Tampa Calling

After repeatedly hearing this new disc hyped by The Mars Volta leader Omar Rodriguez-Lopez in recent interviews as their “acoustic record,” TMV fans might be a bit surprised when they finally get to hear Octahedron.

Acoustic guitars highlight only a couple of the tracks on the new album, primarily the single “Since We’ve Been Wrong,” the over-7-minute “With Twilight as My Guide,” and “Copernicus.” The rest of the songs feature as much of the bombastic guitar and keyboard-driven rock as their fans are used to.

A special five-on-the-floor shout-out goes to track 2, “Teflon,” where vocalist Cedric Bixler-Zavala wails, “Let the wheels burn/ Let the wheels burn/ Stack the tires to the neck/ With the body inside.”

What strikes me as particularly “acoustic” about Octahedron is the lack of dense, arpeggiated guitar overdubs that typically define the Volta’s sound. In fact, the only guitar “solo” is placed at the end of “Luciforms,” the last song on the record.

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You’d be forgiven for thinking that Sonic Youth — average age: 50 — had mellowed in recent years. 2006’s Rather Ripped found the band working some of the most subtle grooves of its career, and the results were spectacular, a continuation of the second act SY began staging with 2002’s excellent-if-spotty Murray Street and 2004’s just-damn-perfect Sonic Nurse.

In case you worrying, though, track one of SY LP number 16, The Eternal, will cure you of any illusions that this band has gone soft. Titled “Sacred Trickster,” the song is two minutes of no-frills punk rock, with an angry vocal turn by bassist Kim Gordon and a fat bottom end that comes courtesy of new fifth band member Mark Ibold (formerly of Pavement).

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I wasn’t really sure what to expect going into Friday’s concert at Mahaffey Theater featuring an un-costumed, un-amplified-to-11 Christopher Guest, Michael McKean, and Harry Shearer. Maybe I was thinking too hard about it? After all, when you go see a band, they play their songs.  When you go see a comedian, he does his material. With Guest, McKean, and Shearer, reality lay in between — a hilarious, two-hour multimedia jaunt down memory lane complete with stories, clips, and songs predominantly from two classic film satires about seemingly disparate genres of music. Read the rest of this entry »