Tampa Calling

A quick breakdown of this weekend’s most worthy concerts beginning with Thursday, ’cause that’s when the weekend really starts, right? For a more comprehensive schedule of concerts, check out our Upcoming Events page.

Thursday, July 30
Jeffree Star w/Artist VS Poet/Watch Out! Theres Ghosts/Lets Get It Jeffree Star is conversely ambiguous and flamboyant ­— he could be a woman or a man with his long, bright pink hair, dragtastic make-up and swaths of rock star tattoos. The LA-based self-proclaimed “Queen of the Internet” is a dance music recording artist and Internet phenom who has more than a million MySpace friends and more than 12 million hits on his most played song, “Eyelashes Curlers & Butcher Knives.” Thurs., July 30, 8 p.m., Orpheum, Ybor City, $10, all ages.

Maxwell w/Chrisette Michele Neo-soul singer Maxwell — the Grammy-nominated artist who hits the high notes in his seductive, made-for-making-looove serenades — is currently touring in support of his fourth studio album and first new effort in eight years, BLACKsummers’night. The Brookyn native’s latest features a 10-piece band that brings a lush feel to the album’s supple grooves. Soul support act Chrisette Michele actually won a Grammy for “Best Urban/Alternative Performance” in 2009 for her up-tempo “I Will Survive”-style single, “Be OK.” Thurs., July 30, Ruth Eckerd Hall, Clearwater; last time I looked this show was SOLD OUT, although I’m sure you can find tickets floating around outside. Read the rest of this entry »

Lots of new concert announcements arrived in my email box over the past three days. I’ve paired the new with a few that slipped through the cracks for your concert planning convenience. For a complete breakdown of area shows, visit our Upcoming Concerts page.

Saturday, Aug. 8 Sons of Bill, Skipper’s Smokehouse, Tampa, $7 in advance/$10 dos; ON SALE NOW.

Friday, Aug. 14 Tracy Byrd, Dallas Bull, Tampa, $9.95 in advance, $15 at the door; ON SALE NOW.

Sunday, Aug. 23: White Rabbits w/The Fiery Furnaces, The Social, Orlando, $13 in advance, $15 dos; ON SALE NOW.

Friday, Sept. 04: Soja w/The Movement, State Theatre, St. Petersburg, $15; ON SALE NOW.

Friday, Sept. 04 Lee “Scratch” Perry, The Social, Orlando, $20 in advance, $25 dos; ON SALE NOW.

Wednesday, Sept. 16: Living Colour (pictured above), Jannus Landing, St. Petersburg, $15 in advance, $18 dos; ON SALE NOW. Read the rest of this entry »

A quick breakdown of this weekend’s most worthy concerts beginning with Thursday, ’cause that’s when the weekend really starts, right? For a more comprehensive schedule of concerts, check out our Upcoming Events page.

Thursday, July 23
Nightmare Of You (pictured) w/Plushgun/Brian Bonz/Aushua In Nightmare of You’s single, “I Think I’m Getting Older,” frontman Brandon Reilly laments about aging against jangly guitars and post-punk bounce, and right before it peters to an end, there’s a brief breakdown of lazy, watery dub. Haven’t heard the rest of the Long Island, NY, four-piece quartet’s just-released second album, Infomaniac (Bevonshire), but my curiosity is piqued. Plushgun and Brian Bonz are both Brooklynites; Plushgun does cloying electro-pop (oft-described as “infectious”) while Bonz has a husky vocals and a pleasant ambience to his organic experimental rock. Thurs., July 23, 9 p.m., Crowbar, Ybor City, $10 in advance/$12 dos (18 and up).

Ex-Norwegian w/The Lighthouse and the Whaler /Pemberley While the name may imply far away origins (or an appreciation of Monty Python’s Flying Circus), Ex-Norwegian hails from Miami Beach and their music has the bright and shiny quality you’d expect with hand-claps, acoustic guitar and cheery vocals. Ohio’s Lighthouse and the Whaler make airy folk rock with percussive trimmings and multi-voice harmonizing that give the music a tender, rustic feel. Thurs., July 23, 9 p.m., New World Brewery, Ybor City, $7. Read the rest of this entry »

WMNF’s 4th Annual Americana Fest at Skipper’s Smokehouse went off without a hitch this past Saturday, July 11, a hand clappin’, boot stompin’ good time that showcased the vast array of talent in Florida’s Americana scene.

Have Gun, Will Travel

Originally masterminded by Ted Lukas, Americana Fest is all grown up. This year featured ten outstanding Florida Americana bands: Ted Lukas & the Misled, Will Quinlan & the Diviners, Have Gun, Will Travel, Thomas Wynn & the Believers, Nervous Turkey, Black Finger, Roppongi’s Ace, Mike Dunn & the Kings of New England, Matt Butcher and The Nine Volts plus a national headliner: Blue Mountain. Read the rest of this entry »

It’s a holiday weekend, which means one extra day of partying down and supporting the local music scene without fear of a hangover-filled workday to follow. Here’s a quick breakdown of your best live music bets. For a more comprehensive schedule of concerts, check out our Upcoming Events page.

Thursday, July 2
Mike Dunn & the Kings of New England (pictured at right)/Will Quinlan/King of Spain Winter Park singer/songwriter Mike Dunn makes music that evokes freedom and wind in your face. His grabby, anthemic tunes send out a whiff of Americana, but at core they are pure, pop-infused rock ’n’ roll. Dunn pulls from a list of 11 confederates to make up his backing band, the Kings of New England, on any given night. No word on how many will show up at New World for this gig, but the safe bet is it won’t be all 11. Atlanta’s Rick Brantley was formerly on the bill but has been replaced by local one-man experimental rocker, King of Spain (Matt Slate). And Quinlan, well, we all know Quinlan, the dour dean of Tampa Bay’s Americana scene. Thurs., July 2, 9 p.m., New World Brewery, Ybor City, $7. —ES

Michael McDonald + Boz Scaggs Two of the most popular vocalists of the 1970s join together in a co-bill at Ruth Eckerd. My strong preference is Scaggs, with his round, throaty soul croon. His Silk Degrees (’76) is an unmitigated classic. Lately, Scaggs’ has added standards from the American Songbook to his repertoire, so his show will be a compendium of material over several decades. (Concertgoer alert: He’s going on first; to read more about him, check out the CL feature here.) When McDonald joined the Doobie Brothers in 1975, they went from a guitar-oriented bar band (albeit a slick one) to a Grammy-winning pop outfit dominated by McDonald’s keyboards and syrupy voice. He had a solid solo career in the 1980s, despite the blemish known as “Yah Mo B There.” Thurs., July 02, 7:30 p.m., Ruth Eckerd Hall, Clearwater, $62.50-$103. —Eric Snider

Friday, July 03
Starlight Mints/Evangelicals (pictured at left, photo by Sarah Cass) You might want to take a break from the Hot Dog show and stroll up the street for Starlight Mints, a band out of Norman, Okla. (home of Flaming Lips) that would make a proper co-bill with Sunbears!. The quartet of “pop mutants” brings plenty of whimsy and weirdness to their sound, but never strays from tried-and-true rock verities: hooks, tuneful vocals, muscular rhythms. The band is backboned by synthesizers, but adds playful twists — like the cartoon horns on “Zoomba” from their new album Change Remains. Evangelicals are also from Norman, and sound as if they might’ve been to a few barbecues at Coyne’s house. Fri., July 3, 9 p.m., New World Brewery, Ybor City, $8. —ES
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On Sunday, April 19, Skipper’s Smokehouse will host the 4th annual Alchemy Fest – an all-ages, family-friendly, outdoor event that’s like Easter, Earth Day and 4:20 all rolled into one.

This year, the concert will feature performances from Thomas Wynn and the Believers, Geri X, The Sheaks, Sons of Hippies and The Jim Morey Band.

There will also be face painting, tarot card reading by Natty Moss Bond, henna tattoos by Aleka Phoenix, arts and crafts activities for the kids and “many more surprises.”

The event starts at 2 p.m. and goes until 6 p.m. Admission is $10. Children 10 and under get in free. Skipper’s Smokehouse is also a restaurant that serves some of the best Florida/Cajun staples around such as hush puppies, crawfish and gator tail bites.

What: Alchemy Fest 4
When: Sunday, April 19
Where: Skipper’s Smokehouse, 910 Skipper Rd. Tampa
More: 2 – 6 p.m. | $10 | All Ages | 10 and under free

WIN TICKETS: Send MIXTAPE to 50618 for your chance to win a pair of tickets to Alchemy Fest 4.
Congratulations to our winners!

TWO VIDEOS AFTER THE JUMP …

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Local bands come and go, but there are always those few that make such a lasting impression, that burned so hot and so bright in their heyday, that they are remembered and talked about long after they’re gone. Case in point: Beanstalk, an instrumental, funk/jazz/jam trio that peaked in Tampa nearly a decade ago and is still the standard against which subsequent local jam outfits are measured.

Unfortunately, Beanstalk took on too much too fast and burned out after less than four years together.

Beanstalk grew from some casual jam sessions in 1997 between three talented Tampa musicians — drummer Aaron Kant, guitarist Joel Lisi and bassist Andy Irvine (pictured at left). The trio culled from jazz, funk, soul, blues and rock ‘n’ roll; the grooves were so good that soon enough they were working up material by Earth Wind and Fire, Stevie Wonder, James Brown and others to play live. During one session, Lisi idly fingered the vocal melodies to a tune they were learning, and Irvine and Kant realized the group didn’t need a singer, that Lisi could manage all the lyric parts and still convey the feeling.

“That’s where the Beanstalk sound was born,” Irvine told me last week when we met to discuss the past, present and future of the band. Click here to read more.

Rare is the musician who can record an album of avant-garde solo piano, then turn around and write, sing and perform a simple, confectionary pop song called “My Girl My Girl,” which begins with the lines, “Just can’t find one better lookin’/ There ain’t no one that’s got more cookin’.”

Perhaps that’s why more people haven’t heard of Terry Adams. His brand of bold, unrepentant eclecticism does not usually make for a star career. More folks know Adams as the wild man behind the keyboards in the long-beloved and now-defunct cult band NRBQ. That outfit was about as stylistically free-spirited and far-reaching as any that’s fallen under the general rubric of rock ’n’ roll. Adams, who formed the band, and the various musicians who came through it, had an exquisite case of musical ADD.

Terry Adams plays Skipper's March 15

NRBQ used to bounce from honey-coated, post-Beatles pop to jagged jazz a la Thelonious Monk to silly country tunes to jaunty blues. And more, lots more. They weren’t genre slumming, either; the group played everything convincingly, albeit with a healthy dollop of quirkiness. At the height of their powers, the quartet would even take random requests from the audience and perform (sometimes attempt to perform) songs that they had never played together before.

In the five years since NRBQ’s breakup, Adams’ has forged on with a similarly fearless aesthetic. The central characteristic of his music, from its beginnings in the mid 1960s until now, is a sense of wonder, an almost childlike yen for constant discovery. And when he gets there, he shares his delight with the audience. Along the way, he’s shown a knack for making the complex seem carefree and the simple seem somehow profound.

After a half-hour phone conversation with Adams — not to mention several quickie calls to set up an interview — I feel qualified to say that he’s a one-of-a-kind cat, an eccentric (but not strange) fellow not given to linear thinking.

I ask him why he doesn’t use the NRBQ moniker as a branding device — to, at the very least, pull more folks out to his shows. Adams pauses, seeming to genuinely ponder the option. “I didn’t wanna keep draggin’ the name on,” he replies in a slight drawl reminiscent of his native Louisville. “I dunno, maybe I should.”

\”My Girl My Girl\” by Terry Adams

Tom Staley, an early NRBQ drummer who’s joining the keyboardist for a few Florida dates as a member of the Terry Adams Crazy Trio, has a more pithy take: “He has more integrity than to call something he’s doing NRBQ,” says the St. Pete resident, who also drums for The Vodkanauts. “He knows people would take offense at that.”

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Cope w/Middle Rhythm Session
Fri., March 6, 8 p.m., Skipper’s Smokehouse, Tampa, $7

A solid jam-rock outfit that’s been gigging around the Bay area for the past several years, Cope has only recently found a lineup that fits. Now, they’re ready to get serious.

“We’ve finally reached a sound we’re proud of,” guitarist/vocalist Dennis Stadelman told me a few weeks ago when I sat down with him and his bass-playing brother Kenny to discuss their official “coming out” show this Friday.

The Stadelmans have the best sort of sibling rivalry, one that forces them to grow and mature as artists together or else run the risk of one or the other losing creative face. After more than 15 years of performing — they started their first band at ages 15 and 16, along with their 14-year-old cousin, guitarist Roger Pinkerton — they’ve gotten pretty good at complementing each other, experimenting with new ideas and sounds, and challenging each other to improve and evolve. Read the rest of this entry »

All photos by Phil Bardi.

Despite temperatures that dipped below 30 Wednesday night, a few hundred bundled-up locals managed to make it out to Skipper’s Smokehouse to see British reggae toaster/singer Pato Banton (pictured) perform with LA hip-hop-meets-reggae rock outfit Mystic Roots, a tight little sextet with a two-piece horn section (sax and trumpet) and youthful, energetic players who laid down the grooves with laid-back ease.

Banton was an effervescent showman who sang, toasted, rapped, talked and encouraged the crowd to join him throughout. He was petite and trim and quite the dapper gentleman with his British accent and Euro-urban flair, matching white jacket, shirt, hat and sneaks (apparently a sort of uniform), his positive energy shining as brightly as his clothes. (More pics after the jump.) Read the rest of this entry »

Skipper’s Smokehouse hosts Island Night every Wednesday. This evening’s edition features Birmingham, England reggae singer/toaster Pato Banton with California’s Mystic Roots backing him up. Yes, it’s supposed to get pretty chilly tonight. No, that shouldn’t deter from going to the show. Here’s some stuff about him you probably don’t know:

1. Last year, Banton released his 16th studio album, Destination Paradise, which, according to reviews, continues his graceful evolution from a strictly reggae artist to a world musician.

2. Banton’s stepfather (Lester Daley) was a DJ fresh out of Jamaica and the house in which they lived was the weekend night spot for the local community. Pato, at age 9, was apparently the lookout for these illegal parties and the unexpected result was an education and interest in reggae music. Read the rest of this entry »

Boss local punk-blues power trio Roppongi’s Ace have posted new tracks on their MySpace page. Here’s what the band wrote in a recent blog post:

Record in 1/09! Demos up now

Hope y’all get a chance to listen to the new tracks. They’re still in demo form and are a little rough around the edges–the masters are done and should be up soon. Look for the new record in early January and a whole bunch of new dates to be posted soon! – RA

Singer/guitarist/fiddler Alex Spoto has been away at college (Brown, last we spoke; yep, he’s a thinker), causing the recent band hiatus. But you can witness Roppongi’s Ace rip it up Dec. 28 at Crowbar and Dec. 31 at Skipper’s Smokehouse. Here’s what I wrote about Roppongi’s spectacular summer of 2007 farewell gig at the Skipperdome:

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James McMurtry and the Heartless Bastards w/Ronny Elliott Band, 8 p.m. Fri., Dec. 5, Skipper’s Smokehouse, Tampa, $17 advanced, $20 door. Photo Craig Seth.

James McMurtry might not be a name on par with, say, fellow Texans Lyle Lovett or Steve Earle, but the singer/songwriter and bad-ass guitarist is still a revered act in the Americana world. McCurtry‘ McMurty’s latest album, the outstandingly incendiary, darkly humorous, wonderfully emotive and rustically rocking Just Us Kids, has garnered glowing write-ups in glossies such as Blender, Mojo and Entertainment Weekly, the latter of which showered the disc with superlatives like “brilliant,” “hilarious” and “poignant” in giving it an A- grade. Just Us Kids is selling, too. It has reached a very respectable No. 18 on Billboard’s Top Independent Albums chart.

So it’s surprising when I’m given McMurtry’s mobile phone number and instructed to ring him in the afternoon. Any afternoon. Easy as that, the PR person says. But I’m skeptical. Usually when dealing with an artist of McMurtry’s status there’s a set time, date and minute count to which, you, the interviewer, are supposed to stick. Twenty minutes is the norm.

I dial the digits and hear a gruff “hello” that could only be James McMurtry’s. “Give me a moment to pull over,” he says. “I’ve got a manual transmission.” He steers his automobile into a nearby parking lot to grant an interview on a recent Tuesday afternoon. McMurtry has been driving around his hometown of Austin, running the same mundane errands you or I might conduct on an off day. He good-naturedly refers to the interview as just another duty after I apologize for interrupting his daily routine.

The Americana music icon speaks slowly. His voice is deep. His answers are straightforward and marked by an economy of words – and a drawl that reflects both his native Virginia and decades spent in the Lone Star State. You get the sense he’s incapable of feeding you bullshit, and it’s the same way with his music. Whether recounting the machinations of a crystal meth cooker in the fan favorite “Choctaw Bingo,” or telling me how his world-famous father Larry McMurtry’s one shortcoming as a novelist/screenwriter is that “he always gets firearms wrong,” the younger McMurtry’s words smack of integrity.

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This just in from our friends at the Skipperdome:

Tonight’s show with The Juke Joint Duo, Cedric Burnside and Lightnin Malcolm, has been canceled; Cedric’s grandmother passed away so Cedric is heading back to Mississippi to be with his family. Our thoughts and prayers go out them during this difficult time.