche and emotional well being, making for a mesmerizing foray into what we’ll call nocturnal soul.

7. The Hold Steady: Stay Positive (Vagrant)
The Hold Steady’s booze-y brand of classic rock for the indie set gets expanded, and frontman Craig Finn’s mouthful vocals become clearer, on Stay Positive, the Brooklyn band’s latest collection of gutter reports and tales of sing along song redemption. It’s a more polished Hold Steady. But a band this splendidly raw benefits from professional touches like pushing the vocals and occasional guitar solo up in the mix. And on “Joke About Jamaica,” we’re treated to the revival of the talk box. Ironic bullshit? Not to my ears.

8. Sonny Landreth: From the Reach (Landfall Records)
For nearly two decades, Sonny Landreth has been one of the most respected guitarists on the planet. But the Louisiana-based artist is also a capable singer/songwriter, and on From the Reach the slide guitar virtuoso shows he’s capable of a studio album that does more than frame his axe achievements. A cohesive blend of bayou rock, blues, jazz and touches of prog (”The Milky way Home’), the disc is a gripping showcase of excellent musicianship and emotive songs. Famous friends Jimmy Buffett, Eric Clapton, Robben Ford, Dr. John, Eric Johnson, and Mark Knopfler all make guest appearances – but no one outshines Landreth, who is at the top of his game here as a triple threat entertainer.

9. Metallica: Death Magnetic (Warner Bros.)
Rick Rubin miraculously returned Metallica to its thrash glory this year, which means the best metal act of the 1980s again reigns supreme. Metallica’s trademark recipe of whiplash-inducing riffs, slippery machine gun rhythms, and burly vocals about the innate horrors of the human existence results in a timeless mode of escapism. Especially for the male species. Glad to have ya back, fellas.

10. Jamey Johnson: That Lonesome Song (Mercury)
With a mighty pen and a gruff, expressive voice that straddles the line between George Jones and Waylon Jennings, singer/songwriter Jamey Johnson has become a key player in the latest movement to return Music City from Rascal Flatts fluff to the mature, sad country songs popularized by the so-called Nashville “outlaws” of the 1970s – most famously, Willie & Waylon. Johnson isn’t afraid to show his manly emotions on songs like the poignant, cocaine cautionary tale “High Cost of Low Living” or while singing about his WWII vet granddaddy (without getting sappy) on “In Color.” And on “Women,” Johnson has a hoot poking a little fun at the fairer sex. It’s country. The way it should be. Johnson performs tonight at Dallas Bull in Tampa.

• Top 20 songs of 2008.

• Honorable mentions: more best songs of 2008.