Tampa Calling

Ruth Eckerd Hall On The Road presents the entertainment for the Summer Concert Series for select Tampa Bay Rays home games.  The schedule begins May 30 with the first concert of the series to be announced shortly.  The remainder of the concert schedule continues Saturday, June 13 with Grammy Award-winner Ludacris and concludes Saturday, September 5 with the legendary group, The Beach Boys.

The B-52’s
All concerts are free with game ticket and will begin immediately following the baseball games. The following is the schedule:

Saturday, May 30:  Tampa Bay Rays vs. Minnesota Twins, 4:10 pm with TBA.
Saturday, June 13: Tampa Bay Rays vs. Washington Nationals, 6:08 pm with Ludacris.
Saturday, June 27:  Tampa Bay Rays vs. Florida Marlins, 7:08 pm with Pat Benatar and Neil Giraldo.
Saturday, July 11:    Tampa   Bay Rays vs.  Oakland Athletics, 6:08 pm with Smash Mouth.
Saturday, August 1:  Tampa Bay Rays vs. Kansas City Royals, 6:08 pm with Daughtry.
Saturday, August 15:  Tampa Bay Rays vs. Toronto Blue Jays, 7:08 pm with the B-52’s.
Saturday, August 22: Tampa Bay Rays vs. Texas Rangers, 7:08 pm with Big & Rich.
Saturday, September 5.  Tampa Bay Rays vs. Detroit Tigers, 7:08 pm with The Beach Boys.

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In the hip-hop community, no one really wants to be labeled a hater. While I don’t hate Lil Wayne, I am far from a fan. I respect the fact that he has put out more music than any other major hip-hop artist in the last five years and probably has the best work ethic of any rapper not named Tupac Shakur. But is doing your job really worth the iconic status he seems to have achieved? I’m going to have to say no. So at the risk of earning the not-so-superlative hater label, I present to you my Top 3 reasons why a dead Biggie Smalls is better than a living Lil Wayne.

Lil Wayne has been successful but is he really a worthy successor?

Coattails

Sean Combs might be the owner, but Christopher “Biggie Smalls” Wallace, better known as the Notorious B.I.G., is responsible for the Bad Boy Entertainment empire. The considerable wealth Combs amassed thanks to Mr. Wallace’s efforts funded his Sean John clothing line and propelled Puff Daddy to stardom. Diddy got a Grammy for his No Way Out album that featured Biggie on five songs. He also gave Lil Kim, the most popular female rapper of her time, her start.

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A regular weekly bulletin on musical guests playing the five-nights-a-week late night talk shows (and SNL); set your TIVOs or DVRs.

The Late Show with David Letterman, CBS
Monday, March 2-Friday, March 6: U2 (pictured, and yes, they are the musical guest every night this week)

The Tonight Show with Jay Leno, NBC
Monday, March 2: The Fray
Tuesday, March 3: Bettye Lavette
Wednesday, March 4: Neko Case
Thursday, March 5: Tom Jones
Friday, March 6: Papa Roach

Late Late Show with Craig Ferguson, CBS
Thursday, March 5: Andrew Bird
Friday, March 6: M. Ward

Late Night with Jimmy Fallon, NBC
(Fallon takes the O’Brien torch with The Roots serving as his house band and kicks off his first week with a pretty fatty schedule of A-list guests and performers)
Monday, March 2: Justin Timberlake, Van Morrison
Tuesday, March 3: Jon Bon Jovi, Santogold
Wednesday, March 4: Clap Your Hands Say Yeah
Thursday, March 5: Ludacris Read the rest of this entry »

Pretty much any time a music critic of my, um, seasoning takes a stand against something trendy, he (she) runs the risk of being labeled an old fart. But I don’t think I’m succumbing to old-fartism when I say that the rampant use of Auto-Tune in today’s pop music is a scourge that I hope ends up in the dustbin of bad fads after a few more mouse clicks.

Auto-Tune? You may know it by its previous incarnations as a Vocoder or Talkbox. It’s an audio processor developed by Antares Technologies that corrects vocal pitch, but its trademark effect is the robotic sound it can add to singing.

The main perpetrator of the scourge is T-Pain, a hack who sings, near as I can tell, everything through Auto-Tune. He’s been highly rewarded for this gimmickry with several hit albums and a bevy of guest vocal appearances on hip-hop singles. In fact, Diddy reportedly paid T-Pain a royalty to work Auto-Tune “magic” on his new recording.

If Auto-Tune was relegated to a well-compensated clown like T-Pain and a few hooks on hip-hop songs, no problem. But it’s spreading like Ebola. Kanye West uses the effect throughout his new disc 808s & Heartbreak, which means that he’s doing a fair amount of singing, which is not good. Britney Spears, Madonna, Justin Timberlake and other pop artists have used it, which suggests it’s getting more and more entrenched as mainstream practice.

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