Tampa Calling

In the hip-hop community, no one really wants to be labeled a hater. While I don’t hate Lil Wayne, I am far from a fan. I respect the fact that he has put out more music than any other major hip-hop artist in the last five years and probably has the best work ethic of any rapper not named Tupac Shakur. But is doing your job really worth the iconic status he seems to have achieved? I’m going to have to say no. So at the risk of earning the not-so-superlative hater label, I present to you my Top 3 reasons why a dead Biggie Smalls is better than a living Lil Wayne.

Lil Wayne has been successful but is he really a worthy successor?

Coattails

Sean Combs might be the owner, but Christopher “Biggie Smalls” Wallace, better known as the Notorious B.I.G., is responsible for the Bad Boy Entertainment empire. The considerable wealth Combs amassed thanks to Mr. Wallace’s efforts funded his Sean John clothing line and propelled Puff Daddy to stardom. Diddy got a Grammy for his No Way Out album that featured Biggie on five songs. He also gave Lil Kim, the most popular female rapper of her time, her start.

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Friday night, Orlando’s Matt Butcher debuted his new album, Me and My Friends, with a perfomance at Ybor’s New World Brewery with support from Will Quinlin and the Diviners and North Carolina-based Bombadil.

The diminutive troubadour Butcher (who sounds more like a young Neil Young with each listen) and crew of six knocked out some great harmonies, especially on the title track. Lead guitar and pedal steel work filled things out nicely. As a friend commented, “it’s just enough country, but never too much country.”

Bombadil overcame some questionable wardobe choices to knock out really tight set of twee pop/Indie/Irish sea chanties for children.

Matt Butcher:

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