Tampa Calling

Twitter may be the hottest thing in social networking at the moment, but count NIN mastermind Trent Reznor as a recent convert to the naysayers.

According to Rolling Stone, Reznor “recently contributed a post to the official NIN.com message board in which he confesses his disappointment in the overall negativity of online communities, writing, ‘We’re in a world where the mainstream social networks want any and all people to boost user numbers for the big selloff and are not concerned with the quality of experience..’”

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The mid-90’s Britpop feud between Oasis and Blur has become the stuff of legend. Noel Gallagher once famously hoped Blur frontman Damon Albarn would “catch AIDS and die” (he since recanted, blaming drugs for the outburst).  Surprisingly, he’s 100% behind the current Blur reunion: “I’m right into the Blur reunion, ’cause it’ll finish off the Kaiser Chiefs and put them to bed. There’s nothing worse than a shit Blur. And at least the original shit Blur are back to finish off all these other shit Blurs. I’m bang into the Blur reunion.”

From an old reunion to a possible new one: Nine Inch Nails‘ Trent Reznor no longer thinks very highly about former friend and collaborator Marilyn Manson.  Reznor calls Manson “a malicious guy and will step on anybody’s face to succeed and cross any line of decency … Seeing him now, drugs and alcohol now rule his life and he’s become a dopey clown. He used to be the smartest guy in the room.  And as a fan of his talents, I hope he gets his shit together.”

Lots of news on the Flaming Lips, The Cult, STP, Moz, and more after the jump!

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Ever since the phrase “pull a Radiohead” entered the music blogosphere’s lexicon, we’ve watched as a diverse list of acts such as Nine Inch Nails, Saul Williams, Pennywise, and Portishead explore ways to reinvent the music business wheel. One of the highest-profile free agents is Pearl Jam – a group unafraid to fight corporate giants like Ticketmaster head-on. But Eddie Vedder and company don’t fear partnering up with a big box store either.

Billboard reports:

[Pearl Jam manager Kelly Curtis] confirmed that deals were also finished or in the works with an online retailer, a mobile partner, a gaming company and with a network or possibly networks of indie retail stores. “Target ended up allowing us to have other partners. We’ll be able to take care of all levels of the Pearl Jam fan…We wish we could tell the whole story right now, but all the deals aren’t done. Target was cool enough to realize that little independent record stores are not their competition.”

Pearl Jam will follow in the footsteps of AC/DC, Prince, Guns n’ Roses, The Eagles, Bruce Springsteen, and many other famous names that granted exclusivity deals with big box retailers. But Pearl Jam’s deal with Target is not quite as odious. Details after the jump. Read the rest of this entry »

Oklahoma is cooler than Florida! At least as far as official state rock songs are concerned. Residents declared The Flaming Lips‘ “Do You Realize?” the rock anthem of Oklahoma via an online vote. However, the Oklahoma state House rejected the resolution. Some representatives, inclined against all things cool, protested the vote, citing the band’s profanity and provocative wardrobe. A bandmember once wore a hammer & sickle t-shirt? Say it ain’t so! When all was thought lost, Gov. Brad Henry, part-time rock savior, overruled the legislature via executive order and threw his support behind the people’s choice. Oklahoma is now cool despite the best efforts of certain politicians. As for the Lips (pictured right), they are currently prepping a double album.

Joey Ramone passed away back in 2001, but his family still throws the annual Joey Ramone Birthday Bash to raise money for the Joey Ramone Foundation for Lymphoma Research. In addition to sets by Fishbone and Supersuckers, this year’s show will feature a listening party of previously unheard Joey Ramone demos and rough mixes.

(Nick Cave’s Gladiator sequel, reissues from R.E.M. and Stone Roses, and more after the jump!) Read the rest of this entry »

Photos by Phil Bardi.

Let’s put this in perspective: when Jane’s Addiction and Nine Inch Nails toured together for the first Lollapalooza in 1991, current high-school seniors were just being born, crying for their momma’s milk. Now NIN and Jane’s have returned to milk the cash cow one more time. Though never officially declared a reunion tour, the fact that the original four members of Jane’s Addiction – singer Perry Farrell, guitarist Dave Navarro, bassist Eric Avery and drummer Steven Perkins – have only occasionally been in the same room together, let alone played a show,  certainly made it feel like one. And that’s OK by me.  Jane’s pulled the plug at the peak of their success, leaving many fans and soon-to-be-fans craving a live show.

Trent Reznor is a different story. The reclusive god of goth has been releasing albums once every five years or so and touring about the same. Then he dropped the news that this tour would be NIN’s last. Maybe that’s so, but rock stars have a penchant for breaking such promises.

So, what can you expect when two powerhouse bands schedule a big reunion/farewell tour? Overworked fog machines? Yep. Tons of faded black t-shirts? Yep. Power-packed shows filled with the greatest hits? Err..  Not so much, at least for the NIN set.

Catching many of the crowd off guard, a four-piece NIN took the stage rather early, just before 8 p.m.  Reznor –  dressed in a green t-shirt, black jorts and combat boots — led the band through a spirited five-song run to open to the set: “Now I’m Nothing,” “Terrible Lie,” “SIN,” “March of the Pigs” and “Piggy.”  The performance lost steam as the band trudged through tracks from all over the NIN catalog. It seemed like most of the crowd — many attending their one concert of the year — were waiting for “Closer.” They didn’t get it, and seemed to be even more confused that the band chose to play an Adam Ant cover so late in the set. Reznor finally won the crowd back when he ended the set with great nostalgia (but no tripped out video) with “Head Like a Hole” and “Hurt.” (More text, pictures, setlists, and video after the jump) Read the rest of this entry »

CL’s choice picks for this weekend in music.

Friday, May 08
What was it that Deiter said on Sprockets? Oh yeah … “Your story has grown tiresome.” I can see this gimmicky show — Unwigged & Unplugged: An evening with Christopher Guest, Michael McKean and Harry Shearer, which features the three now-silver-haired comedians who made up Spinal Tap performing acoustic — as getting real old real fast. Let’s hope the trio doesn’t think that just the songs can carry the day; they’d better have some funny shtick in there, or I could see this thing being a waste of time. Then again, I could be wrong. Still, one wonders: What happens when you run an acoustic guitar through an amp and turn the amp up to 11? Fri., May 8, 8 p.m., Mahaffey Theater, St. Petersburg, $36.50-$49.50. —ES

Post rock meets experimental electronica by instrumental Los Angeles duo El Ten Eleven (pictured). Made up of Kristian Dunn (fretless bass, guitar/bass doubleneck) and Tim Fogarty (electric drums, acoustic drums, synthesizers), El Ten Eleven employs heavy looping and much effects pedal-pushing to create its fuzzified, lively brand of dance music. Also performing: Surly, The Tape Delay and Ghost of Gloria. Fri., May 8, 8 p.m., Orpheum, Ybor City, $8 in advance/$10 DOS. —LP

It’s only fitting that Nashville’s Kings of Leon have graduated to playing arenas — although the Sun Dome is pretty small in that regard — because their sound has morphed from a garage-y immediacy to, yup, more of an arena-style bombast. “Sex on Fire,” the first single from KoL’s current album, Only by the Night, casts a U2-ish hue. The shift must be working: Only by the Night ascended to No. 5 on the Billboard 200, besting 2007’s Because of the Times by 20 slots. For more, read CL’s interview with guitarist Matthew Followill here. Fri., May 8, 8 p.m., USF Sun Dome, Tampa, $35.50 and $43. —ES Read the rest of this entry »

Ticketholders for the Nine Inch Nails/Jane’s Addiction tour (May 9 at Ford Amp), cross your fingers that Jane’s makes it that far. They’ve been fighting again. Perry Farrell isn’t concerned though. “I’m not going to tell you it’s been all smooches and hugs. But it shouldn’t be because that would be a bore … As long as they can handle it, I can handle it.”

Morrissey (pictured right) gave Coachella concertgoers a moment to remember last weekend. Midway through the set, he said, “I can smell burning flesh, and I hope to God it’s human.” A few minutes later, Moz left the stage! He would return, explaining, “The smell of burning animals is making me sick. I just couldn’t bear it.” The rest of his set concluded without incident. Moz, you may remember, is an outspoken vegetarian. One of The Smiths‘ albums is titled Meat Is Murder, after all.

More stories about Depeche Mode, The Cure, Pixies, Breeders, Pearl Jam, and Smashing Pumpkins after the jump.

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Portishead stands on a precipice in 2009, and endless possibilities lay before them. Their album Third, released last year, fulfilled their contractual obligations to Island Records – and as Pitchfork reported yesterday, Portishead are free agents. Here’s Geoff Barrow:

“with the world being the way it is, there are lots of options open … but if you lot have any bright ideas of how we should sell our music in the future, lets us know, why not! [...] i dont think that we’re into giving away music for free to be honest…it fukin takes ages to write and we have to heat our swimming pools…!!!”

I can’t imagine better circumstances for a band like Portishead. Although Portishead lacks the vast catalogue and consistent longevity of other bands that recently introduced new business models, they’ve still done more than enough to earn a decent following of rabid supporters – the type of fans who’ll wait 11 years for the band’s third album. They know how to make music – they just need to decide where to go from there.

Radiohead let fans name their own price for In Rainbows on top of a 90-cent service fee, and made a ton of money; probably less cash than if they picked a set price, but exponentially more than if they shared the profits with a record label under the dying system. Nine Inch Nails released the instrumental Ghosts I-IV independently, in a variety of digital and physical configurations, and cleared well over a million bucks in its first week alone! I’m not sure Portishead possess a high-enough mainstream profile to garner similar multi-million dollar attention from Live Nation as U2, Madonna, Jay-Z, or Nickelback, but it’s still an avenue to consider. Could you imagine the hipster outcry if Portishead went down that road?

So as Geoff said, if you’ve got an idea, pass it along. They’ve got pools to heat and music to write, and Portishead aren’t exactly known for doing things quickly. Here’s are a couple of good Portishead videos, one older, one new

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