Tampa Calling

@autopsy4: Made it to Ybor. Have I mentioned how much I hate driving to Tampa?

I arrived to Ybor late and famished due to the traffic jam the rest of the world refers to as Tampa. After getting my access secured and a whiskey inside of me I started to settle down and headed to the Cantina for some of the Southern rock sounds of Mojo Gurus. I only managed to catch their last 3 songs but that was all I needed. The blistering rock mixed with the whiskey were getting me where I need it to be and all I needed at this point was a hot dog and I was gonna be fixed.

On my way out of the Cantina I bumped into some old friends and decided a double whiskey and catching up was gonna have to suffice as food. While the double put a beating on my wallet, it was exactly what the head was wanting and I was exactly where I needed to be as Thomas Wynn & The Believers took the stage. Read the rest of this entry »

The Mars Volta’s fifth studio album, Octahedron, will be released June 23 by Warner Bros. in the U.S. and on June 22 via Mercury Records to the rest of the world.

“It’s more mellow. It’s a little more of what we consider our ‘acoustic’ side,” singer Cedric Bixler-Zavala told Australian radio station Triple J of the new record. “We know how people can be so linear in their way of thinking, so when they hear [the new album], they’re going to say, ‘This is not an acoustic album! There’s electricity throughout it!’ But it’s our version,” the singer said. “That’s what our band does — celebrate mutations. It’s our version of what we consider an acoustic album.”

Hailed by The New Yorker as “perhaps the most musically adventurous act currently signed to a major label,” The Mars Volta formed in 2001. The band’s recorded output includes their 2003 debut full-length, De-Loused In The Comatorium, as well as Frances The Mute (2005), Amputechture (2006) and the Grammy-winning The Bedlam In Goliath (2008).

The band are confirmed performers at this year’s Bonnaroo and San Francisco’s Outside Lands Festival.

Here’s the track, “Cotopaxi”:

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