Tampa Calling

Indie rock forefathers (parents) Yo La Tengo are gearing up to release Popular Songs, on September 8 via Matador. The follow-up to 2006’s I Am Not Afraid of You and I Will Beat Your Ass was recorded in Hoboken, N.J. and Nashville earlier this year.

From the Matador Records Blog:

We have an old saying at Matador HQ, “the only thing predictable about Yo La Tengo albums is their high level of excellence and crazy amount of musical ground covered”. Trouble is, even if you believe we really have an old saying that unwieldly, it doesn’t really do justice in this instance. The new Yo La Tengo CD/2XLP/digital album ‘Popular Songs’ (OLE 856-1,2) could be the bravest musical statement to date in a career full of ‘em. Recorded in Hoboken and Nashville in early 2009 with longtime associate Roger Mountenot, ‘Popular Songs’ finds the trio of Georgia Hubley, Ira Kaplan and James McNew at the height of their creative powers, fashioning an epic work that’s cooly confident as it is wildly adventurous. (THE REST OF THE RELEASE AND NEW SINGLE, “Periodically Double Or Triple,” AFTER THE JUMP.) Read the rest of this entry »

Oklahoma is cooler than Florida! At least as far as official state rock songs are concerned. Residents declared The Flaming Lips‘ “Do You Realize?” the rock anthem of Oklahoma via an online vote. However, the Oklahoma state House rejected the resolution. Some representatives, inclined against all things cool, protested the vote, citing the band’s profanity and provocative wardrobe. A bandmember once wore a hammer & sickle t-shirt? Say it ain’t so! When all was thought lost, Gov. Brad Henry, part-time rock savior, overruled the legislature via executive order and threw his support behind the people’s choice. Oklahoma is now cool despite the best efforts of certain politicians. As for the Lips (pictured right), they are currently prepping a double album.

Joey Ramone passed away back in 2001, but his family still throws the annual Joey Ramone Birthday Bash to raise money for the Joey Ramone Foundation for Lymphoma Research. In addition to sets by Fishbone and Supersuckers, this year’s show will feature a listening party of previously unheard Joey Ramone demos and rough mixes.

(Nick Cave’s Gladiator sequel, reissues from R.E.M. and Stone Roses, and more after the jump!) Read the rest of this entry »

A review by The 941 and Tampa Calling blogger and Creative Loafing Sarasota editor Cooper Levy-Baker.

For all intents and purposes, the Condo Fucks’ Fuckbook is the 13th studio LP from Yo La Tengo, even if the Matador Records website for the “band” never mentions the words “Yo,” “La” or “Tengo.”

There are plenty of clues to go around. One: The name “Condo Fucks” comes from a fake promo card Matador printed up and inserted in Yo La Tengo’s 1997 classic, I Can Hear the Heart Beating as One. Two: In 1990, Yo La Tengo released a covers disc titled Fakebook (the name comes from musical sheets that outline the bare essentials of a tune — melody, chords, lyrics — and allow performers to learn new songs on the fly). Three: The Fucks website lists the band’s members as “Georgia Condo (drums), Kid Condo (guitar) and James McNew (bass)”; the members of Yo La Tengo happen to be Georgia Hubley, Ira Kaplan and James McNew.

And, four (as if you needed it): Recording a half-hour’s worth of fuzzy, Nuggets-like garage rock covers under an in-joke assumed name and then making a short “documentary” about the impact of the fake band on the music scene of southern Connecticut, well, that just seems like the kind of thing Yo La Tengo would do.

“I have no intention of explaining things more fully,” Yo La Tengo guitarist/singer Ira Kaplan told me in an interview two years ago, and that sentiment runs all through the band’s history: the Spanish-language group name (”I have it”), the beguiling album titles (I Am Not Afraid of You and I Will Beat Your Ass), the jokey songs (”Georgia Vs. Yo La Tengo,” “The Story of Yo La Tango”). This is a group unafraid to leave its audience guessing, and they never seem interested in clearing things up for definitive interpretation.

So Condo Fucks. Fuckbook. Yeah, it kind of makes sense. Read the rest of this entry »

In a new, thorough interview with Pitchfork, Stephen Malkmus talks about his memories of albums past and about the possibility of a Pavement reunion.

SM: Well, I don’t think about it too much. It’s sort of an out-of-sight, out-of-mind type thing. It’s just standard question #10 on the interview circuit for Real Emotional Trash. It’s almost as if it’s a script. Most bands will tell you, make sure you like your press release, because everything is going to come off of that, and you know what’s coming. That’s part of the formula, so I usually just say “No, it’s not happening.” People say stuff about Pavement, and I say that I’m really honored and proud that a lot of people at the show are into Pavement, and there wouldn’t be as many people there, we wouldn’t have the dialogue, or play the same venues, frankly, if we were just a new band. So I’m happy about it. But I’m into the new thing.

Pitchfork: Do you think your bandmates in the Jicks ever feel weird about it?

SM: I think they’re used to it at this point. Maybe for Janet it was a new thing. She was in Sleater-Kinney, and that’s it own thing.

Pitchfork: Yeah, “When are Sleater-Kinney going to get back together again?

Read the rest of this entry »