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	<title>Comments on: Reel Projections — Thursday, December 18</title>
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	<link>http://blogs.creativeloafing.com/the941/2008/12/18/reel-projections-%e2%80%94-thursday-december-18/</link>
	<description>The blog of the Suncoast</description>
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		<title>By: Brian Ries</title>
		<link>http://blogs.creativeloafing.com/the941/2008/12/18/reel-projections-%e2%80%94-thursday-december-18/comment-page-1/#comment-29437</link>
		<dc:creator>Brian Ries</dc:creator>
		<pubDate>Fri, 19 Dec 2008 01:37:06 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/the941/?p=2086#comment-29437</guid>
		<description>When it comes to the cell phone subplot, I think a much more accurate representation of Batman&#039;s character would have had him only pretend to destroy the monitoring program, then switch it back on as soon as Lucius was gone. That&#039;s how you stop crime in Gotham, bitches.</description>
		<content:encoded><![CDATA[<p>When it comes to the cell phone subplot, I think a much more accurate representation of Batman&#8217;s character would have had him only pretend to destroy the monitoring program, then switch it back on as soon as Lucius was gone. That&#8217;s how you stop crime in Gotham, bitches.</p>
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		<title>By: Cooper Levey-Baker</title>
		<link>http://blogs.creativeloafing.com/the941/2008/12/18/reel-projections-%e2%80%94-thursday-december-18/comment-page-1/#comment-29435</link>
		<dc:creator>Cooper Levey-Baker</dc:creator>
		<pubDate>Thu, 18 Dec 2008 21:06:42 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/the941/?p=2086#comment-29435</guid>
		<description>I thought the surveillance subplot promised to be thought-provoking, but I think the way it&#039;s wrapped up doesn&#039;t really leave much ambiguity. The viewer is set up at the end to think, &quot;Okay, that wasn&#039;t very cool, but hey, somebody had to stop the Joker.&quot; I don&#039;t find that idea offensive, necessarily, just very shallow.</description>
		<content:encoded><![CDATA[<p>I thought the surveillance subplot promised to be thought-provoking, but I think the way it&#8217;s wrapped up doesn&#8217;t really leave much ambiguity. The viewer is set up at the end to think, &#8220;Okay, that wasn&#8217;t very cool, but hey, somebody had to stop the Joker.&#8221; I don&#8217;t find that idea offensive, necessarily, just very shallow.</p>
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		<title>By: Sal</title>
		<link>http://blogs.creativeloafing.com/the941/2008/12/18/reel-projections-%e2%80%94-thursday-december-18/comment-page-1/#comment-29434</link>
		<dc:creator>Sal</dc:creator>
		<pubDate>Thu, 18 Dec 2008 20:03:02 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/the941/?p=2086#comment-29434</guid>
		<description>Ah, I think I&#039;ve found the source of our disagreement. When watching the ferry scene, or the surveillance subplot, I didn&#039;t perceive the filmmakers as being didactic. So while you interpret the ferry scene as &quot;No matter how bad it gets, society will always come through and act decently,&quot; I saw it as a deliberate plot device to undermine Joker&#039;s belief that, when push comes to shove, people would always act in their own interests (whether you call those interests &quot;best&quot; or &quot;selfish&quot; I guess is in the eye of the beholder. 

Same thing with the cellphone surveillance — I was more intrigued by that subplot for the thought it provoked, regardless of whether it was making a hard case for one side or the other. OK, if you&#039;re already predisposed to believe that civil liberties were inexcusably violated by Lucius and Bruce&#039;s monitoring, then I guess that aspect isn&#039;t thought-provoking at all — it&#039;s just offensive. Personally, I&#039;m not so sure. And to me it doesn&#039;t matter what authorial intention was/is.</description>
		<content:encoded><![CDATA[<p>Ah, I think I&#8217;ve found the source of our disagreement. When watching the ferry scene, or the surveillance subplot, I didn&#8217;t perceive the filmmakers as being didactic. So while you interpret the ferry scene as &#8220;No matter how bad it gets, society will always come through and act decently,&#8221; I saw it as a deliberate plot device to undermine Joker&#8217;s belief that, when push comes to shove, people would always act in their own interests (whether you call those interests &#8220;best&#8221; or &#8220;selfish&#8221; I guess is in the eye of the beholder. </p>
<p>Same thing with the cellphone surveillance — I was more intrigued by that subplot for the thought it provoked, regardless of whether it was making a hard case for one side or the other. OK, if you&#8217;re already predisposed to believe that civil liberties were inexcusably violated by Lucius and Bruce&#8217;s monitoring, then I guess that aspect isn&#8217;t thought-provoking at all — it&#8217;s just offensive. Personally, I&#8217;m not so sure. And to me it doesn&#8217;t matter what authorial intention was/is.</p>
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		<title>By: Cooper Levey-Baker</title>
		<link>http://blogs.creativeloafing.com/the941/2008/12/18/reel-projections-%e2%80%94-thursday-december-18/comment-page-1/#comment-29432</link>
		<dc:creator>Cooper Levey-Baker</dc:creator>
		<pubDate>Thu, 18 Dec 2008 18:19:26 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/the941/?p=2086#comment-29432</guid>
		<description>Ledger&#039;s performance was definitely amazing, and I really believe it deserves to be singled out, no question. I guess I just don&#039;t find the morals of the film all that ambiguous. The ferry scene says: &quot;No matter how bad it gets, society will always come through and act decently,&quot; and then when the mega-security cam system blows up, the film without question is saying: &quot;Violating civil liberties every now and then is just fine, as long as it&#039;s a good guy doing it.&quot; What was a dark, complicated film becomes pretty one note by the end, I think.</description>
		<content:encoded><![CDATA[<p>Ledger&#8217;s performance was definitely amazing, and I really believe it deserves to be singled out, no question. I guess I just don&#8217;t find the morals of the film all that ambiguous. The ferry scene says: &#8220;No matter how bad it gets, society will always come through and act decently,&#8221; and then when the mega-security cam system blows up, the film without question is saying: &#8220;Violating civil liberties every now and then is just fine, as long as it&#8217;s a good guy doing it.&#8221; What was a dark, complicated film becomes pretty one note by the end, I think.</p>
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		<title>By: Sal</title>
		<link>http://blogs.creativeloafing.com/the941/2008/12/18/reel-projections-%e2%80%94-thursday-december-18/comment-page-1/#comment-29431</link>
		<dc:creator>Sal</dc:creator>
		<pubDate>Thu, 18 Dec 2008 17:14:29 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/the941/?p=2086#comment-29431</guid>
		<description>I rate The Dark Knight a little higher than you, Coop, and I think it would have ranked high in any year. I was impressed by the moral ambiguities of the film: society&#039;s mores vs. an acceptable level of vigilantism; what we&#039;re willing to sacrifice in terms of liberties and even lives for the sake of maintaining order. And because it plays out within the context of a summer blockbuster, while tapping into our anxiety-filled zeitgeist (with some explicit parallels to the War on Terror), my guess is that paid critics and audiences realized they were witnessing a film that transcended its pulpy, comic-book origins. 

Of course, it helped tremendously that Heath Ledger&#039;s performance was canonized by his own death. Who knows, maybe with the benefit of distance, your view will be vindicated, and people will take a more sober view of The Dark Knight, realizing their initial reaction was grounded in surprise rather than the artistic merits of the film.</description>
		<content:encoded><![CDATA[<p>I rate The Dark Knight a little higher than you, Coop, and I think it would have ranked high in any year. I was impressed by the moral ambiguities of the film: society&#8217;s mores vs. an acceptable level of vigilantism; what we&#8217;re willing to sacrifice in terms of liberties and even lives for the sake of maintaining order. And because it plays out within the context of a summer blockbuster, while tapping into our anxiety-filled zeitgeist (with some explicit parallels to the War on Terror), my guess is that paid critics and audiences realized they were witnessing a film that transcended its pulpy, comic-book origins. </p>
<p>Of course, it helped tremendously that Heath Ledger&#8217;s performance was canonized by his own death. Who knows, maybe with the benefit of distance, your view will be vindicated, and people will take a more sober view of The Dark Knight, realizing their initial reaction was grounded in surprise rather than the artistic merits of the film.</p>
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		<title>By: Cooper Levey-Baker</title>
		<link>http://blogs.creativeloafing.com/the941/2008/12/18/reel-projections-%e2%80%94-thursday-december-18/comment-page-1/#comment-29430</link>
		<dc:creator>Cooper Levey-Baker</dc:creator>
		<pubDate>Thu, 18 Dec 2008 16:53:56 +0000</pubDate>
		<guid isPermaLink="false">http://blogs.creativeloafing.com/the941/?p=2086#comment-29430</guid>
		<description>Reading all these Top 10 lists you&#039;ve been posting, Sal, I can&#039;t help but feel pretty underwhelmed compared to last year&#039;s end-of-the-year wrap-ups. 2007 had Zodiac, No Country for Old Men, fucking There Will Be Blood. These are great, great films.

Sure, I love The Dark Knight as much as the next guy, but a cinematic masterpiece it is not. The juvenile moralism of the ferry scenes, the clumsily-filmed showdown in the half-built tower, the gaping plot holes: I think our standards are just down the toilet this year. The Dark Knight is an amazing action flick, no doubt, but only in a very weak year would it be the most hotly-tipped film come Top 10 time.</description>
		<content:encoded><![CDATA[<p>Reading all these Top 10 lists you&#8217;ve been posting, Sal, I can&#8217;t help but feel pretty underwhelmed compared to last year&#8217;s end-of-the-year wrap-ups. 2007 had Zodiac, No Country for Old Men, fucking There Will Be Blood. These are great, great films.</p>
<p>Sure, I love The Dark Knight as much as the next guy, but a cinematic masterpiece it is not. The juvenile moralism of the ferry scenes, the clumsily-filmed showdown in the half-built tower, the gaping plot holes: I think our standards are just down the toilet this year. The Dark Knight is an amazing action flick, no doubt, but only in a very weak year would it be the most hotly-tipped film come Top 10 time.</p>
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